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    Troubling History

    May 24, 2019 by Will Morrisey

    Adam Michnik: The Trouble with History: Morality, Revolution, and Counterrevolution. Elzbieta Matynia, Agnieszka Marczysk, and Roman Czarny translation. New Haven: Yale University Press, 2014.

     

    A worrisome thing that’ll cause you to sing the blues in the night: That’s history, all right, and Adam Michnik knows it like a Pole—in his bones. Part of the troublesomeness of history derives not only from the history we mean when we think of the course of human events—often more a slaughter-bench than a stream—but from history held up as a source of moral and political authority, as a dialectical unfolding of some form of ‘Absolute Spirit,’ of class- or race-consciousness which acts rather in the manner of Biblical Providence, revealing truth to all who have ears to hear and rubbishing those graceless souls who don’t. Situated squarely between Germany and Russia and its sometime imperial provinces, Belarus and Ukraine, Poles have witnessed and suffered the consequences of those ideologies for a century.

    In inaugurating a series of books exploring “democracy and its discontents,” Yale University Press chose one of the best of the secularist Poles. A red-diaper baby born in 1946, in the aftermath of the Soviet-enforced ascension of the Polish Communist Party, he proved one of those rare persons who thinks his way free from the idols of the cave, perhaps with some help from the philosopher Leszek Kolakowski, whom he met as a university student in Warsaw. His political activities earned him expulsion from Warsaw University in that unrestful year, 1968, and the next two decades found him sometimes in prison, sometimes in exile, but never removed from engagement in the efforts of Poles to liberate themselves. As those efforts gained traction in the early 1980s, Michnik founded Gazeta Wyborcza at the behest of Polish Solidarity labor union leader Lech Walesa; the newspaper quickly established itself as more than just the voice of the Solidarity Citizens’ Committee but as a serious source of reliable news and political analysis. Briefly a member of the first real Polish parliament of the postwar era, Michnik settled into his true vocation as a writer and editor, which he fills to this day.

    Michnik divides his book into two parts. In Part One he looks at the 1989 revolution against the Soviet-imposed oligarchy prospectively—concerning West German Chancellor Willy Brandt’s Ostpolitik of the 1970s and its status as a proximate cause of that revolution—and prospectively—showing how, in the aftermath of that revolution, politicians in Poland and the other “young democracies” have manipulated historical truth in ways that injure the newly-founded regimes in which they operate. In Part Two he thinks about how history might be used instead of abused by looking at the aftermath of the French Revolution through the eyes of a non-historian, Stendhal, that Napoleon of French novelists who came both to extend and finish the Revolution. Extending and finishing a revolution requires of politicians and of writers the imagination of a realist novelist; trained as a historian and tried in politics revolutionary and post-revolutionary, Michnik finds a path to truth in a certain well-measured use of the imagination.

    Michnik titles his essay on Brandt “Morality in Politics,” involving his readers in the dilemmas confronted by both Brandt and the Central European dissidents who watched him, dilemmas of compromise between what one wants and what one can do, “between the voice of conscience and the pragmatic dictate of common sense.” What Aristotle calls “moral courage”—remarked by Michnik—proves necessary but not sufficient in politics, as Aristotle himself knew and taught in his account of phronēsis or “practical wisdom.” Holding moral courage and practical wisdom together comes hard. Michnik admires those who do, criticizing them with sympathetic firmness when they fail.

    Brandt visited Poland as the newly-elected president of West Germany in 1970. As a social democrat, he represented a party with its own troubled history with the dictatorship-of-the-proletariat Marxists of East Germany and in Central and Eastern Europe generally, but such partisan tensions on the ‘Left’ seemed insignificant compared to the gestures he made in his capacity not as a socialist but as a German head of state. In Poland to sign the Treaty of Warsaw, officially recognizing the Oder-Neisse line as the Polish-German border, Brandt laid wreaths at the Tomb of the Unknown Soldier and the Ghetto Heroes Monument—memorials to the victims of Nazi aggression against Poles generally and against Polish Jews, respectively. At the Monument, he startled his hosts, his own people, and the world at large by kneeling in remorse for German war crimes. Closely related to this act of national contrition, Brandt implemented Ostpolitik—his diplomatic opening to the Soviet bloc—as a signal that West Germany politely asserted itself as “a fully independent political actor on the European scene”—independent, that is, of the quarter-century of Allied domination of his country that had begun with its occupation and partition after the defeat of the Nazi regime. As Brandt riposted to his critics in West Germany who objection to his recognition of the border, which transferred nearly one-quarter of territories ruled by pre-Hitler Germany to Poland, the Federal Republic of Germany didn’t lose those lands; the “criminal National Socialist regime did”—a regime, it might be added, that Germans of the hapless Weimar Republic had effectively voted to establish when the elected Hitler as Reich Chancellor in 1933, a regime that Brandt had opposed from the day of its founding until its welcome destruction.

    Further, given the anti-Jewish animus of some within the existing Polish communist regime in 1970, a sentiment shared by certain Polish nationalists who detested that regime, Brandt had emphatically pointed to a moral limit to Ostpolitik: He would not allow it to serve as an occasion for any recrudescence of xenophobia, then or in the future. And finally, by disproving the Polish communist regime’s claim that republican West Germany somehow wanted to attack Poland, in imitation of the Hitler tyranny, and to seize the lost territory, Brandt opened political space for the anti-communist resistance that would culminate in Poland’s own independence by freeing that movement from charges of intentional or unintentional collaboration with German revanchism. “Brandt’s Ostpolitik was directed not only against the ruling communists, but also toward the society that was standing up to the dictatorship.” It had been, after all, the Soviet Union which had destroyed hopes of a ‘popular-front’ coalition of communist and non-communist workers in the 1930s, when it signed the 1939 pact with Hitler as a prelude to dividing Poland between the two tyrannies, and of course it had been the Soviet Union that had betrayed the Allies’ agreement at the Yalta Conference of 1945, pledging free and fair elections in Poland after the war.

    Like de Gaulle before him, Brandt wanted a Europe free of both American and Soviet military occupation. As the former mayor of West Berlin, he knew very well the reluctance of the NATO allies to “die for Berlin,” despite the resolution shown in the 1948-49 airlift and the Berlin Wall crisis of 1961. He wanted to break the impasse between West and East, between democratic and commercial-republican Europe and the states of the Soviet empire.

    While admiring Brandt’s courage and prudence at Warsaw in 1970, Michnik criticizes the Ostpolitik as it came to be developed, throughout the decade. Like the Nixon/Kissinger policy of détente, “the politics of consistent rapprochement with Moscow and East Berlin and the language of ‘concern for peace’ practically drove out concern for human rights in Central and Eastern Europe.” The era of what American detentists called “quiet diplomacy” too often meant neglect of the very feature of the communist oligarchies which made them tyrannical: their rejection of human rights in principle and in practice. “When he accepted the Oder-Neisse border in the name of the Federal Republic, Brandt had spoken to all Poles. Later he spoke only to Poland’s communist governing elite”—and none too effectively, at that. ‘Top-down’ reform just wasn’t going to happen. At the same time the Czech playwright and dissident Vaclav Havel “wrote about ‘the power of the powerless,’ Willy Brandt demonstrated the moral powerlessness of the powerful.” Only revolution ‘from below’ would work, and that was where Poland’s Solidarity trade union came in, allied with a new generation of Polish intellectuals and also with Polish farmers who detested the system of collectivized agriculture. (It would be well to observe that those classes were supported by the Roman Catholic Church to which no small number of Poles belonged, and its Polish pope, John-Paul II; the Church and its pontiff are oddly absent from Michnik’s account, here—perhaps a token of his secularism.)

    The new revolutionaries in Poland, Czechoslovakia, and elsewhere in Central Europe, supported across the political spectrum in many of the commercial republics—from Ronald Reagan on the ‘Right’ in America to François Mitterand on the ‘Left’ in France—insisted that while the Soviet Union and its empire “was no longer a system of Stalinist-totalitarian oppression… it retained the institutions of a totalitarian state.” The time of “ideology” had not passed; the time of an interests-based, allegedly pragmatic politics of peace—often masking moral cowardice and imprudence—had not begun. While détente and Ostpolitik “contributed to the destabilization of communist regimes… that was not either Kissinger’s or Brandt’s goal.” It was the goal of Reagan and Mitterand, of Michnik, Walesa, and Havel, and they set a different course to arrive at that different goal. The forthright assertion of human rights by all of these statesmen and statesmen-in-waiting “did not trigger war,” as their alarmist critics feared.

    Michnik thus begins his book with an essay exhibiting both a sober acknowledgement of the realities of politics and a firm adherence to the humane, genuinely liberal principles that policies and political regimes should secure. A ‘man of the Left’ himself, he has always refused to say, ‘No enemies on the Left’ or ‘No friends on the Right.’ He understands and appreciates international politics, especially geopolitics, as any sensible Pole must do. At the same time, he sees the importance of what Aristotle calls the politeia or regime, both within a countries and in relations among countries. Aristotle describes the regime in four dimensions: the person who rule (one, few, or many and also, crucially, good or bad); the forms or institutions by which those rulers rule; the Bios ti, the way of life rulers and institutions encourage and sustain; the telos or purpose of the rulers, the forms of rule, and the way of life. Michnik keeps track of them all, with special attention to the conditions and consequences of regime change, or revolution.

    As seen in the essay on Brandt, political revolutions involve us in profound moral, theological, and even epistemological questions. Fascist and communist tyrannies alike not only committed he worst crimes ‘against humanity,’ as the saying goes; by being what they were and therefore acting as they did, the marked the souls of both victims and predators long after the regimes themselves had undergone revolution. This is part of “The Trouble with History,” the title of Michnik’s second chapter, concluding Part One. Characteristically, Michnik sympathetically identifies the constraints imposed upon heads of state like Brandt while unflinchingly pointing also to their failures to see when and where those constraints were more apparent than real—understandable failure, but still failures of courage and of prudence. At the same time, he points to the much more salutary constraints that ought to prevail among the revolutionaries and the beneficiaries of the revolutions against the communist regimes. This sympathy, combined with such criticism, distinguishes Michnik’s writing from those of the majority of journalists and scholars of his own, and of any generation.

    One of the illusions prevailing among well-meaning communist moderates (as it were) during the Cold War was the notion of “socialism with a human face”—a slogan coined by the Czech communist reformer Alexander Dubçek during the Prague Spring of 1968. Considering an apologia for McCarthyism written by a Polish right-winger in the aftermath of the far more successful Central European ‘Spring’ of 1989, Michnik calls this new turn “anti-communism with a Bolshevik face.” He means that such neo-McCarthyism in Central Europe rests on “the belief that by using the techniques of intimidating public opinion one can build a world without sin.” This amounts to a sort of millennialism of the ‘Right’ matching that of the ‘Left.’ Although this Rightist campaign had not (yet) moved against the lives or personal liberties of its targets, and hardly aimed at the enormities of Nazism, it did move against their livelihoods, aiming to disqualify ex-communists from all government positions and moreover to discredit their participation in democratic political life. It treated all members of the previous, justly defeated regimes as irreconcilables.

    The Polish Right was beginning to use history as a means of persecution. Under the new regime envisioned by the Right, only those entirely free of association with communism might wield public authority, can and should take a different turn from the purges that followed the revolution of 1945.

    As compromised and polluted beings, the others must shut up and go away. In this anti-Bolshevik appropriation of Bolshevik-like practices, Michnik sees another deformation of historical dialectic: “It is clear that communism created as its antithesis not only an attitude of dialogue and pluralism”—underground men and women who established a civil society unseen by their uncivil, would-be totalitarian rulers—”but also a philosophy of replacing communist monologue with an anti-communist monologue.”

    Exercising the freedom to write guaranteed by the 1989 revolution, Michnik interrupts the new monologists by making some reasonable distinctions. As Aristotle would argue, circumstances alter cases: The harshness of Nazi rule in Poland had far exceeded the harshness of the Soviet and Polish communist rule that followed it there, although Hitler had nothing on Stalin when it came to genocide in other places. Similarly, the peaceful revolution that removed the communist regime “had nothing in common with the end of the Nazi occupation”—coming, as it did, during a world war and resulting in the very oppression now deplored by the new Polish Right. This means that the politics of Polish republicanism, post-1989, can and should take a different turn than the purges that followed the revolution of 1945.

    “There is only one thing everybody agreed on” in 1989: “that the past had to be de-falsified.” Such de-falsification must not entail de-fenestration of those associated with the thuggish and tyrannical but not genocidal regime of Polish communism—a regime which, to its credit, collaborated in its own demise by negotiating with the revolutionary dissidents. Some on the Right in post-communist, democratic-republican Poland claimed that “all those who after 1945 took part in supporting communist rule” were quislings to be “taken to court for high treason against their own nation.” Such persecution will not tend to establish a civil society in a country still recovering from tyranny. Similarly, in the United States of the late 1940s and early 1950s it was one thing to prosecute Americans who had acted as Soviet agents, another to accuse anyone who had associated with the Reds with treason.

    Michnik wants no one to mistake his intention: Communist tyranny deserved its political ‘deconstruction.’ But in its four and a half decades of misrule it had moved “from Stalinist fanaticism and terror to a dictatorship that tolerated an independent Catholic Church and private farming, and periodically allowed some margin of freedom in artistic expression and scholarly research”—the very things that eventually helped to bring about its collapse. What is more, even and especially the dissidents who lived under that regime and undermined it necessarily got some dirt on their hands by the very act of pushing back against dirty things. The dissidents what every sane person does, and not only in politics; they won gains by making compromises. They too had to think ‘dialectically’ in one sense: the sense (moreover, the common sense) of the communists’ old slogan, “Two steps forward, one step back.” “Can one mechanistically classify all of those people”—surely including Michnik himself and his colleagues—”as traitors to Poland?” By that standard, only those who did nothing at all could now qualify for full participation in Poland’s new civic life.

    Michnik coins a word to describe the partisan, self-serving abuse of history: “historiosophy.” Historiosophists attempt to exploit the understandable passion to avenge past injustices by precluding all the ‘impure’—in this case anyone who held a government position in the old regime and indeed anyone identified in the police records of that regime as a collaborator with it—from any form of government position, now and in the future. This is a Right which imitates the very partisans the Right has long (and properly) condemned: the Jacobins of France and the Bolsheviks of Russia, who claimed that the proverbial slate needed cleaning (by themselves) and that only then, “with them” ruling, a “new era of national history begins.” The sophistry of historiosophy consists in believing that such a thing is possible and, if possible, just. What begins with an attempt to prevent an old, historical regime from returning risks the founding of a new tyranny.

    Michnik admires Aristotle, and he evidently appreciates Aristotle’s approach to politics. Aristotle famously identified three kinds of rule in the household and thus in the polis, that community consisting of households. There is parental rule—one-way rule of command and obedience, rightly exercised for the good of those ruled. There is masterly rule—one way rule of command and obedience, exercised for the good of the master. And there is marital rule, reciprocal rule, “ruling and being ruled,” as Aristotle describes it. Only the latter is political rule in Aristotle’s strict sense of the word. Michnik wants Polish politics to be political in that strict sense. Beginning with “a democratic opposition [that] confronted the monologue of the communists’ version of history with a polyphonic voice”—a real dialectic, not a pseudo-scientific or sophistical one—Polish democratic republicans understood history as “the real teacher of life,” of a life with a purpose, namely, “a persistent striving after truth.” This means (and not incidentally) that the founders of Polish democracy rejected not only the grand narratives of the Left, with their dubious claims of having discovered a ‘scientific’ socialism that made further civic discussion unnecessary in principle, but equally the Nietzschean or quasi-Nietzschean claims of the Right, which subordinated the quest for truth to the will to live, conceived as the ‘will to power.’

    To understand one’s husband or wife, to understand one’s fellow-citizens, indeed to understand any human being, one must enter into the kind of dialogue Aristotle and Michnik esteem. “One cannot understand the French Revolution or the American Civil War,” Michnik writes, “by adopting only one perspective, whether monarchist or Jacobin, that of Lincoln or the southern generals.” One needs to listen to them all, attentively. Leaving it at that would indeed bring on the moral relativism or soft nihilism deplored by the historiosophists of the Right. But of course one need not leave it there. Having studied the writings of both Abraham Lincoln and Robert E. Lee (or better, John C. Calhoun), one can still in the end conclude that Lincoln was nearer to the truth. Still, only those who listen to the testimony presented by all sides may honestly judge with (as that eminently civil saying goes) malice towards none and charity towards all.

    A historian’s responsibility “is to cultivate a spirit of heresy” with regard to all claims, but especially those that reinforce claims to rule in the present or the future. Such heresy may extract a lesson from piety. The historian “has to believe that the truth is worth caring for, and that only the truth has the power to liberate”—to set you free, as the Polish pope would have been quick to add. Free from what, and from whom? From those who would parent adults and master the un-slavish. Freed from those who overestimate their own virtue and underestimate yours.

     

    Filed Under: Nations

    Margaret Thatcher

    May 17, 2019 by Will Morrisey

    David Cannadine: Margaret Thatcher: A Life and Legacy. Oxford: Oxford University Press, 2017.

    Originally published in Social Science and Modern Society. Volume 55, Number 3, June 2018. Republished with permission.

     

    Concluding this incisive biography of “the undisputed alpha female of her generation,” David Cannadine observes, “There are times when nations may need rough treatment. For good and for ill, Thatcher gave Britain plenty of it.” So she did, first transforming her conservative Party, then using it as an instrument to excise her country’s slowly metastasizing post-imperial funk, diagnosed in her tart 1979 campaign slogan, “Labour Isn’t Working.”

    Getting to work was exactly what Margaret Hilda Roberts like to do. Her father, a grocer, active in local politics and civic assiociations in the provincial market town of Grantham, Lincolnshire, was a Liberal in the English sense of the word: a political heir of John Locke and his esteem for civil and economic liberty. The way of life in a Lockean republic has been described as a joyless quest for joy, but joylessness does not preclude satisfaction; hardworking and religious, the Robertses led sober and productive lives and prized education, sacrificing to send their daughter to Somerville College, Oxford, where her diligence earned her “a sound secon-class degree”in chemistry. “We were Methodists, and Methodist means method,” she recalled, pointedly.

    Before graduated in 1947, Miss Roberts rose to the presidency of the Oxford Conservative Association, making connections with the national party and exercising her (as it turned out) very considerable gift for debate. The Party indulged the ambitious young stalwart, permitting her to run twice for Parliament as a sacrificial lamb in a district firmly controlled by the Labour Party. In 1951 she did what so many successful politicians do; as the old saw goes, she ‘married above herself.’ Denis Thatcher was an army veteran, the manager of his family’s successful manufacturing concern (household and industrial chemicals). “Much richer” than his bride, Mr. Thatcher had both business sense and a bit of dash; “he drove a Jaguar.” From then on Mrs. Thatcher could devote her full attention to politics—characteristically training herself for it by obtaining a law degree and qualifying for the bar.

    The year 1958 saw her diligence rewarded, as she won the Conservative Party nomination for a safe seat in the “moderately prosperous, petit-bourgeois, owner-occupied London suburb” of Finchley. The Conservative administration of Harold Macmillan was still dealing with the political aftermath of the Suez Canal War, during which Britain and France learned that their great wartime ally, the United States, did not invariably return Cold-War loyalty with indulgence toward habits of empire long ingrained in the European republics. Thatcher ‘grew up’ as an MP in the atmosphere of great-power rivalry in which her country could no longer claim great-power status. This realization led to the inward-turning rule of Labour from 1964 until the end of the decade In those years, Mrs. Thatcher held a variety of shadow-cabinet positions, in each instance taking the opportunity to learn the business of the relevant departments in preparation for debate in Commons. She was being apprenticed, although her superiors doubtless assumed that she would be limited in her rise. She was, after all, a woman in a man’s game.

    When the Conservatives returned in 1970, the eleven-year veteran of Parliament was given the post of Secretary of State for Education. She dutifully fought for more money in the budget, although she found “the ethos of the department” to be (as she put it) “self-righteously socialist.” Her colleagues may have returned her distaste. When she proposed abolishing the school milk program as a cost-cutting measure, no one in the department warned her that this might make her controversial; “Mrs. Thatcher, the mild-snatcher” found herself pilloried by Labourites and their allied journalists. One might be permitted to think that she should have seen it coming, but it turned out to be a rare political misstep. Prime Minister Edward “Ted” Heath restrained himself from sacking her, and she lived to fight on.

    Heath and the Conservatives themselves got the sack from the electorate in 1974. The Labour Party, under the lackluster stewardship of prime ministers Harold Wilson and James “Sunny Jim” Callaghan, presided over a half-decade of rising inflation and unemployment. Coached by think-tank director Keith Joseph, Thatcher began studying the works of Hayek and Friedman, and headed a portion of the Conservative Party which eschewed the paternalist/aristocratic heritage that saw in the welfare state a sort of extension of ancient landlord-tenant relations. This split the party between the traditionalist Conservatives (now called the ‘Wets’), and the Thatcherites, who startlingly resembled the Liberals of her father’s generation. So armed, intellectually, she defeated Heath for leadership of the Party (he never forgave her, but that came increasingly not to matter), and then took her party to victory in the general elections, scoring Labour for failing to deliver jobs to the workers it represented but even more for the spiritlessness of life under social democracy. She had not believed a woman would rise to the office of prime minister in her lifetime; with the unintended help of her enemies in and out of the Conservative Party, she proved herself wrong.

    Monetarism, tax cuts, and welfare-state retrenchment initially made things worse, as unemployment rose and urban riots agitated the ‘Wets,’ then as always fearing for “the social fabric of the nation.” Fortunately for her, Labour chose a literatus to lead it. Michael Foot was precisely the sort of fuzzy-headed, disarmament-minded socialist intellectual George Orwell had delighted to lampoon, and in debate Thatcher dined out on him. Although things looked bad for Conservatives by 1983, victory in the Falklands War proved a political tonic, and its effects lasted long enough for her liberal reforms to take hold, including a broad-scale sell-off of nationalized industries, which raised revenues lost by the tax cuts. Perhaps the most successful of these was the program of incentives to induce renters to own their own homes, which not only caused money to circulate more freely but turned a substantial number of voters into property owners less likely to smile at taxation supporting the welfare state. Between 1983 and 1990, Britain added three million new jobs; between 1981 and 1987, average wages rose three percent per annum. “Instead of being a nation of unionized producers, Britain was becoming, as Thatcher hoped it would, a nation of individualized consumers.” Low inflation and low interest rates made Britain “one of the fastest-growing economies in the European Community” by 1986.

    Conservatives won re-election in 1984 and again in 1987. As Cannadine remarks, with perhaps a shade too much breathlessness, “no one man had achieved so many victories since before the Great Reform Act of 1832, and for a woman to have done so was even more remarkable.” Still, a decade is a long time in republic politics. By 1989, the Prime Minister had saddled herself and her party with an unpopular poll tax, and the needed shift from an industrial to a service economy had caused economic hardship for many citizens distant from London and its financial economy. The ‘Wets’ still hated her, and many of the younger Conservative MPs had no contact with her. Her approval ratings in polls declined to twenty percent as the economy showed signs of stalling out, again. Her cabinet split over her refusal to join a proposed European currency, and she resigned after it became clear that her former Cabinet colleague, Michael Heseltine (who had opposed the poll tax) would defeat her in a contest for Party leadership.

    In foreign policy, Thatcher proceeded unsentimentally. In Rhodesia and Hong Kong she cut her losses, leaving Rhodesian whites to the untender mercies of the Maoist tyrant-in-waiting, Robert Mugabe, and making the best deal she could with the Communist Chinese, who, like Lenin before them, didn’t mind some capitalist infusions of wealth so long as it could not threaten their rule. In one of the most important Commonwealth countries, South Africa, the rise of the African National Congress party raised her worries about another communist, or communist-leaning regime in the region, and she was late to recognize Nelson Mandela’s merits. But she was prescient regarding Europe. With British membership costing nearly one billion pounds by the late 1970s, she became “increasingly suspicious of the unelected and unaccountable Brussels bureaucracy,” and her quarrel over European integration with her own Chancellor of the Exchequer precipitated her eventual defeat, years later. Since then, as we know, many Britons have come round to her suspicions of European Union governance.

    Her most important foreign-policy triumph came in 1982, 8000 miles from the United Kingdom, when Argentina captured the Falkland Islands, a land “settled by sheep farmers who were fiercely loyal to the crown.” The British Foreign Office had wanted to be rid of them, and tried to induce the 1,800 Falklanders to accept independence, but the preemptive Argentinian gambit stiffened English backs. Two months after the Argentine invasion, Thatcher ordered the British Navy to throw them out; in doing so, they (and behind them, she) saved Conservatives from likely defeat at the next general election. “She had saved Britain’s honor, avenged the failure of Suez, reversed national decline, and made the country great again”—or so it felt at the time, and for the time it was a real achievement. Britain was a country that needed a ‘win,’ and Thatcher got it one.

    She proved equally firm in what turned out to be the endgame of the Cold War, where she partnered with the Reagan Administration in its ambition not merely to contain but to roll back the Soviet empire. She first visited America in the late 1960s, coming away not with an impression of a country in the grips of n unpopular war and ‘counterculture’ ferment, but of “entrepreneurial energy,” “belief in the free market,” and a spirit of “simultaneous pursuit of wealth and self-improvement.” Compared to stagnating Britain, even Great-Society America seemed an “an example of a governing and fiscal regime that was less intrusive in its reach and less punitive in its taxation.” “America’s values and aspirations bore a striking resemblance to those she had learned at her father’s knee, and the United States would become the model for what she wanted to achieve in Britain.” President Reagan’s “shining city on a hill” accordingly enthused rather than offended the Prime Minister. She faced down the Campaign for Nuclear Disarmament (another of Michael Foot’s ill-considered enthusiasms), spearheading European resistance to Soviet domination of Central Europe.

    When Reagan ordered the invasion of communist-controlled Grenada, a Commonwealth country, without consulting his friend the Prime Minister, Thatcher coolly shrugged it off, concluding “that she must get even closer to him.” She was among the first to recognize Mikhail Gorbachev as a man “we could do business with,” although she seems not to have supposed that a real detente between the United States and the Soviet Union (in contrast to the false detente of the 1970s) would lead to the superpowers negotiating over the heads of her own government and those of the rest of Europe. When the Soviet empire finally fell, the Allies’ success brought her unexpected headaches. Not only was the newly-elected U. S. president George H. W. Bush less sympathetic to Thatcher and her policies than Reagan had been—Bush’s ‘compassionate conservatism’ smacked of Tory ‘Wet’-ness more than Lockean liberalism—but the more-or-less consequent reunification of Germany brought a new economic and political powerhouse onto the Continental Plain, one that would, she foresaw, disrupt British relations within Europe and with her American allies. Her sudden departure from Downing Street saved her from needing to figure out what to do about the brave new world that had such creatures in it. Statesmen since her time have been trying to do that, with very middling success.

    “Throughout her premiership, she was the dominant figure in British public life, and she not only made the political weather, but went some way towards changing the political climate, too,” doing “more than anyone else to disrupt the political consensus that had existed from 1945 to 1979” and “shift[ing] the centre ground of public debate to the right.” From then until now, “British politics on both the right and the left have largely played out in her shadow.” Her greater predecessor, Winston Churchill, had quite arguably saved the country as much as any one man could do, but his enduring legacy was in that alone, inasmuch as postwar Britain soon turned to a self-stultifying mixture of demi-socialist egalitarianism and international embarrassment. Lacking Churchill’s intellectual brilliance and greatness of soul, Margaret Thatcher still had the practical judgment and toughness needed in her own time, at the service of a Lockean liberalism well-suited for a longer and more peaceful journey beyond her own years in power.

     

    Filed Under: Nations

    Melville’s “Battle-Pieces” or, “Moby-Dick” in Practice

    May 14, 2019 by Will Morrisey

    Herman Melville: Battle-Pieces and Aspects of the War. New York: Da Capo Press, 1995. [Facsimile edition].

    Herman Melville: Battle-Pieces and Aspects of the War. Richard H. Cox and Paul M. Dowling, eds. Amherst: Prometheus Books, 2001.

    Stanton Garner: The Civil War World of Herman Melville. Lawrence: University Press of Kansas, 1993.

    Richard H. Cox and Paul M. Dowling: “Herman Melville’s Civil War: Lincolnian Prudence in Poetry.” The Political Science Reviewer. Volume XXIX, 2000, 192-295.

     

    Note: Garner’s meticulous account of Melville’s life during the war includes careful exegeses of the poems; Cox and Dowling examine several of the most important poems with even greater attention to detail, and offer a brilliant analysis of the way in which Melville structured his book. Although they all rightly describe Melville (in Dowling’s words), as “a poet of moderation,” they differ regarding what that moderation consisted of, interpreting Melville’s politics differently as a consequence. Garner argues for Melville as a Northern Democrat, an admirer of General McClellan; Cox and Dowling regard Melville as a Lincoln man. I concur with the latter judgment, for the most part, but also find it significant that a serious case can be made for both positions. Melville’s prudence and moderation, remarked by all three scholars, lend themselves to such politic ambiguity. Melville wrote a book that might bind up at least some of the nation’s wounds, precisely by inviting many citizens of various convictions to think while reading, ‘Those are my thoughts’—often the best strategy for carefully altering such thoughts.

     

    Melville calls the American Civil War a “historic tragedy,” which he hopes has “not been enacted without instructing our whole beloved country through terror and pity.” Moby-Dick is a tragedy in the form of a novel, centering on the fundamentals of human being in nature; through terror and pity, Melville instructs his readers on self-government and tyranny. In his book on the Civil War, Melville shows how the tragic knowledge imparted by Moby-Dick may guide American citizens in practice. In the language of some of the old philosophers, he shows how theoretical wisdom can inform practical wisdom, how the principles distilled from the novel may guide citizens’ deliberation in a political crisis. In this he takes his guidance from Shakespeare, as he had done when writing his novel:

    No utter surprise can come to him

    Who reaches Shakespeare’s core;

    That which we seek and shun is there—

    Man’s final lore.

    There is in man, and therefore in the Civil War and its aftermath, so much to attract and to repel those who look into him, that we need a guide. For Melville, that guide is Shakespeare, poet of tragic kings and civil wars, above all others; he would be Shakespeare for his own people.

    The literary critic Edmund Wilson complained that Battle-Pieces was written by a man who never saw a single battle in the war. That is no ground for complaint. This is a book by a civilian, for civilians, conveying the civilian experience of modern war and concluding with considerations centering on the need for civilians to restore civil peace on new terms. Having won the war, Northerners, how shall you win the peace? How shall you restore the Union you fought for? And what will the character of that Union be? Civil wars are revolutionary wars, wars over regimes. Will the democratic and commercial republic conceived in 1776 survive? Or will it fall apart, defeated politically after the war not by a regime ruled by slaveholding oligarchs, but by the factions that have survived the war? “We have sung of the soldiers and sailors, but who shall hymn the politicians?” Melville writes a poetic ‘reconstruction’ of the war in service of a moderate political ‘reconstruction.’

    America’s historic tragedy differed from Melville’s prose tragedy from the outset. The Ahab-figure, tyrannic-souled John Brown, died before the war began, although he may be said to have portended the war in his violent life and death. [1] And, as Stanton Garner argues, the narrator of Battle-Pieces isn’t a fictional Ishmael but Melville himself, the chorus of the tragedy. The American nation takes the place of the tragic hero or anti-hero; the author speaks directly, when he is not presenting the many American voices heard in his 72 poems. Here, the protagonist is ‘the many,’ the chorus only ‘one.’ The democracy does not exclaim, advise, weep for the monarch; the author, the ruler of the book advises, exclaims, weeps for the democracy, where “The People spread like weedy grass,” their impassioned factitiousness having caused “the Founders’ dream” to “flee,” despite their attempts to temper faction with republican institutions.

    To this factionalism Melville opposes thought, not additional ‘lyric’ passion. If Wordsworth had called “emotion recollected in tranquility” the origin of poetry, Melville recollects his and his nation’s emotions in anxiety, in caution. “I muse upon my country’s ills,” he announces, “on the world’s fairest hope”—the American republic, dedicated to the proposition that all men are created equal—”linked with man’s foulest crime.” Most commentators think this crime to have been slavery, the terrifying and pitiable flaw in the regime dedicated to equality of unalienable natural rights; Garner suspects that Melville means fratricide, not America’s but man’s foulest crime, the crime of Cain against Abel, now seen in the war of brother against brother. Since, as Lincoln argued, American slavery—cousin of fratricide, a crime committed by one race of men over another—brought on the war, and since that slavery infuriated the American Ahab, John Brown, who brought America near to the catastrophe of the Pequod, one need not choose. The two crimes are the same kind of crime, attempts to make natural right a “loose-fish.” As in Moby-Dick, so in America: “Nature’s dark side is heeded now”; “Satan’s old age is strong and hale.”

    The Founders’ dream, the bright dream of a natural-rights republic, established in reality but flawed like all real things, flawed by the dark line of slave-mastery, impassioned and impassionating, fired the nightmare of Calhoun’s republic founded on that mastery. Nature’s God will settle the matter:

    The light and the dark:

    Yea and Nay—

    Each hath its say;

    But God He keeps the middle way.

    As he muses on the Civil War, instead of the Hegelian synthesis of thesis and antithesis, Melville recurs to the Aristotelian principle of ‘the mean,’ of moderation—as Cox and Dowling emphasize. Melville was right: In practical terms, Hegelian logic has produced political extremes, the fanatic ‘totalitarianism’ of latter-day John Browns. But “Wisdom is vain, and prophecy.” As in Moby-Dick, grand systems of reason or of revelation animate the tragic victims and fools of nature.

    Youth must its ignorant impulse lend—

    Age finds place in the rear.

    All wars are boyish, and are fought by boys,

    The champions and enthusiasts of the state:

    Turbid ardors and vain joys

    Not barrenly abate—

    Stimulants to the power mature,

    Preparatives of fate.

    What fate is that? “It is enough,” Melville answers, “for all practical purposes, if the South have been taught by the terrors of civil war to feel that Secession, like Slavery, is against Destiny; that both now lie buried in one grave; that her fate is linked with ours; and that together we comprise the Nation.” The pre-war regimes of the Southern states put the people “in subserviency to the slave-interest,” which “cajoled” the people “into revolution” against the United States by “plausibly urg[ing] that certain inestimable rights guaranteed by the Constitution were directly menaced” by the election of Abraham Lincoln. Plausibly, but wrongly: “The most sensitive love of liberty was entrapped into the support of a war whose implied end was erecting in our advanced century an Anglo-American empire based upon the systematic degradation of man.” “Fate” isn’t Hegel’s Absolute Spirit or Marxian dialectic; it is nature’s shutting-down of self-contradiction, its punishment of the ‘fatal flaw’ within the tragic hero, whether an individual or a people. [2] “Nature is nobody’s ally”; it wounds or kills any person or nation that violates it, impartially.

    Melville reconstructs the war by following nature-fate’s successive ‘revelations,’ responses to impassioned, partisan illusions on both sides. “Prophetic, sad” General Nathaniel Lyon became the first Union general to be killed in the war, sorrowfully going in to a battle in which he was outnumbered two-to-one by the Confederate forces near Springfield, Missouri. His men inflicted heavy losses on the Rebels that day, saving Missouri from Confederate control. By contrast, McClellan lost the Battle of Bull’s Bluff, near Loudon, Virginia, in October 1861; this and other early battles saw Northern youth, in whom “Life throbbed so strong,” feeling “immortal, like the gods sublime,” crushed by their Southern counterparts, defeats triggering a Congressional inquiry into why the Union was losing the war.

    At sea and on the rivers, ship-battles revealed the modern way of war, the way not of the sailing ships Moby-Dick chronicled but of the “utilitarian,” unheroic, decidedly un-aesthetic ironclad Monitor, bringing “victory without the gaud of glory” with “sheer mechanic power.” The Monitor and its replicas place war “where War belongs—among the trades and artisans,” beyond “passion”: “The anvil-din / Resounds this message from the Fates,” namely, that “warriors are now but operatives,” war itself now “less grand than Peace.” That may be a very good, sobering thing, but it will require a calmer sort of courage than hitherto required of sailors—as seen on land, also, in the Battle of Antietam, still the bloodiest day in American history.

    There, McClellan’s forces repelled Lee’s at Sharpsburg, Maryland, stopping the Confederate advance into the state, but McClellan over-cautiously allowed the attackers to escape. Melville’s note to the poem is a masterpiece of ambiguous praise (“whatever just military criticism, favorable or otherwise, has at any time been made upon General McClellan’s campaigns, will stand”) and the poem itself, spoken by a former soldier under his command, itself praises a bit faintly: “Unprosperously heroical!” “You did your best, as in you lay, McClellan.” On the Confederate side, Stonewall Jackson rates compassion but not praise from a Unionist (“Justly his fame we outlaw; so / We drop a tear on the bold Virginian’s bier / Because no wreath we owe”), fuller-throated tribute from a fellow Virginian (for “his Roman heart” and “great soul”). In honoring Pickett’s charge during the Battle of Gettysburg, Melville has prepared his readers for a moral foundation for Reconstruction: On Cemetery Hill, “every bone shall rest in honor.”

    The book’s polyphony serves a political purpose. Without descending into moral relativism—at Gettysburg, “Pride was repelled by sterner pride, / And Right is a strong-hold yet”—he presents the voices of citizens who must bind themselves together now, after the war. He wants Americans to listen to one another, and to respect one another, again. In the face of the “Atheist roar of riot” heard in New York from the violent draft resisters as they torched the city, in apparent confirmation of “Calvin’s creed” of original sin and of the “cynic tyrannies of honest kings,” the Draconian imposition of peace redeemed “the Town,” threatened by “The grimy slur on the Republic’s faith implied, / Which holds that Man is naturally good.” New York’s Publius (it might be noted) thought neither thing, simply, nor did the author of Moby-Dick. [2] As the narrator of the poem “Chattanooga” remarks of General Grant, “You must know your men.” Melville wants Americans to know themselves better.

    The main section of Battle-Pieces contains 53 poems, the twenty-seventh or central being “The Armies of the Wilderness (1863-65).” The Civil War itself was a wilderness in which the nation lost its way. In that campaign, in Virginia, Grant and Lee played cat and mouse, and for a long time it was not known who was to prove the cat, who the mouse. Animated by “feudal fidelity” to the aristocrat-oligarchs commanding him, a Confederate captive refuses to betray his comrades by giving information to his captors. When they ask him where General Lee is, he ripostes, “In the hearts and bayonets of all yon men!” For his part, General Grant’s heart is “calm as the Cyclone’s core”—that new form of courage, seen in the new kind of sailors, too. Melville’s narrator compares the forest-fire smoke raised by rival armies at Spotsylvania to the Pillar of Fire which led the Israelites through their wilderness. This time, no God guarantees a Promised Land beyond the wilderness; American troops on both sides find not an answer but a riddle, “A riddle of death, of which the slain / Sole survivors are.” In a poem honoring a corps commander in the battle (Union man or Rebel?), he recalls the heroes of Agincourt “who shared great Harry’s mind” because nature is nature, regardless of time or place, and nature; though “oft remiss,” nature does produce eagles. Melville points his readers to nature, not to God:

    Nothing can lift the heart of man

    Like manhood in a fellow-man.

    The thought of heaven’s great King afar

    But humbles us—too weak to scan;

    But manly greatness men can span,

    And feel the bonds that draw.

    Those natural bonds are the ones which can help to bind the Union together, Melville hopes. Its spiritual heart in “the proud City” of Charleston, South Carolina, the Confederate regime was founded on the Calhounian principle that all men are not created equal, and so cannot share a true bond, unless that bond derives from a race within the human species, not from humanity itself. Charleston falls victim to “coal-black” “Swamp Angel,” the Parrott gun used to bombard it, dooming the city “by far decree”; the symbol of black former slaves who smashed St. Michael’s church, the church of “aristocratic” Charlestonians, the church named for “the white man’s seraph,” who fled the city whose rulers worshiped at his shrine. In the Bible, Archangel Michael, leader of the Army of God, the heavenly host, escorts the faithful to Heaven at their hour of death, but the aristocrat-oligarchs of Charleston, eminences of ‘slaveocracy,’ found no refuge from the Union’s ‘angel’ of death. Mindful of the need for national reconciliation, Melville appeals to the piety of his Northern readers, not their triumphalism or their passion for revenge:

    Who weeps for the woeful City

    Let him weep for our guilty kind;

    Who joys at her wild despairing—

    Christ, the Forgiver, convert his mind.

    It was, after all, Christian piety that drove the movement to abolish slavery, not only an esteem for natural right. After accomplishing that good, it must now find a way to restore civil peace. And as readers know from Moby-Dick, Christian sentiment may not suffice. In acknowledging that our “kind,” our nature, is “guilty,” Melville contends the republican faith in the goodness of human beings must be tempered by Publius’ recognition of their darker side, a recognition Publius shares with Calvin and with the Bible itself—a recognition necessary precisely for the maintenance of republican regimes which secure natural rights.

    Melville shows how hard Reconstruction, regime change in the Southern states, will be, invoking fresh memories of the military prison camps maintained by both regimes (“In the Prison Pen,” “The College Colonel,” and “On the natural Monument in a field of Georgia”), the deaths of heroes like Jackson and, on the Union side, Major General James B. McPherson. Above all of these, however, stands the brilliant but devastating march to the sea led by General William Tecumseh Sherman, whom Southerners “will long remember” in hatred. Melville recognizes the military necessity of the march, the jubilation of the freed slaves who joined the march, and the political necessity of breaking the slaveholder oligarchy. He greets the later fall of Richmond with forthright approbation: “Right through might is Law,” now. But he knows that for many Southerners, President Lincoln, “by nature the most kindly of men,” authorized Sherman’s march, thereby fortifying his image as “the personification of tyrannic power”; even worse, “each Union soldier was called a Lincolnite.” But for reunion to take hold Southerners and Union soldiers must let go of their mutual hostility.

    Consistent with the teaching of Moby-Dick, Melville hardly assumes that this benign outcome will occur. His “Canticle” respecting “the national exaltation of enthusiasm at the close of the war” begins by celebrating the American nation, which “moves in power, not pride,” with a “devotion” as deep “as Humanity is wide.” He goes so far as to offer “Hosanna to the Lord of hosts,” that Lord being “human kind”; this is no sequel to the Battle Hymn of the Republic. The rainbow covenant “rekindled” in its brightness here is the national covenant, the Constitution, the covenant among citizens. But even as “repose is in the air,” “the foamy deep unsounded” lies beneath it, and in the deep “the Giant of the Pool / Heaves his forehead white as wool— / Toward the Iris ever climbing / From the Cataracts that call—.” The White Whale, the Ancient of Days, remains below, even as Humanity grows “Toward the fullness of her fate.”

    The poem immediately following responds to the murder of Abraham Lincoln on Good Friday 1865. In a final act of treachery (“they killed him from behind”), the rebels “killed him in his prime/ Of clemency and calm— / When with yearning he was filled / To redeem the evil-willed, / And, though conqueror, be kind.” The People, ever prone to passion, now will “bare the iron hand,” once they are done mourning. At the time, Melville explains in a note, Vice President Andrew Johnson was expected to be harsher with the South than Lincoln would have been, although “happily for the country,” those expectations “have not been verified.” The Congressional Republicans would be a different matter, the real “Avenger” of the “Forgiver,” the agent of popular rage. Anticipating this, Melville writes “a plea against the vindictive cry raised by civilians shortly after the surrender at Appomattox.” Melville asks his readers to understand “rebel color-bearers” at Shiloh as “martyrs for the Wrong” but martyrs still: “Perish their Cause! but mark the men.” And “think how Grant met Lee”—with dignified forbearance, even as he required unconditional surrender. The rainbow of the renewed covenant will last only if Nature disbands another light, the Aurora-Borealis, the “Northern lights,” symbolizing the Union armies, whose “steely play” still flashes at the end of the dark night of civil war. God (nature, fate) commanded both the war and its end, but it will be up to Americans, and especially citizens of the victorious North, to renew the work of self-government, again, at dawn.

    Melville continues to identify obstacles to this work. A Rebel soldier, released from prison, finds himself in New York City—or as he regards it, the “Nineveh of the North”—awaiting his return home. “But home he shall never see, / Even if he should stand upon the spot,” as it is “gone,” destroyed by the Union troops. And although the rebellion has failed, rebelliousness remains; Melville can only hope that guns buried near sacked Southern cities, intended for use upon return, will remain in their graves. But the longest poem of the collection, “The Scout Toward Aldie,” which Melville places apart from the main body of his book, hints at a more sinister possible issuance.

    In spring 1864 Melville and his brother Allan visited their cousin Henry Gansevoort at his army camp in the Shenandoah Valley of Virginia. Melville went on a three-day sortie or “scout” in search of the Confederate lawyer-turned-guerrilla leader John Mosby. With a verse recalling Moby-Dick—”As glides in seas the shark, / Rides Mosby through green dark”—Melville begins to convey the pervasive menace of modern guerrilla warfare. Mosby’s Rangers struck, retreated, blending back into their farms and villages, seldom betrayed by their families and neighbors. The green dark of forests and swamps would become much too familiar to American soldiers fighting in the wars of the next century. “The Grey Ghost” would survive the war; during it, “All spake of him, but few had seen / Except the maimed ones or the low; / Yet rumor made him every thing— / A farmer—woodman—refugee— / The man who crossed the field but now; / A spell about his life did cling.” Although Mosby himself never continued his shark-attacks after the surrender, his spirit haunted the aftermath, as the great Confederate cavalry commander Nathan Bedford Forrest turned the guerrilla warriors of the newly-formed Ku Klux Klan on civilian freedmen, terrorizing many into submission and frustrating Reconstruction. In a poetic meditation on a painted portrait of a former slave by E. Vedder, Melville predicts that only “her children’s children” will know “the good withheld from her.” The bitterness of ex-Confederates, the likelihood of continued military resistance in the form of what later generations would call asymmetrical warfare, and the scars of slavery on the freedmen all augur poorly for reunion. As in Moby-Dick, so in America:

    So, then, Solidity’s a crust—

    The core of fire below;

    All may go well for many a year,

    But who can think without a fear

    Of horrors that happen so?

    And even if the Northern men reach out the hand of friendship in magnanimity, the only answering hand in the South may now be dead.

    Melville concludes the main section of his book with his own “Gettysburg Address.” In his poem “America,” he likens the American flag to Berenice’s Hair—the constellation named for the ancient Egyptian queen who sacrificed her hair as a votive offering, hoping that her husband, Ptolemy III, would return safely from his campaign in Syria. The American flag flew over a land that “reposed in peace,” a peace rent by the lightning of war. Berenice/America fell asleep during that war, dreaming not in hope, as the Founders had, but in terror:

    A silent vision unavowed,

    Revealing earth’s foundation bare,

    And Gorgon in her hidden place.

    It was a thing of fear to see

    So foul a dream upon so fair a face,

    And the dreamer lying in that starry shroud.

    This means that America, all Americans, have seen what Pip saw, afloat and abandoned at sea. Unlike Pip, however, the people have restored their reason, put aside the passions that nearly destroyed their country. Having seen the green dark where the shark-profile of the Grey Ghost glides after its prey, the undulating snake-hair of Gorgon, Americans now know the darker dimensions of nature. Awakening, America recovers, gazing to heaven with “a clear calm look” in pain, “but such as purifies from stain,” and “with hope grown wise.” With “law on her brow and empire in her eyes”—the empire of liberty, won in the first half of the century only to be nearly lost in the war—America now stands high, “on the crag,” like an eagle. This recalls the imagery of an earlier, seemingly anomalous poem, “The Eagle of the Blue.” In it, Melville recalled a live eagle that some of the Union regiments brought to battle with them, whose “eager calm of gaze intent” foresaw victory. “The very rebel looks and thrills” at the eagle, which survived the war. “Well may we think his years are charmed.” Charmed, because the eagle’s country has worked with nature, not against it, as tyrant Ahab did not and as Ishmael learned to do, both in quest of a sight of the Whale, but only one seeing how to live in a cosmos with it. [3]

    Malice toward none, charity toward all: In Melville’s account, Robert E. Lee exhibited the one, hoped for the other. Unlike Mosby, the lawyer who operated outside the law, Lee was a warrior who wished to reestablish law. In testifying before Congress in April 1866, “no word he breathe[d] of vain lament;” he accepted the verdict of fate or nature and “acquiesce[d] in asserted laws.” “Who looks at Lee must think of Washington,” that other great secessionist general, if in a far better ‘Cause.’ “Push not your triumph,” he tells the Congressmen; “do not urge submissiveness beyond the verge.” “To elect magnanimity is wise,” and the “fruit” of victory, considered with greatness of soul, is “re-established law.” This is so, because law, to be just, requires recognition of nature, which in human beings finds its ground in love of its own, in home and family, which most Southerners thought of themselves as defending in the war. “Was this the unforgivable sin? / These noble spirits are yet yours to win.” Do not act like Europeans, with their monarchic regimes; “avoid the tyranny you reprobate.”

    Which is it, though? Given that “Secession, like Slavery,” is contra natura, “against Destiny,” against the lessons Moby-Dick teaches with words and the Civil War taught in harsh deeds, what then? The dead hand of the South grasped in vain by the magnanimous North? The guerrilla-terrorism of Forrest? Or the noble Southerners who will reunite if only Northerners will understand them? Melville hopes it is the latter, offering “A Meditation attributed to a Northerner after attending the last of two Funerals from the same Homestead”—a family that lost two sons, one a Confederate, the other a Union man. The Northerner likes Christianity no more than Melville does, scoring “the sanctioned sin of blood, / And Christian wars of natural brotherhood.” Against this, he acknowledges, as Ishmael would, “a darker side” to nature but also “Nature’s charity,” which rejects both the rebelliousness of the slaveholding South and the Pharisee self-righteousness of the abolitionist North. After all, Melville later writes in his own voice, the North might have seceded had the South been the stronger. “By how much more they boldly warred: / By so much more is mercy due.” Or, as Melville puts it in his prose Supplement to the book, “Noble was the gesture into which patriotic passion surprised the people in a utilitarian time and country; yet the glory of the war falls short of its pathos—a pathos which now at last ought to disarm all animosity.” “Benevolence and policy—Christianity and Machiavelli—dissuade from penal severities toward the subdued.”

    What of the freedmen? They deserve “the sympathies of every humane mind” in “their infant pupilage in freedom,” which for now will mean “paternal guardianship” by the Reconstruction government. But care for the former slaves must not override “kindliness to communities who stand nearer to us in nature.” By “nature” Melville may well mean ‘racial’ nature (“our white countrymen”); he might also mean nature in terms of the full humanity of readiness for civil self-government. “For the future of the freed slaves we may well be concerned; but the future of the whole country, involving the future of the blacks, urges a paramount claim upon our anxiety.” Southern whites are now surrounded by “millions of ignorant manumitted slaves,” some of whom “now claim the suffrage.” Are the ex-slaves ready for citizenship, or has slavery left too deep a mark on this generation of African-Americans? As Lincoln had argued before the war, the preservation of the Union is paramount to the settlement of the ‘race question.’ “Let us be Christians toward our fellow-whites, as well as philanthropists toward the blacks, our fellow-men…. Something may well be left to the graduated care of future legislation, and to heaven.” Since “our institutions have a potent digestion,” the American regime “may in time convert and assimilate to good all elements thrown in, however originally alien.” Because the North won, Northerners are the ones who must show “forbearance.”

    It has proven easy to attack Melville’s appeal to ‘white’ racial affinities, but to do so ignores his desperation—seeing, as he does, with Lincoln (and the Founders), the importance of political union to the continued viability of republican self-government in the service of natural rights for anyone, of any ‘race,’ not only in the nineteenth century but in the twentieth and twenty-first centuries as well. The more urgent problem for Melville and other Americans of his generation was how to locate the Aristotelian ‘mean’ or ‘middle’ as reunion occurred. General Lee’s speech to Congress is eloquent, but it is Melville’s speech put in the mouth of Lee, not Lee’s speech on that day. And even in Melville’s poem, Lee speaks to Northern Republicans, not to ‘his own’ people. There was no Southern Grant, much less a Southern Lincoln—or if there was, he perished in the war, an outstretched hand to be clasped only in death.

    Or was there a Southern Lincoln, who could not find a political place to stand in the postwar South? As for Lincoln himself, not only was he murdered, but he was not all mercy, even in victory. Christian charity or agape has its stern side, and Lincoln didn’t intend to forgive all Southerners. He wanted to send the leaders of secessionism into exile, even as the American Tories had been driven out, into Canada and elsewhere in the British Empire, after the Revolutionary War. Gradualism, yes: at the level of civil society, unjust prejudice can only die a slow death. But on the level of those potently digestive ruling institutions, the form or framework of the antebellum Southern state regimes, the aristocracy-oligarchy needed to go. On that, Thaddeus Stevens and the Radical Republicans were right, although in practice they failed, in part because they were insufficiently Lincolnian, unwilling or unable to exile the oligarchs. The result of a policy halfway between regime change and amelioration was a century of racial apartheid from which the country has yet fully to recover. Had the oligarchs been exiled, could the voice of the minority Southern Whigs have been raised? Could there have been a Lincoln among them? It seems unlikely but unknowable. Melville tells his readers to “revere that sacred uncertainty which forever impends over men and nations.” He may not have revered it, exactly, in the privacy of his own mind, nor considered it sacred, but he did respect it as more powerful than man-made ‘idealisms.’

    There was no Southern Melville, either, at least not until Faulkner. In Melville’s time, the South had its great comic counterpart to the tragedian of the North. Mark Twain attempted to teach in comedy some of what Melville taught in tragedy. Comedy works best in civil society, and thus gradually. For more immediate political purposes, Melville could never address the South the way he could address the North, but Southerners too needed his lesson in moderation, as the war proved an imprecise teacher.

     

    Notes

    1. Dowling astutely calls attention to Brown’s Southern counterpart, Edmund Ruffin, who (Melville remarks in his supplementary essay) fired the first shot of the Civil War at Fort Sumter and committed suicide in Richmond at the end of the war. Both North and South had their ‘Ahab.’ But only one had its Lincoln, and he would be murdered by a Southern Fedallah. See Dowling, “Melville’s Quarrel with Poetry.” In the Cox and Dowling edition of Battle-Pieces, cited above, p.p. 345-346.
    2. Garner suggests that the narrator of the poem on the riots is a self-conceived Anglo-American ‘aristocrat,’ sniffing at the unruly (and largely Irish) polloi. This comports with his claim that Melville is a Northern Democrat who prefers McClellan to Lincoln. The argument here is that Melville’s political thought isn’t that easy to simplify.
    3. The last two lines of “The Eagle of the Blue” echo rhythmically the last lines of Tennyson’s poem, “The Lady of Shalott.” On her island in a river near Camelot, the Lady is cursed; to occupy her time she weaves her “charmed web,” but she may not look at reality directly, viewing passersby on the road to Camelot through a mirror and depicting them in her tapestries. “Sick of shadows,” when she sees “bold Sir Lancelot,” his armor shining, singing, she turns away from the mirror and the loom to see him directly. The mirror cracks, “The curse is come upon me”; she sets out for Camelot on a boat, “chanting her deathsong.” When her boat arrives, she is dead. Lancelot sees her, saying, “God in His mercy grant her grace, / The Lady of Shalott.” The contrast with the Union army’s eagle could not be more striking. Far from an artist who cannot face reality without bringing down destruction to itself, the Eagle of the Blue “exulteth in the war” with a “pride of quenchless strength.” “Though scarred in many a furious fray, / No deadly hurt he knew; / Well may we think his years are charmed— / The Eagle of the Blue.” The eagle faces reality and survives; far from cursed, it, not the product of some artistry, is charmed. As a poet Melville insists on looking at reality, requires that his readers look at it, celebrates the symbol of the Union army that did. For Melville, the true weaver is nature/fate, and human beings and their regimes survive only if they know how to live within its tapestry as it binds them, with moderation, good judgment, and sympathy for their fellows, all of whom live and die within those conditions.
    4. On this point, see Catherine Zuckert: Natural Right and the American Imagination: Political Philosophy in Novel Form (Savage, MD.: Rowman & Littlefield Publishers, 1990), 99-100.

     

     

     

    Filed Under: American Politics

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