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    Benda’s Dubious “Clerks”

    February 12, 2018 by Will Morrisey

    Julien Benda: The Betrayal of the Clerks. Richard Aldington translation. Boston: The Beacon Press, 1959 [1928].

    Originally published in The Rumson Reporter, January and February 1994.

     

    The Intellectuals’ Self-Betrayal

    Since the late 1960s, the word ‘disinterested’ has come to be used to mean ‘uninterested,’ indifferent. The original meaning of ‘disinterested’ has nearly disappeared from public debates. We are told that no one is or can be disinterested or impartial. We’re all partisan, self-interested. Perhaps as a result of believing this claim without qualification, many of us really are disinterested in the newer sense: Withdrawn from public debate, bored by it, and distrustful of it, refusing even to vote in elections. With their typical profundity, politicians and pundits attempt to solve the problem by making voter registration easier. If people don’t want to vote, why register them? If registered, why vote?

    The diagnosis of this problem was made in France and published in 1927 by the philosopher Julien Benda. Translated as The Betrayal of the Intellectuals, La trahison des clercs, enjoyed some popularity in the United States in the aftermath of the Second World War. It is no longer much read today, least of all by those who’d most benefit from it: journalists, academics, and other soldiers in today’s culture-wars.

    Those wars are characteristically bitter. Political hatred is nothing new, Benda observes. Intellectuals, also, have been with us for some time. But “the intellectual organization of political hatreds” is new, a product of the late nineteenth century that reached its apogee in the twentieth.

    Looking at a Europe beginning to be populated by followers of Mussolini and Lenin, men who throve on the exacerbation of national and class struggles, Benda found it both astonishing and ominous that poets and professors had joined their ranks. “One cannot imagine the Roman Republic feeling that the moral support of Terence and Varro was of value to it during the war with Carthage or the government of Louis XIV finding that the approbation of Racine and Fermat gave it additional strength in the war with Holland.” Not only did the new dictators require such support, the new intellectuals gladly offered it.

    For centuries, intellectuals had embodied a universal culture, both religious and secular. This culture extended throughout Europe, and did not exclude study of the civilizations of Asia. It exhibited a fascination (if a somewhat naïve one) with Amerindian societies as well. It was not ‘internationalist’—both capitalists and communists were that—nor was it ‘cosmopolitan’ or dilettantish. The universal culture was humanistic in the original meaning of the word—founded upon the recognition and cultivation of human nature seen as always and everywhere the same.

    This conception of the universality of human nature was shared by the Christian Bossuet and the atheistic Voltaire, although each of course had sharply different ideas about what constituted the good for human nature. From Judaism on, religionists insisted on the universality of human nature even as they contended bitterly over what human beings should believe and how they should behave. Philosophers who contested each others’ theories and fully recognized the immense variety of customs and beliefs in the world never supposed that there was no identifiable core of attributes that are distinctively human, nor that foremost among these is the capacity to reason, which makes philosophy possible.

    That is how thought could be disinterested or impartial. Thought was conceived as the quest for the truth about things transcending particular political societies: God, the cosmos, human beings. Benda calls this “disinterested intelligence,” and he deplores its near-disappearance in the twentieth century.

    Even the most cynical politicians of the past never claimed to be doing more than working for their own or their country’s interests. Politicians might violate morality but they did not attempt to change it. The new politicians were more pretentious. They claimed that their antagonisms were apocalyptic, that partisan struggle determines not merely a political but a moral succession. In this respect, the ‘Master Race’ of fascists is indistinguishable from the ‘New Man’ of communism. Whether the struggle is over nationality, race, class, or some other particularism, the universality of human nature is scorned as a myth.

    Benda does not so much deplore political men holding up such idols. He deplores intellectuals who salute them, even fashioning them for political use. As a result of such efforts, “humanity is heading for the greatest and most perfect war ever seen in the world, whether it is a war of nations, or a war of classes.”

    Can we say we had that war, the Second World War? And can we say we survived it?

    Benda Today

    In the Second World War an alliance of commercial republics and a leftist tyranny defeated an alliance of rightist tyrannies and a theocratic empire. Benda had witnessed representatives of all these political orientations in the France of 1927—parliamentarians, communists, and that odd combination of fascistic and theocratic beliefs called Action Française, whose spokesman was the writer Charles Maurras. (It isn’t too much to call Action Française the French Catholic equivalent of Japanese imperialism, so long as one understands that many French Catholics vehemently opposed the Maurrasiens.

    After the defeat of the totalitarians and imperialists of the ‘Right,’ there remained the totalitarians and imperialists of the ‘Left.’ Their confrontation with the commercial republics in Europe, North America, and elsewhere threatened a still greater and more nearly perfect war. In this confrontation Benda, who lived until 1956, surely would have recognized the continuation of the disease he had diagnosed in the 1920. Jean-Paul Sartre and Maurice Merleau-Ponty in France numbered among hundreds of intellectuals-turned-ideologues, apologists for tyranny. In the commercial republics there was also a subordination of intellect to practical aims the Cold War made necessary, from planning to polemics, although in those regimes dissent didn’t land you in prison.

    In the Soviet Union the tyranny eventually collapsed, resoundingly, only to be replaced by a sort of elective monarchy. The ‘Left’ remains in power on mainland China, well-financed after having relieved itself of Maoism and more dangerous to the rest of the world for it.

    Benda’s critique stands. Some modern political regimes have changed, but modern intellectuals have not. Careerism, materialism, and the organization of political passions, secular beliefs urged with a fervor once reserved for religiosity (Benda calls this “divinized realism” in which “the State, Country, Class, are now frankly God”), the scorn for reasoned argument, the demand for ‘activism’ for social-justice warfare: All are familiar to us today, wherever ‘the politics of race, class, and gender’ replaces the simpler doctrines of nationalism and class-war. Religion still gets into the act, too. Yesterday’s Action Française finds its echo in today’s Catholic-leftist ‘Liberation Theology,’ a moderate form of which finds itself raised to the apex of the Vatican. And then of course ‘Islamism’ ardently seeks the explosion of its many enemies.

    The huge public and private bureaucracies that attempt to ‘manage’ the modern societies complicate the intellectuals’ situation still more. Today’s bureaucracies rule by claiming to serve. They ‘deliver’ goods to customer/constituents who are less citizens than they are ‘consumers.’ In these structures intellectuals serve their masters as wizards of data and conjurors of images. The bureaucracies often find opposition among academic and ‘counterculture’ intellectuals, but as often they coopt or manipulate them; protest songs of the ‘Sixties end up as ad jingles.

    The greatest and most perfect war need not involve violence at all. This war may turn out to be a mind-battle of rival culture-networks, powered by computers. Were he still alive, Benda might warn that the so-called culture wars rarely concern true culture, the cultivation of human nature. In the names of equality and liberty (both misunderstood as self-satisfaction) the antagonists race toward human nature’s systematic debasement. As a handicapper, I put my money on the dim, plodding corporate tortoise, not the hare-brained, erratic erotics of academe.

    Benda traces the origin of the intellectuals’ self-betrayal to G. W. F. Hegel, the great philosopher who replaced contemplation of the eternal with the apprehension of the history of thought. “Need I point out that this conception inspires the whole of modern thought” Benda asks, rhetorically. Hegel presented a well-articulated historicism that ranged from concrete particulars to the most abstract generalities. His leftist inheritors (Marx in particular) vulgarized historicism, made it into a form of materialism, and therefore made it popular, a political instrument in an age of democratic politics. Hegel’s rightist inheritors rejected materialism at first—Nietzsche despised it so much he called it English—but eventually succumbed to mass-movement politics as well.

    ‘Left’ and ‘Right’ came to exalt action over contemplation, willing over thinking. This encouraged the militant personality—the bellecist general and the pacifist ‘demonstrator’ alike. The genuine intellectual disappears; his “defeat begins from the very moment when he claims to be practical.” If humanism ‘goes political’ in a thoroughgoing way, the logical result will be the world-state, a universal bureaucracy ruling a humanity united in order to exploit the earth: “But,” Benda writes, “far from being the abolition of the national state with its appetites and its arrogance, this would simply be its extreme form…. Humanity would be united in one immense army, one immense factory, would be aware only of heroisms, disciplines, inventions, would denounce all free and disinterested activity, and would cease to situate the good outside the real world, would have no God but itself and its desires…. And History will smile to think this is the species for whom Socrates and Jesus Christ died.”

    Filed Under: Philosophers

    Sinyavsky and the Bearable Heaviness of Dissent

    February 12, 2018 by Will Morrisey

    Andrei Sinyavsky [“Abram Tertz”]: Strolls with Pushkin. Catharine Theimer Nepomnyashchy translation. New Haven: Yale University Press, 1993.

    Originally published in The Rumson Reporter, August 1994.

     

    Andrei Sinyavsky rivals Aleksandr Solzhenitsyn as Russia’s most eminent living writer, although Solzhenitsyn is far better known in the United States. Like Solzhenitsyn, Sinyavksy spent time in a Soviet jail (for “anti-Soviet agitation”) and in exile. Unlike Solzhenitsyn, he is that rare bird, a Russian liberal democrat. He often uses the pen name “Abram Tertz”—camouflage he assumed under the Soviet regime.

    Aleksandr Pushkin, more or less unanimously acclaimed as the Russian poet of the nineteenth century, had his own run-ins with the political authorities of the day, suffering the humiliating semi-protection of Czar Nicholas. Pushkin died in a duel wherein he had the good fortune to be shot by a foreigner, thereby arousing strong patriotic passions in his countrymen, passions that have attached themselves to his name ever since. From the Christian Czarist Fyodor Dostoevsky to propagandists in the pay of the Comintern, Russians routinely appropriate Pushkin for their (cross-)purposes.

    In writing on Pushkin, Sinyavsky continues this tradition and addresses two principal themes, relevant both to Pushkin’s circumstance and his own. What constitutes freedom in Russia? What constitutes Russianness?

    As Catharine Theimer Nepomnyashchy writes in her informative introduction, Synyavsky’s Strolls with Pushkin continues his closing speech at his 1966 trial. She notes that Pushkin, a political dissident, a probable atheist, a devotee of French culture who had an ancestor who was an Abyssinian prince, does not at first appear to be a prime candidate for First Icon of Russian Literature. But such is the freedom of artistic plasticity that he has become that, in the hands of writers who would have loathed him in life.

    Sinyavsky wants to save Pushkin from the hands of self-serving political cultists. Sinyavsky doesn’t want to worship Pushkin; he wants to stroll with him, an activity Pushkin himself would have much preferred to gestures of adoration. Strolling is leisurely, convivial, free—everything Russian politics so notoriously is not. Sinyavsky’s Pushkin is “an elusive and ubiquitous No Man”—that is to say, a comic Odysseus, not a tragic Achilles. “Lightness is the first thing,” the “condition of creativity”; Pushkin “turned lolling about into a matter of principle.” (Work is the opiate of the masses: You can’t subvert Marxism-Leninism more radically than that. Hence Sinyavsky’s funny line in a 1959 essay, What Is Soviet Realism?: “There is nothing to be done”—a dig at Lenin’s famous pamphlet, What Is to Be Done?). Flighty, womanizing, frivolous, Pushkin “touched on forbidden topics and secret subjects with free and easy grace.” He is the antidote to heavy, Russian sober-sidedness, from Dostoevsky/Solzhenitsyn in literature to Lenin/Stalin/Brezhnev in politics.

    Sinyavsky’s Pushkin is an anti-Machiavelli. For all his lightness of touch, Machiavelli proposed a grim project, the conquest of Fortune by means of tyrannical princes and contentious republicans unassisted by God. Villainy, Sinyavsky writes, “originates in vain attempts to correct fate arbitrarily, to impose the principle of envy on fate through blood and deception,” force and fraud. “The free man strolls,” Pushkin said, he does not seek domination. Pushkin is a Russian Epicurean.

    The problem with too-serious people, Sinyavsky argues, is that they have too damn many purposes or, worse still, one overriding one. In order to free himself from the tyranny of other people’s purposes, Sinyavsky’s Pushkin advances no cause, imposes no goals and indeed proposes none. He writes about nothing or, what is the same thing, about everything that is a trifle. Life is flux, but orderly flux—the change of seasons more than the shuffling or clash of atoms. Pushkin “became a poet the way some people become tramps,” with no grand project in view, “prefer[ring] solitude under shady bows to heroic deeds,” living the life of the “parasite and renegade.” “Pushkin all his life remained a lycée student,” hanging out with the guys and chasing girls. “Parasite” and “renegade” have been standard terms of abuse under the Soviet regime, as in “social parasites” (the bourgeoisie and its sympathizers, real or alleged) and “the renegade Trotsky,” targeted for murder by agents of Joseph Stalin, Man of Steel.

    Sinyavsky’s book is delightful (although, predictably and perhaps even designedly, it gives Solzhenitsyn indigestion). It also poses a (pardon the word) serious problem with respect to Russian liberalism.

    “Pushkin was the first civilian to attract attention to himself in Russian literature. A civilian in the fullest sense of the word, not a diplomat, not a secretary, a nobody. A goldbricker. A deadbeat. But he made more noise than any military man.” True, but a private noisemaker is likely to be heard and thus no longer private. Nor is he yet a citizen. A poet produces forms, makes something, and therefore implicates himself in the practice of ruling—if only indirectly, by influencing the cultural atmosphere—whether he wants to or not. “The poet is a czar,” Sinyavsky’s Pushkin recognizes. Poetry is a “despot.” It ordains. Religion traditional serves as a frame for governments, a subject for poetry; in a secularized society art becomes a substitute for religion.

    Yet Sinyavsky doesn’t want art to rule. He wants it to stroll, he wants it as an expression of freedom. He needs to set Pushkin free of all his cultists, but also needs to set him free of Sinyavsky. He wants freedom from the tyranny of all purposes. His policy amounts to a comprehensive détente or relaxation, in the hope that vigilant despots will also relax, loosen their Machiavellian grip on their subjects. His kind of declaration of independence might not provoke a war for independence in which his side would be defenseless against the Soviet regime.

    This may be possible for Rousseau, in his Reveries of a Solitary Walker, precisely because he is solitary, outside of civil society. But take a convivial stroll with someone, even so free a spirit as Pushkin, and a destination will creep in, rules of engagement will be formulated. Solitary freedom will inevitably give way to civil liberty.

    Without an idea of civil liberty, Russian liberalism does not know how to govern. Which is why Russian liberals will always be an endangered species.

    It may be that Sinyavsky wants first to help Russians recover the experience of freedom simply, before going on to think about civil liberty and republican government. It is not easy to see, however, that he can get there from here.

    Filed Under: Nations

    Plato–Short, Sweet, and Aporetic

    February 11, 2018 by Will Morrisey

    Thomas L. Pangle, ed.: The Roots of Political Philosophy: Ten Forgotten Dialogues. Ithaca: Cornell University Press, 1987.

    Originally published in Interpretation: A Journal of Political Philosophy. Volume 21, Number 3, Spring 1994. Republished with permission.

     

    Perplexingly inconclusive, Plato’s short Socratic dialogues appear to offer little promise to those who ask, How did the founder of political philosophy understand his own enterprise? The suspect genealogy of the dialogues makes scholarly neglect seem all the more reasonable. Is there really anything to learn here?

    As it happens, there is, and this collection of careful translations and commentaries makes the learning easier to begin and, better, harder to conclude. “To confront, to take seriously, to become captivated by, these shorter dialogues,” Professor Pangle writes, “is to discover a Socrates who shakes the foundations of many of our conventional assumptions about what and how Socrates and Plato might have thought.” It might be noted that some of the scholarly refusal to take these dialogues seriously as authentic Platonic works may stem from a reluctance to take seriously certain Socratic challenges to conventions. Whatever the historical evidence may be, a willingness to read these dialogues as authentic begins to separate thoughtful or potentially thoughtful students from ‘pure’ scholars. The contributors to this volume combine scholarship with thoughtfulness.

    Allan Bloom finds in the Hipparchus a confrontation between a philosopher and a democrat—the latter no fanatic, but simply an ordinary man who loves money in a ‘decent’ or law-abiding way. The dialogue shows how such decency poses a serious threat to the philosopher’s way of life. Both democrat and philosopher love gain. They differ radically in their conceptions of what is truly gainful.

    The conventional decency of law, upon which money rests, concerns Socrates in the Minos. Leo Strauss shows that law, associated with opinion but also intended to guide opinion, is highly problematic with respect to knowledge. At the same time, “The Minos raises more questions than it answers,” thereby offering readers not so much knowledge as doubt and wonder, neither of which conduce to lawmaking in any ordinary sense.

    This leads one to the quest for knowledge, a quest that cannot be sustained without a love of knowledge. Christopher Bruell emphasizes the distinction, in the Lovers, between the noble, which attracts the well-born, honor-loving, youths of Athens, and the good, associated more with the useful. Political philosophy requires study of the noble, although the study itself is more good than noble. When the noble know their own nobility, they transcend mere nobility; political philosophy constitutes “a needed preliminary to philosophizing.” In this sense, decent political life provides the necessary but not sufficient ground for philosophic life, which nonetheless is in tension with it.

    Given this dispensable indispensability of decent political life, can a philosopher or anyone else promote that life by teaching virtue? The Cleitophon, in Clifford Orwin’s words, depicts one of “those surprisingly rare occurrences in Plato, an encounter with a practicing statesman.” The statesman charges Socrates with the inability to teach citizen virtue. Orwin finds in the dialogue tension “between doing what is good for oneself and doing what is good for others.” Socrates avoids answering Cleitophon’s charge; this is “one of the few” dialogues “that never mentions philosophy,” perhaps because Cleitophon’s certitude with respect to the unmitigated goodness of justice cannot, and in a sense should not, be shaken. He requires clarity, answers, while Socrates would raise perplexities, questions. If a sound political regime provides the needed foundation for philosophic life, should a philosopher induce an able practitioner of the political life to philosophize, to examine his own moral guideposts?

    Does wisdom consist of answers or of questions? Thomas L. Pangle considers the Theages, one of the two central dialogues in the collection. the Theages depicts a private conversation, held in the portico of Zeus the Liberator, between Socrates and a father who is also a democratic statesman, understandably worried that his son wants “to become wise.” As Pangle remarks, wisdom may tempt men “to try to escape from the constraints of conventional fair play.” Theages, the son, soon reveals himself as a would-be tyrant; traditional democratic statesmanship has ‘naturally’ brought forth a child who threatens the tradition and the democracy. Socrates tactfully shows that philosophy, the love of wisdom, cannot offer a science of politics to would-be rulers. It can nonetheless strengthen the necessary pieties of political life by showing “how the traditional virtues can be made more consistent, intelligible, and self-conscious” in the face of democracy’s tendency to undermine itself by unrefined eroticism and immoderate ambition. The Theages is the Platonic answer to Aristophanes’ charges in the Clouds.

    The erotic and ambitious young democrat par excellence was Alcibiades. In the Alcibiades I Plato “depict[s] the profound transformation of an interlocutor in the course of a single conversation”—an event “almost unique among the dialogues,” in the words of Steven Forde. Socrates takes a thumotic soul and arouses its latent eroticism, particularly “to get [Alcibiades] to care earnestly for his self-perfection.” The private, though still social, “peering into the soul of another” yields self-knowledge, which includes moderation or good order of “soul and body and the parts of the soul within itself.” Statesmanship, by analogy but also by contrast, “is the proper ordering of the things belonging to many.” Forde regards this apparent resolution as questionable, given “the questionable proof of the soul” that are its foundation, and given the political career of Alcibiades, whose less-than-Socratic eroticism fascinated then repelled the Athenian demos.

    Thumos again figures in the Laches, the dialogue on courage. James H. Nichols, Jr., observes that Laches’ “commonsense, political conception of courage… rests on preserving the opinion that ridicule and disgrace, above all for not fighting bravely for the city, are more terrible than the risk of death.” Political courage thus differs profoundly from philosophic courage, which risks the city’s antagonism by unflinchingly challenging regnant opinion. Nonetheless, because “we humans are complex beings, compounded of soul and body, faced with varying situations in life,” we need to know how to apply intellectual virtue. True courage requires both natural bravery and prudence; political courage, substituting venerable opinions for prudence, will not always suffice. Neither philosophic nor political, divination—the product of “anxious forethought”—will not suffice for either the philosopher or the statesman.

    A discussion of prudence leads naturally to the topic of lying, one way of attempting to be prudent. Lying also relates to poetic myths. In his discussion of the Lesser Hippias, James Leake notes that “To regard lying as morally defensible or necessary to bring about the good, one must recognize that the good is of limited efficacy”—a recognition resisted by earnest youth of all ages—”not simply triumphant in human affairs or the cosmos.” This knowledge of limits, an instance of prudence and of moderation, forms “a necessary part of the art of politics or ruling insofar as it enables one to deal with those who are incapable of listening to reason”—enemies and friends alike. In this philosophy needs to be politic.

    Is beauty a kind of lie, or deception, and truth (like Socrates) ugly? It would be Epicurean to say so. One might read David R. Sweet’s commentary on the Greater Hippias as a suggestion that Plato anticipates Epicurus to some degree. In the dialogue, the unnamed stranger, who is Socratic, distinguishes precise speech and knowledge from conventional speech and “knowing beautifully.” “Hippias knows precisely how to speak beautifully”—and that is all he knows. The charm of beautiful things “acts as a deterrent to knowledge and prevents a man such as Hippias from seeing beneath the surface of things to the intelligible structure beneath.” The dialogue serves as “a chastening supplement to the Symposium,” which shows how beautiful things can lead the soul ‘upward.’

    Allan Bloom writes the collection’s last commentary, framing a book to which so many of his former students have contributed. One of the funniest dialogues, the Ion presents the spectacle of an utterly conventional cosmopolitan; panhellenic opinion of antiquity, like ‘global thought’ today, may well guide itself by a rather low common denominator. Bloom describes  the rhapsode Ion as book-bound; by questioning him, Socrates tests the claims made for authoritative books, specifically Homer’s books, as worthy educators of the Greeks. Socrates tests “the Greek understanding of things, particularly of the gods.” His “divine possession” argument amounts to “a tale designed to appeal to Ion’s needs and wishes”; small wonder Shelley took it seriously. In fact poetry is an art, an intelligible activity concerned with intelligible objects. Ion’s self-misunderstanding somewhat resembles that of political men. Like so many political men, people voice their fears and desires, especially with respect to their own futures. “Overcoming this concern with oneself” is philosophy’s precondition. Philosophy requires a concept of nature, permitting meaningful general speech. Philosophy permits the mind to see a cosmos or harmony, a kind of peace. Poetry, a veil for chaos or war, ultimately stops at the political level, the highest particularism.

    Plato’s Socrates carefully distinguishes the city from the philosopher. Gain-as-moneymaking versus gain-as-learning; decent laws versus knowledge, wonder, and doubt; citizen virtue versus questioning; politics versus self-perfection; political courage versus philosophic courage; poetic lies versus prudent lies; apparent beauty versus intelligibility; divine possession versus reason: Socrates explores these antinomies, defending philosophy while never forgetting the need for the city.

    Filed Under: Philosophers

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