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    Defending Philosophy in Renaissance Italy: Ficino’s Metamorphic Retrieval of Plato’s “Symposium”

    March 23, 2018 by Will Morrisey

    Marsilio Ficino: Commentary on Plato’s Symposium on Love. Dallas: Spring Publications, 1985.

     

    In the introduction to his translation of the De Amore, Sears Jayne provides a table relating the speeches Ficino has written for his friends to the speeches Plato wrote for the characters in the Symposium. The second and seventh of Ficino’s speakers do not mention the Symposium, Jayne remarks, “and in only one, the sixth, is there a sentence-by-sentence commentary on any part of Plato’s dialogue.” [1] This might lead the reader to suppose that Ficino neglects the Symposium even as he writes what is called a commentary on it. Such a reader would be mistaken. Each speaker in the De Amore tracks his counterpart in the Symposium, if obliquely. Both the tracking and the obliqueness of the tracking serve the purpose of defending the philosophic life in fifteenth-century Florence. Ficino is indeed “defend[ing] the propriety of personal love by showing that it is merely a natural part of a perfectly respectable cosmic process” (Jayne, 12-13). More pointedly, he is defending the propriety of philosophic love as a defensible part of a respectable Christian city.

    Plato’s Symposium presents itself as Appolodorus’ account of Aristodemus’ account of the party celebrating the poet Agathon’s victory with his first tragedy (173a). Ficino’s De Amore recounts a party celebrating the traditional birthday of Plato, the author of an account of the untragic tragedy of the beloved (and hated) Socrates. Ficino writes centuries after the death of Socrates, the protagonist of the dialogue he has translated and now comments on. Unlike Plato’s protagonists, Ficino’s need not decide the question, Wine or Eros? They have already chosen to discourse on love, not to drink the night away. Further, between the untragic tragedy of Socrates and Ficino’s dialogue another—but very different—untragic tragedy has occurred: the death of Jesus of Nazareth. In Catholic Italy, any dialogue on amore must also keep an eye on that other kind of love, caritas. [2] Ficino finds himself in a circumstance differing from that of Socrates or Plato. In Ficino’s Italy both philosophy and Christianity are traditions, part of public opinion, whereas in ancient Athens philosophy was a novelty and Christianity of course was unknown. The De Amore shows how a philosopher can take account of this massive change, adapt to it, continue to philosophize with and against it. Philosophy in the Symposium is, famously, a kind of love; Ficino must write ‘de amore’ against the background of a tradition-ridden philosophy—a philosophy in which love has grown cold—and a religion that can at least be interpreted (by no less a figure than Augustine) as requiring a competing form of love.

    Ficino replaces the twice-removed narrative structure of the Symposium with the removal of two—two old men, that is. The Bishop of Fiesola and Ficino’s father leave before the speeches begin, “the one for the care of souls, the other for the care of bodies” (36). The authoritative elders must leave before the middle-aged and young men can open their souls on (and to?) love, even as the pious old Cephalus must leave before his friends (and enemies) can begin a candid discussion of justice in the Republic. The Christian world has two authorities where the ancient world had one: fathers remain, but now there are also Fathers.

    I. The Symposium‘s first speaker is Phaedrus, Plato’s rhapsodizing friend, familiar from the dialogue that bears his name. Phaedrus is a student of the sophist Hippias, whose primary teaching, ‘like loves like,’ supports ungenerative eros, e. g., pederasty and incest. Phaedrus is indeed ungenerative, a spouter of verses on love culled from “various authorities” (178b). In terms of the tripartite psychology of the Republic, Phaedrus is a man of logoi, words, but not of logos, reasons. He is a man of thumos—and a rather poor specimen at that, lacking any of the grandeur of Achilles or Odysseus. Phaedrus is passive, a receiver of authoritative teachings, neither hero nor lover.

    Giovanni Cavalcanti, De Amore‘s first speaker, also presents Phaedrus as a follower—not of a sophist or a poet, but of Plato (37). To follow a philosopher, instead of philosophizing oneself, is to embrace a philosophic doctrine. Accordingly, Cavalcanti’s Phaedrus outlines a doctrine whereby ‘God’ is identical to ‘the Good.’ God has created three worlds: the Angelic Mind, stocked with the forms or ideas, a mind desirous of God, its creator; the World Soul; and the World Body. The forming of ideas in the Angelic Mind is the perfection of love; it is mind made beautiful. Idea-formation is, so to speak, the metaphysical equivalent of the ugly, old Socrates made young and beautiful. Love brings order out of chaos. Love is therefore old—the oldest and wisest of the gods—and supremely worthy of praise. Cavalcanti’s Phaedrus tactfully synthesizes the Platonic ‘Good’ and the Creator-God of the Bible. Cavalcanti’s Phaedrus, like Plato’s, presents a politically correct image of love, allowing for the radical change of political authority in the intervening centuries, a change mirrored in the shift from fathers to fathers and Fathers. The love of Cavalcanti’s Phaedrus does not threaten the laws of the city but instead harmonizes with them, making them effective (40, and cf. Paul’s Letter to the Romans, v. 13). “Every love is virtuous, and every lover is just” because love partakes of “a certain grace” in “avoiding evil and pursuing good” (40-41). Cavalcanti’s Phaedrus has ‘received’ the Gospel according to a Plato who has read the Gospels and knows the power of the Church.

    II. The Symposium‘s second speaker is Pausanias, a student of the sophist Prodicus. Pausanias hopes that his listeners will assume—and perhaps he himself assumes—that if there are two Aphrodites there must be two ‘Loves’ or Cupids. One Cupid is heavenly, the other popular or vulgar. Both are pederasts, but only the first is noble. Pausanias calls for a law to prohibit infidelity among vulgar pederasts. He first claims that the laws of Athenian democracy are better than those of foreign, despotically-ruled cities (182d), but soon admit that “our Athenian law” gives “absolute license to the lover” (185c). Pausanias’ dubious division of love leads to self-contradiction in politics. Sophists generally and Prodicus in particular misunderstand both love and politics, on which they nonetheless profess to teach wisely.

    After having spoken of Phaedrus, Giovanni Cavalcanti also speaks of Pausanias. Cavalcanti discusses not dualism but ternarism: God’s creation of all things; his attracting of all things to himself; his perfecting of all things (44). Cavalcanti transforms the Pausanian loves into a love generated by divine beauty for itself (46). The Pausanian contradiction becomes a harmonious circle. This genetic account of love comports with neo-Platonic metaphysics, whereby God rests in the center, surrounding by concentric circles—Mind, Soul, Nature, and Matter—and into which circles God (i.e., the Good) emanates its “rays” of beauty (51). Thus God is motionless insofar as ‘he’ is an indivisible point, while nonetheless being present in all things—some of which do move, thereby subsuming Pausanian dualism and contradiction.

    All lovers really seek God, even vulgar lovers. “Some of the stupidest men are rendered more intelligent by loving” (53). The fear of God—the beginning of wisdom according to the Bible—serves as an analogue of the fear and trembling of a lover before the beloved. Cavalcanti thus synthesizes Biblical and Platonic love, putting what Pausanias would call popular or vulgar love on a continuum with heavenly love, and reconciling both with fear of the Lord.

    Having said all this, Cavalcanti can then bring in Pausanias’ heavenly and vulgar loves explicitly, identifying the first with Mind and intelligence, the second with procreation. On the basis of his harmonizing metaphysics and harmonizing theology, Cavalcanti can make Pausanias’ two loves twins.

    The only real dualism Cavalcanti admits is that of “simple” and “reciprocal” love. Simple love means unreciprocated love. Those who do not love a lover back are murderers; they draw another soul out but do not replace it with their own. They refuse to exchange sols, leaving the lover soulless, dead. Here the ‘homosexual’ theme of ‘like unto like’ recurs, in a form acceptable to Christians; lovers mirrors the souls of one another, the beauties of their souls becoming “virtuous, useful, and pleasant to both” (58).

    III. Plato’s third speaker is Eryximachus, the lover of Phaedrus and likewise a student of Hippias. Eryximachus stands in for the hiccoughing Aristophanes—temporarily overcome, perhaps by Pausanian conceits. Eryximachus accepts Pausanias’ definition of love into two. But he regards sexual attraction as only one among many manifestations of love, which he identifies in “the bodies of all animals and all growths upon the earth” (186a). A physician, Eryximachus would make medicine and music the architectonic arts, displacing the products of poetic art that Phaedrus recites and the products of legislative art that Pausanias esteems, or claims to esteem. Eryximachus’ love—conceived as cosmic principle—might be described as a physical version of the Cavalcantian metaphysics introduced in the second speech of De Amore. In an ironic coda, by the end of Eryximachus’ speech Aristophanes’ hiccoughs have stopped, cured not by any of the physician’s recommended remedies but by a sneezing fit. Technique does not cure; nature restores its own balance. The scientific art par excellence does not work as advertised.

    Cavalcanti’s account of Eryximachus remains characteristically silent with regard to pederasty. Instead, he emphasizes the generativity of love (64). He points to the comprehensiveness of love according to Eryximachus, “for who… will doubt that the love for all things is innate in all things?” (64) He ignores Eryximachus’ Empedoclean invocation of strife as a cosmic principle: “Fire does not flee water out of hatred of water,” Cavalcanti asserts, “but out of love for itself, lest it be extinguished by the coldness of the water” (68); this ‘like unto like’ account is again the only hint of the homosexual them that forms an important part of each of the Symposium‘s first three speeches.

    Even more significantly, Cavalcanti carefully ignores the physical character of love according to Eryximachus, as well as his scientistic account of it. This materialism had certain repercussions for moral life. In Eryximachus’ account, it is far from clear by what principle all-comprehending love distinguishes good from bad, noble from base. His emphasis on art or technique leaves open the question, ‘To what end?’ By contrast, Cavalcanti regards love as the ruler of the arts. As seen in his previous speech, love is a ruler that imposes a distinct hierarchy of desires leading up and back to the Good, the origin and end of all.

    In sum, the first three speeches of the Symposium feature students of sophists who are also pederasts. Plato more than hints that sophistry and pederasty are alike in their lack of generativity, the result of art or technique divorced from nature. In the first three speeches of De Amore, in contrast, ‘homoeroticism’ exists only in the metaphysical principle of love conceived as ‘like unto like.’ [3] Cavalcanti makes the first three speeches of the Symposium more edifying than they are, and more coherent—individually and collectively. There is no conflict, no tension, no hiccoughing and sneezing here. Structurally, Ficino has emphasized this harmony by giving his three speeches of the De Amore to one man instead of three different men, each trying to outdo the other in love-worthiness. The Platonic agon has been replaced by a Platonic or neo-Platonic doctrine. Plato’s interlocutors’ passivity forces them to preen themselves, present themselves as beauty queens. Ficino sees that ugly old Socrates, who never stoops to conquer, finally attracts more and better souls without primping but by interrogating, challenging, making himself unpopular with many while winning the few to his ‘regime,’ his way of life.

    IV. Aristophanes explicitly announces a departure from the themes of the previous speakers (189d). (Indeed, the dialogue thus far might as well be a re-write of the Protagoras.) Love, he contends, is the misunderstood and unappreciated benefactor of the human race; it is not understood (he implies) by sophistic ‘science.’ This firm advocate of traditional religion nonetheless invents his own mythos about the origin of sexual love; under the pressure of the sophists’ scientific-technicist physicalism, Aristophanes formulates a poetic-technicist physicalism.

    Science and poetry differ with respect to the gods. The sophists conspicuously slight the gods; the poets conspicuously admire the gods, teaching that men need gods to beat down human hybris, whereas gods need men to honor the gods. Reason—scientific or other—cannot govern hybristic humans, who will accept no restraints but those imposed ‘from above.’ Without such restraints, humanity will destroy itself.

    In this central section of his dialogue, Ficino marks the transition from sophists to poets by introducing a new speaker: Ficino’s teacher, Cristoforo Landino. Landino is a poet and scholar devoted to Italy’s architectonic poet, Dante. Consistent with Aristophanes’ project, Landino speaks more piously than the others, emphasizing the pridefulness of Aristophanes’ circle-humans and the justice of their punishment by “God,” who replaces Zeus in the Landinian retelling. Crucially, Landino’s circle-humans are guilty of “turning to the inner light alone,” away from the divine light; “they fell immediately into bodies” (72). Landino suppresses Aristophanes’ anti-hybristic physicalism in favor of an anti-hybristic Neo-Platonism. We are no longer humbled by the claim to be no better than the rest of material nature, but by the claim that nature encompasses higher things than ourselves. The love experienced by the God-divided humans reminds them of their radical dependence upon God and upon one another, impelling them to seek wholeness. Landino relates this division to the Biblical account of the Fall (72). He ‘platonizes’ Aristophanes’ mythos by associating the three original sexes not with sexual practices—male and female homosexuality, heterosexuality—but with three of the four Platonic virtues: courage, temperance, justice. He omits wisdom; wisdom is less intimately connected to bodily concerns than the other three virtues.

    In the Symposium, Aristophanes is Socrates’ opponent. In the De Amore they do not seem to contend, as Aristophanes has been ‘platonized,’ de-physicalized. The soul rules the body; the soul is truly man: “All the things that Man is said to do the soul itself does; the body merely suffers them” (75). Soul rules by perceiving both natural and divine light; the natural light alone would confine soul to the task of ministering to the body. This imagery doesn’t comport very well with the Aristophanean mythos, wherein physical, sexual longing for the ‘other half’ comes only after the division of the circle-humans, but that is the price the later, platonizing poet must pay in order to make poetry support the four Platonic virtues—all expressive of masculine and feminine traits in combination (77). Landino thus makes the recovery of androgyny respectable in a Christian-Platonic setting.

    After presenting a religious version of the duty of reciprocity in love that Cavalcanti had set down with respect to human love (79), Landino concludes by listing the three benefits of love. Love restores us to the comprehensive whole, that of Heaven; love assigns us our just place within that whole and causes us just satisfaction in our place; love constantly renews the soul’s pleasure, so that the whole and our place within it never tire us (80). Landino’s ‘platonization’ of Aristophanes combines politics with pleasure in an origin myth—the Aristophanean enterprise, disembodied. In both myths, love closes a circle that had been sundered. But Landino makes the Aristophanean human comedy a Dantean divine comedy.

    V. From the comic poet, Aristophanes, the Symposium moves to the tragic poet, Agathon. Agathon speaks not of the effects of Love on humans but (more ambitiously) of the god himself. Agathon does so in in order to use poetry to vindicate the old, the traditional, but to ‘make it new,’ to celebrate Love as youth. In this he is a more openly poetic technicist than Aristophanes, whose innovations are intended to defend ancient beliefs of Athenian countrymen against such urban novelties as sophistry and philosophy. Agathon is another student of a sophist: Gorgias. But he displays none of the cynicism of the other students of sophists. That is to say, he is a superior practitioner of their art.

    Agathonian Love is soft, delicate, beautiful, peaceful, and young—a flower child. This god is endlessly self-delighted, entirely untragic. He defends himself only be being too comely to kill. Whereas Gorgias taught that might makes right, Agathonian Love mounts nothing more worrisome than a charm offensive. He is Freedom forever eluding grim Necessity. Agathon is a tragedian who doesn’t really believe in tragedy. Transported to the late nineteenth century, he would write not the Birth but the Death of Tragedy. He undermines his own artistic genre. To show how far superior he is to the others, to show how much better he has mastered their art, he undertakes to show himself far superior to his own art, the art for which he has just received high honor from the citizens of Athens.

    Carlo Marsuppini, a student of Ficino’s, speaks of Agathon. Carlo preserves, even intensifies, the delicacy of Agathonian Love by emphasizing Love’s incorporeality.  Love is not merely untragic or ‘light’ in the adjectival sense. Love is light—the noun—”pentrat[ing] the body of air and water everywhere without obstruction… nowhere soiled when it is mixed with these filthy things” (91). Thus “all this beauty of the World, which is the third face of God, presents itself as incorporeal to the eyes through the incorporeal light of the sun” (91). We see beautiful things, but only as beautiful images, in our ‘mind’s eye.’ Physical, sexual penetration is trivial compared to the all-pervasive incorporeal power of true love.

    Carlo accordingly replaces Landinian prudence or practical wisdom with wisdom tout court. In the higher realm that his mind inhabits there is no need for prudence. [4]  As with Agathon, Carlo’s love is a peacemaker, “sooth[ing] the minds of gods and men” (98). Carlo ascends quickly from the earth to the Angelic Mind, turning lovingly to the face of God (99). His Love is not only the youngest but also the oldest of the gods. God, through the Angelic Mind, lovingly created the Ideas (and so Love is older than they). But Love also animates the Ideas, renewing them eternally by keeping them oriented toward their Creator. Untragically, again agreeing with Agathon, Carlo ranks Love above Necessity. Love begins in God and is eternally free; Necessity begins in created things, degenerating with them. Carlo brings Platonic love as close as it can get to caritas.

    VI. Socrates follows the charming Agathon by charmlessly calling all the previous speakers liars (“I was such a silly wretch as to think that one ought in each case to speak the truth about the person eulogized” [198d]). Aristophanes had distinguished poetry from sophistry; Socrates lumps them together as techniques for producing falsehoods. If true love is love of truth, Socrates must unseductively reject the pretty lies of sophists and poets. Poets and sophists cajole, flatter; they make Love a beautiful god. But love or desire implies want; if love desires beauty, it cannot itself be beautiful.

    This does not mean that love is ugly. Love is non-beautiful, between beauty and ugliness. (Socrates ignores another possibility, that Love is beautiful but desires still more beauty; this would confirm the ‘like unto like’ claim of Cavalcanti’s Eryximachus. Socrates associates godliness with autarchia or self-sufficiency, and it is on this basis that he denies the divinity of Love.)  The gods are good and beautiful; love is not beautiful but desirous of beauty; ergo, Love is not a god. Love is a daimon, a being between men and gods; Love is the offspring of Poverty and Resource, i.e., of the desire for and the capacity to approach wisdom (203d). Love is the human soul’s daimonism; the human soul is not immortal, but wants immortality. “Love loves the good to be one’s own forever,” Diotima said to Socrates (206a).

    Love’s resourcefulness woos the beautiful in order to beget upon it. More precisely, erotic souls are begotten upon by the beautiful. Moral beings can only become immortal by replacing themselves. Impregnated by a (necessarily brief) encounter with the beautiful, erotic souls generate poems, laws, and, best of all, “a plenteous crop of philosophy” (210d). The paradox—the reason for all the gender-bending in the Symposium, is that the aggressive, ‘male’ erotic soul is the one impregnated by the lady-in-waiting, the Beautiful. Like Romeo, the erotic soul climbs the ladder of love to the beautiful, but in Socrates’ account it isn’t Juliet who might give birth.

    The soul, being mortal, must finally descend the ladder or (to recall another dialogue) reluctantly return to the cave that is the city. There political philosophy begins, but Diotima only mentions politics in passing. Socrates speaks of Diotima and beauty to these men, men who have shown more interest in beauty than in justice.

    Tommaso Benci, Ficino’s contemporary and friend, speaks on Socrates’ speech. As Jayne notices, this longest speech of De Amore is also the one that most closely tracks its counterpart in the Symposium. Benci sees that Socratic love is not a god but an “emotion… halfway between the beautiful and the not beautiful,” an emotion Diotima calls a daimon (109). This ‘naturalizing’ of the ‘demonic’ or erotic comports with Ficino’s conversion of Thomas Aquinas’s seven gifts of the Holy Spirit into gifts of the seven planets (146 n. 22). Benci is markedly less poetic and pious than the Dantist Landino. Even the religious life, Benci notes, results from natural love (128). Platonism is an incorporeal naturalism, distinct from the corporeal naturalism of the sophists and the incorporeal supernaturalism of the Christians.

    Accordingly, Benci emphasizes the illusionary character of love, how a lover imagines that the beloved is more beautiful than he really is, unwittingly transforming the image of the beloved’s mind into a copy of the lover’s beautiful soul (114). Benci thus echoes Socrates’ rude demand for truth-telling. Perhaps as a nod to pious sensibilities, Benci calls love neither mortal nor immortal, in contrast to Socrates, who firmly calls it mortal. But Benci soon notes that such ‘immortality’ as love may be said to have refers to the persistence of love during a human life (128). The ‘eternal’ life described by Benci is, as for Socrates, a matter of philosophic propagation (131). Philosophic propagation is the one way to make erotic activity among males generative (135).

    In considering Diotima’s ladder, Benci explicitly identifies beauty with the light of the Sun (God, the Good), a move Diotima leaves implicit. Benci shares the Socratic insistence that the sophistic and poetic esteem for the body is narcissistic, a serious error many souls make. Unlike Socrates, however, Benci apparently does not see that the soul must come down the ladder, live in the world of politics, care for the body it inhabits. Benci does not full appreciate the implications of his own argument that the soul is not really immortal. [5] He follows Socrates in ranking intellectual virtues higher than moral virtues (although this terminology is Aristotelian, not Socratic) (143). But he classifies prudence as an intellectual virtue, simply, missing the link prudence supplies in Platonic (and Aristotelian) thought between the philosopher and the city.

    In the nineteenth and final section of his speech, Benci speaks quite piously. Socrates of course under far less compulsion to do so, given his audience in the Symposium. On the other hand, Socrates was eventually required to drink hemlock, and neither Benci nor Ficino was. Perhaps they practiced more prudence, even if they talked about it less. Or perhaps they exercised prudence by talking about it less.

    VII. Plato’s interlocutors descend from the ladder with a jolt when the drunken Alcibiades bursts in. Compelled to tell the truth about Socrates (in vino veritas?), Alcibiades calls him a satyr whose pipes are his lips, entrancing mankind wit logos. Socrates alone makes Alcibiades feel shame, for he compels Alcibiades to admit that “I neglect myself while I attend to the affairs of Athens” (216a). The theme of shame had first been broached by Phaedrus in the dialogue’s opening speech. Alcibiades is also a thumotic man, but his is an active, dominating soul, not a passive, Phaedrian one. The problem of Alcibiadian or aggressive thumos will lead Ficino’s commentator not to a discussion of Phaedrus but to a discussion of Socrates’ description of the soul in the Phaedrus.

    In person and in speech, Alcibiades says, Socrates is ugly on the outside, beautiful within. [6]. The inner Socrates is a being of courage, moderation, and wisdom; Alcibiades cannot quite bring himself to say that the inner Socrates is also just. Poor, unshod, externally ugly Socrates looks like Love. But with respect to humans he is the unloving beloved. Rich, externally beautiful Alcibiades looks like the Good, but his soul is a veritable democracy of disorder. Like Athens itself, he dreams futilely of conquering Socrates, who will never love him because Alcibiades is not good enough.

    Cristoforo Marsuppini, the younger brother of Carlo but singled out as “very thoughtful” (153), gives the speech on Alcibiades. He begins with a harmonizing summary of the Platonic interlocutors, presenting them as if their speeches had been complementary. In a world of religious and philosophic tradition, syncretism replaces dialectic—on the surface. The philosophic aim in this circumstance is to eroticize syncretism, which seems to have achieved a blissful unity of one and all, in order to keep philosophic eros, thus philosophy itself, alive.

    Apparent harmoniousness notwithstanding, Cristoforo does address one aspect of Alcibiades’ disruption: the nature of “vulgar love,” that “perturbation of the blood” (164). Vulgar love is a disease. Cristoforo discusses the four humours and the effect vulgar love has on each; in a discourse anticipatory of Robert Burton’s The Anatomy of Melancholy, he recommends a regimen of love cures. Here Cristoforo speaks like a Renaissance Eryximachus. Eryximachean medicine has been put in its place; it cures the disease of vulgar or bodily love in order to clear the soul’s way for better things. [7]

    Whereas the Symposium“s final section presents a descent from the heights, Cristoforo describes an ascent of the ladder. After vulgar love has been purged, the beast tamed, the soul can turn to divine love. The ascending steps of divine love—that is, love-mania—are the poetic, the “mysterial,” the prophetic, and the amatory (170). Poetry’s music harmonizes the soul, calming corporeal lusts, awakening the soul’s “higher parts”; the Dionysian mystery (in this decidedly ‘Apollonian’ formulation) concentrates the soul’s attention on the intellect, “by which God is worshipped”; the prophetic/Apollonian mania takes the intellect, now fully supported by the other soul elements, to its own proper unity; finally, the “celestial Venus” directs the unified intellect to its telos, “the divine beauty and thirst for the Good” (170). Cristoforo illustrates this with the image of the soul as charioteer, chariot, and two horses, the famous Socratic image in the Phaedrus (171).

    Cristoforo’s account of Socratic love leads not to the Symposium but to an apologia of Socrates. Socrates’ companionship, philosophic companionship, is the “single way of safety for the young” (173). Socrates is the true lover, the good shepherd who protects his flock from wolfish false lovers. Cristoforo’s Socrates does nothing but improve his young interlocutors, from Plato to Xenophon to Alcibiades. Socratic love leads the young to divine love. Socratic love here is love for persons, not only for the Good. Socratic love here is caregiving love, not unlike the love of Jesus for those He redeems. On this pious, harmonizing note the seventh speech and the dialogue itself ends, seven being the number of completion.

    Conclusion

    Despite its syncretist surface, the De Amore features the same tension between poetry and philosophy that may be seen in the Symposium. Ficino replaces the rivalry of Aristophanes and Socrates with that of Landino and Benci. But the tension is far less apparent in De Amore, for two reasons. First, Ficino is more discreet than Plato, because he needs to be; the Renaissance philosopher must deal not with a fickle but usually tolerant populace but with an ever-vigilant religious elite. Second, Ficinian love ‘works both ways.’ The philosopher loves the Good, but the Good also is presented as ‘loving’ the philosopher back. Love is a metaphysical force, circulating through creation, returning to its origin, the Good. This may be Ficino’s prudent rhetorical compromise with Christianity. It may also be his appropriation, with gratitude, from Christianity.

    In De Amore, Ficino has written another chapter in the long, complex story of the relations between religion and philosophy—more specifically, of the relations between Christianity and Platonism. (The city comes in along with religion, because even the duality of Church and State is no sharp separation in Catholic Italy; the relations between religion and philosophy are also relations between the city and philosophy.) Augustine gives one, firmly Christian, account of this relationship. Origen gives a very different and (as I think) Platonic account. Ficino in my view belongs on the Platonic-philosophic side of the ledger, replacing Jesus of Nazareth with Socrates as “good shepherd.” But, unlike Bruno (and unlike Socrates?), Ficino was much too prudent to get himself killed by his city. His way of saying “God” when meaning “the Good” exemplifies this approach. (Philosophers as much as political and religious men need to master the art of rhetoric.) His departures from the text of the Symposium are designed to bring the thoughtful reader of his time and place, of the sovereign city of Florence and its regime, back to the Symposium, but safely. The beautiful harmony of the De Amore is the bait for philosophy’s salutary if sometimes painful hook. The philosophy of De Amore has nothing to do with ‘modernity’ (if understood as Machiavellianism), but is rather an instance of several Renaissance thinkers’ attempt to recover the philosophy of antiquity. Whether this recovery then paved the way for philosophic modernizers (Machiavelli of course uses examples from Rome, along with some from the Bible), is another question. The modernizers needed an atmosphere friendly to investigations relying upon the unassisted powers of the human mind. The recovery of ancient philosophy adds to such an ethos, but does not itself directly cause ‘modernizing.’

     

    Notes

    1. Sears Jayne: Introduction, Commentary on Plato’s Symposium on Love. Dallas: Spring Publications, 1985, 9-10.
    2. On the distinction between these two kinds of love, see Denis de Rougemont: Love in the Western World (Princeton: Princeton University Press, 1983) and Anders Nygren: Eros and Agape: A Study of the Christian Idea of Love (London: Society for Promoting Christian Knowledge, 1941).
    3. Conversely, see Ficino’s letter to Giovanni Cavalcanti: “Opposites are not loved by opposites,” in Marsilio Ficino: The Letters of Marsilio Ficino (London: Shepheard-Walwyn, 1988), 29. Hereinafter cited as Letters. See also Paul Oskar Kristeller: The Philosophy of Marsilio Ficino (Gloucester: Peter Smith, 1964), 110-115. Hereinafter cited as Kristeller 1964.
    4. See Ficino, Letter to Giovanni Cavalcanti, Letters, op. cit., 30-32.
    5. See again Ficino’s letter to Cavalcanti, ibid. Is Ficino himself as ‘idealistic’ or naïve as Benci? Not necessarily. the final paragraph of the letter contains an ironic twist. After adjuring his young friend to stay away from politics because “truth does not dwell in the company of princes” (30), after piling example upon example of princely injuries to innocent philosophers, Ficino straight-facedly writes: “However, if anyone, ignorant of our affairs, raises our long-standing friendship with the Medici, I shall reply that they should not properly be called princes, but something greater and more sacred,” namely, “fathers of their country in a free state” (32). Ficino is a philosopher who can deal with princes, evidently so long as they are sufficiently distinguished. He may not think his young friend is yet up to that task.
    6. See Ficino, Letter to Giovanni Niccolino: “We should not read the works of philosophers and theologians with the same eye as we read those of poets and orators. In other writings, even though much may please us superficially, hardly anything is found to give nourishment. But in these it is not the outer covering which nourishes anyone but what lies within…. That is why the fruits of wisdom should be carefully removed from their skins so that they may bring nourishment.” (Letters 60)
    7. See also Letter to Philosophers and Teachers of Sophistry (Letters 11-12).
    8. In this I diverge from Kristeller, who writes, “Augustine is Ficino’s guide and model in his attempt to reconcile Platonism with Christianity” (Kristeller 15). The strong sense of the personhood of God, the stubbornness of sin, and the inadequacy of philosophy—all so vividly present in Augustine, and in Paul the Apostle before him—are missing in Ficino. Kristeller admits this with respect to sin; see Kristeller 211). I can only add that if one admits the point about sin, one must admit all the rest.

     

     

    Filed Under: Philosophers

    Populism in America

    March 21, 2018 by Will Morrisey

    The term is much-debated. Daniel T. Rodgers includes ‘the people’ among his ‘contested truths.’ Political definitions center on the question, ‘Who rules?’ Persons calling themselves populists insist on popular sovereignty against (in the words of one Kansas populist, “the plutocrats, the aristocrats, and all the other rats”—presumably not including the democrats (Canovan 51). Socioeconomic definitions (as offered, for example, in Hofstadter’s Age of Reform) point to the agrarian origins of pre-twentieth-century populists, the industrial-working-class origins of many twentieth-century populists. Early populists were “entrepreneurial radicals” of the post-1815 farm (see also Canovan’s formulation, “rural radicalism”). Later populists were industrial workers displaced or threatened by large-scale, shadowy economic forces. Typically, the dichotomy turned up by these definitions pits paper-pushers of various descriptions (bankers, corporation men, bureaucrats, university professors) against the worker/producers, those who (to employ nineteenth-century vocabulary) were described as horny-handed sons of toil. Ideological definitions of populism (seen also in Hofstadter) point to certain key themes in populist discourse as the telltale markers: the imagery of a golden (though not a gold-standard) age; the apocalyptic conflict of good and evil; conspiracy theories; teachings on the primacy of money in the determination of social and political as well as economic power; jingoism or, to use a less Hofstadterian term, patriotism.

    These definitions all run up against the very sort of contestation out of which populism itself is born. Is Mr. X or Movement Y ‘truly’ populist? the people are sovereign, but who are the people? Who are the producers? Does Mr. X or Movement Y believe his/its own discourse? The answer will very often depend upon how the writer offering the definition defines the key terms. Michael Kazin’s The Populist Persuasion attempts to short-circuit this dilemma by defining populism as a rhetoric, “a language”—and a “flexible” one, at that—”whose speakers conceive of ordinary people as a noble assemblage not bounded narrowly by class, view their elite opponents as self-serving and undemocratic, and seek to mobilize the former against the latter” (1). I shall use Kazin’s definition as my starting point, working back to the social, economic, political, and ideological markers. When, where, and why have politicized American citizens appropriated the language of populism, the appeal to and for ‘the people.’

    Under this definition (although Kazin doesn’t notice it), the first American populists were of course the revolutionaries who deployed the themes expounded in the Declaration of Independence: A “people” is severing the political bands connecting it to another “people”; respectful of the opinions of mankind, they declare their reasons for so doing; these include the principle that just governments are based on the consent of the governed and that when a form of government becomes destructive of certain inherent human rights, the people may alter or abolish that government and frame new governing forms. In America, the Tories had the British and mercenary armies, but the Whig elites/gentry needed soldiers who could only be drawn from the commons. Local militias were also in place, as were the local governments; in both the use of guns and the use of words, American commoners were already empowered before the Revolution began. Economically, the Americans were commercial-agrarian for the most part, and not only did not need but were impeded by the British imperial trading system. socially, Americans were overwhelmingly Protestant, sharing suspicion of ecclesiastical hierarchies. Just as important, America had no titled nobility; this made an unmixed republic possible, obviating the Aristotelian-Polybian need to balance the ‘orders.’

    These conditions enabled and encouraged political elites such as the ‘Virginia dynasty’ of Jefferson, Madison, et al. to appeal to ‘the people’ against the foreign and foreign-dominated incipient ‘tyrants.’ The American Whigs borrowed their conspiracy theory, elaborated at some length in the Declaration of Independence, but also in Jeffersonian fulminations against centralized banking, from English Whig sources—particularly Cato’s Letters. Theirs is a perfect example of Richard Bensel’s distinction between ‘core’ and ‘periphery’ in that sense, the question of populism in America is always not only a matter of ‘when’ and ‘why’ but of ‘where.’ Once the American ‘periphery’ cut itself loose from the British imperial ‘core,’ a new ‘periphery’/’core’ dichotomy arose, between the farmers in the interior of the new country and the merchants along the coast. The battle over the 1787 Constitution, won by the merchant-coastal interests who wanted those farmers to pay their debts, moderated without by any means eliminating the populist elements of the Revolution; the Jeffersonian “Revolution of 1800” saw a return of the appeal to the people, now framed within the new constitutional structure, a return powered by the claim that Hamlton and his allies were secret monarchists bent on establishing their class via a complex and unfamiliar financial system, including that old-Whig bète noire, a national bank.

    Kazin excludes the revolutionary generation from populism because it was led by gentry. This is true, but if populism is a persuasion, then it doesn’t necessarily matter who is making the appeal. At any rate, Jefferson founded the Democratic Party, which produced in the next generation no less a common-touch figure than Andrew Jackson, rich but rough-hewn, who again appealed to ‘the people’ against the bankers and their supposed English puppet-masters. In this project, Jackson could appeal not only to farmers and rugged frontiersmen (quite literally dwellers on the periphery) but to small business people, equally at the mercy of “the money power.”

    Although drafted into populism by later political orators, Lincoln—first a new Whig, then a Republican—was not a populist. For Lincoln, government of, by, and for the people was a problem, not a solution. Like Publius, Lincoln worried that popular sovereignty may attack unalienable, natural rights; he would, like Publius, guard the people from their own excesses. For the next populist movement we must turn to the decades after the Civil War.

    The first self-described populists reacted to the economic hard times of the 1880s and 1890s, and against the corporations, which came to prominence in the years after the war. America went back on the gold standard in 1879; the demand for gold outstripped the supply for most of the next twenty years. Economic contractions occurred in 1882-85 and again in 1891-97 (for details see Friedman and Schwartz, 106 ff.). There was no relief for the consequent deflation, as silver had been demonetized in 1873, remonetized in 1876 in insufficient quantity to inflate the currency. The populists would scarcely recommend anything along the lines of a Federal Reserve Bank, such a thing being decidedly anti-populist. Under such conditions, wherein debtors were paying back creditors in dollars worth more than they were when the dollars were borrowed, the ‘periphery’ had serious, politically exploitable grievances against the ‘core. Third-party ferment—uncontrolled by the Australian ballot system, which wasn’t instituted until the 1890s—crystallized into the formation of the People’s Party, a coalition of Western small farmers burdened by exclusionary and confiscatory monopoly practices by the railroads and Southern small farmers burdened by usurious local storekeepers under the ‘crop lien’ system.

    A co-op movement in 1880s Texas got the new populism started; the co-ops were an attempt by farmers to control both buying and selling, and so to cut out the middlemen, including creditors. This venture was undercapitalized and therefore unsuccessful. Farmers turned to politics, thinking that even if they had no credit they still had votes. Silver miners in the West and other political elites could then formulate a convincingly nasty story: Demonetization was “the Crime of ’73,” perpetrated by a cabal of Jewish, English, and Anglo-American financiers who wanted to establish the gold standard so American bankers could pay off loans to other gold standard nations, Britain first and foremost. In later words of Ignatius Donnelly of Minnesota, “a vast conspiracy against mankind has been organized on two continents and is rapidly taking possession of the world.” By 1889, the populists reached out to the Knights of Labor, proposing a coalition of ‘producers.’ In addition, the late 19th-century populists, like the American colonists and the Americans of the Second Great Awakening, were animated by Protestant religious fervor. “Christ himself was an evicted peasant,” one of them claimed. Such language contrasted sharply with the increasingly scientistic language of the elites, who excused hardship by claiming it ensured the survival of the fittest.

    The People’s Party ran into several difficulties. North/South wounds hadn’t healed; enlisting freemen in the South would have been a useful counter to the Democratic Party, but, despite some efforts in that direction (most notably in Texas), race prejudice remained too strong. In the North, populism would tend only to take votes from the Republicans, giving power not to populists but Democrats. Also, a ‘people’s party’ still needs to be a party, with organization, funding, professional politicians. ‘The people’ can’t simply take over; even the American revolutionaries needed George Washington, John Adams, Robert Morris. Finally, labor didn’t feel comfortable with the farmers. To an industrial worker in New York City, what’s wrong with low farm prices?

    As a result, the People’s Party as absorbed in the West by the Democrats when the latter nominated William Jennings Bryan, and was blocked in the South by Democratic politicians who bribed, intimidated, and played on racial prejudice. On their end, the Republicans were also busy and effective, ruining the populists’ electoral chances, which depended on fusion controlled by themselves rather than co-optation controlled by the Democrats, by instituting the Australian ballot system (Argersinger 287-306), designed to enable individuals to resist ‘popular’ pressures. In the end, as Margaret Canavan writes, “Whether they like it or not, Populists were a collection of minority groups, not ‘the people’ itself” (54). This raises an important point about populist appeals, a point made by almost everyone who writes about them. In the broad, extended, diverse Madisonian republic, designed to make popular sovereignty untyrannical by registering divisions among the people, appeals to ‘the people’ will always be self-limiting. Even in colonial, pre-Madisonian America, the revolutionaries hadn’t represented much more than one-third of the population. Appeals to ‘the people’ are seldom taken up by most, let alone all, of the population. Appeals to ‘the people’ serve rather as means by which one elite can knock a hitherto more powerful rival—to be sure, sometimes benefiting many others beyond themselves. In fact, the ‘new’ elite very often will include ‘new men,’ aristoi of virtue and talent (or at least oratorical ability) who rise from subordinated social classes. This is obviously one of the main appeals of populist movements to ambitious and capable persons.

    Farm prosperity from 1900 to the First World War further blunted populist fervor; by the time farmers again had cause for complaint, in the 1920s, they were insufficiently numerous plausibly to claim title to ‘the people’ as a political slogan. In the twentieth century, ‘periphery’ and ‘core’ in the United States had much less geographic salience than at any time previously. Twentieth-century populist appeals shifted for the most part to interest groups—’peripheral’ in social and political ways but not so much territorial ones—starting with the labor movement under Gompers and, as Michael Kazin rightly sees, the prohibitionist movement. The civil rights movement of the 1945-65 period, the student movement of 1962-72, the ‘Moral Majority’ and other right-of-center populist appeals of the last quarter of the century, have all pretty obviously played to groups that cannot seriously be described as ‘the people’ as a whole. What populist rhetoric does do—and here again Kazin is astute—is to give such groups a vocabulary with which to address their fellow citizens in a broad-based republic where Marxist and other class-based appeals sound more strident than they might in a more rigidly stratified society in which old, settled social orders prevailed in recent memory.

    Franklin Delano Roosevelt seems to have learned from the Democrats’ co-optation of Bryan. If ever there was a circumstance that might have yielded a renewed populist movement, it was the Great Depression. All the elements were there for an agro-labor coalition: economic disaster, incompetence and corruption on Wall Street, stumbling Washington pols—in Robert H. Wiebe’s phrase, “masterless men in a structureless society” (60). A new version of Coxey’s Army erected Hooverville across the street from the White House. Yet FDR and his professionalized elite—man of them coming out of the secular wing of the Progressive movement—adeptly incorporated these elements (especially the farmers) into a bureaucratic state-building project. And note well: This could be done on the basis of the old program of the People’s Party, insofar as that party advocated increased activity and regulation by the federal government. Hofstadter observes, “Populism [of the late 19th century] was the first modern political movement in the United States to insist that the federal government had some responsibility for the common weal,” by which he means responsibility for its management (61). Once again, organization triumphed over popular energy, but this time the organization wasn’t the old-fashioned party structure, reformed into subordination by the Progressives, but a centralized, state apparatus that regulated populist passions by rechanneling them into a governmental structure (some might say ‘maze’) of institutions and regulations.

    Kazin discusses the ‘shift to the Right’ in twentieth-century populist politics; he doesn’t say much about why the Right could appropriate populist rhetoric. If populist appeals set the average, hard-working, productive American against the bloated, lazy, despotic few, then the government itself, particularly when allied to corporate and other organized, professionalized interest groups, could easily stand in for the nearest contemporary equivalent of George III or the Monster Bank. Institutionalized or statist liberalism—’statist liberalism’ being something of a contradiction in terms, as Locke reminded readers of Thomas Hobbes—makes an inviting target for conservatives who subscribe not to The New Republic but the old one. Add to that a foreign threat from the Left, Communism, which is genuinely statist, and to that dark suspicions—very much in the Whiggish tradition of conspiracy-mongering—of collaboration (or at least ‘softness’) by a no-enemies-on-the-Left neoliberal state toward that foreign threat, and you have an enduring political trope of the years 1945-1990. Notice that the solution to political problems advanced by 19th-century populists—a larger national state, intervening in behalf of ‘the people’—could itself become the target of populist ire, once that state was professionalized, co-opted by elites. Notice also that a populist-talking Right, once in power, soon divides into state-tolerating ‘neo-conservatives’ and state-hating ‘libertarians,” the latter sometimes in alliance with state-hating religionists and ‘paleo-conservatives.’

    Another way of stating the matter is this: If the plausibility of populist appeals depends upon some real sense of a ‘periphery’ exploited by a ‘core,’ American populism in the twentieth century was fragmented. Except for the dichotomy of ‘the people’ versus ‘the government’—rather blunted because the people elect much of the government—or ‘the people’ versus ‘the corporations’—rather blunted because the people buy products made by the corporations and often buy stock in the corporations themselves—America became the core in the modern world. Real peripheries, and therefore plausible populism, have moved offshore, into Africa, parts of Latin America and Asia. Populism, defined as appeals to the people as a whole, depends upon believable claims that some organizable group can be said to be, or at least represent, the people. Populism thus needs a relatively simple society (an agrarian one will do, very nicely) with a majority class or group of classes that can style itself the producing and moral majority. Populism also needs both an immediate grievance and a structural target—respectively, for example, a depression and a politica/economic elite—to aim at. Populism in the United States has occurred when a material cause—economic hard times, typically—meets a formal cause—a stratified political and economic structure—in the name of a final cause—a threat to the natural rights of the sovereign people, or their ‘progress.’ Add one or more efficient causes—the long train of abuses and usurpations cited in the Declaration of Independence, the Crime of ’73, the Crash of ’29—for new political elites to brandish, and you have populism. The antidote to the excesses of populism is the artfully redesigned structure of political institutions—the Constitution of 1787, the New Deal state of the 1930s.

     

    Works Cited

    Argersinger, Peter: “Fushion Politics and Anti-Fusion Laws.” American Historical Review, Spring 1980, 287-306.

    Canovan, Margaret: Populism. New York: Harcourt Brace Jovanovich, 1981.

    Friedman, Milton, and Schwartz, Anna Jacobsen: A Monetary History of the United States, 1867-1960. Princeton: Princeton University Press, 1963.

    Hofstadter, Richard: The Age of Reform: From Bryan to F. D. R. New York: Alfred A. Knopf, 1955.

    Kazin, Michael: The Populist Persuasion: An American History. Ithaca: Cornell University Press, 1995.

    Rodgers, Daniel T.: Contested Truths: Keywords in American Politics Since Independence. New York: Basic Books, 1987.

    Wiebe, Robert H.: Self-Rule: A Cultural History of American Democracy. Chicago: University of Chicago Press, 1995.

    Filed Under: American Politics

    Urban Studies and the Question of Race

    March 20, 2018 by Will Morrisey

    Blauner, Robert: Racial Oppression in America. New York: The Viking Press, 1972.

    Browning, Rufus P., Marshall, Dale Rogers, and Tabb, David: Racial Politics in American Cities. New York: Longman, 1990.

    Dahl, Robert A.: Who Governs? Democracy and Power in an American City. New Haven: Yale University Press, 1970 [1961].

    Dubois, W. E. B.: Dusk at Dawn: An Essay Toward an Autobiography of a Race Concept. New York: Schocken Books, 1968 [1940].

    _____. The Philadelphia Negro: A Social Study. New York: The Free Press, 1992 [1935].

    Greenberg, Cheryl: “Or Does It Explode? Black Harlem in the Great Depression. New York: Oxford University Press, 1991.

    Katznelson, Ira: City Trenches: Urban Politics and the Patterning of Class in the United States. Chicago: University of Chicago Press, 1981.

    Mollenkopf, John H.: The Contested City. Princeton: Princeton University Press, 1983.

    Moynihan, Daniel P.: The Negro Family: The Case for National Action. Washington: Office of Public Planning and Research, United States Department of Labor, 1965.

    Pinderhughes, Dianna M.: Race and Ethnicity of Chicago Politics: A Reexamination of Pluralist Theory. Urbana: University of Illinois Press, 1987.

    Piven, Frances Fox and Cloward, Richard A.: Regulating the Poor: The Function of Public Welfare. New York: Vintage Books, 1993 [1971].

     

    In 1961 Robert A. Dahl published his well-respected study, Who Governs? Democracy and Power in an American City. The city he studied was New Haven, Connecticut–a city which not only surrounds Yale University, Professor Dahl’s academic home, but could be described by him as “in many respects typical of other cities in the United States” (v). This typical city had a very small population of non-whites; only 6% of the residents were African-American, and there were few Latinos or Asians.

    Dahl’s primary interest was in showing why economically advantaged people tended to participate less in city government and politics than economically disadvantaged people did (see pp. 293-295). That is, Dahl’s interest in blacks was instrumental to understanding the behavior of whites. As to the condition of black New Havenites itself, Dahl contented himself with saying that discrimination was declining and that they were rather well-integrated into the politics and government of the city.

    Who Governs? is a very informative book, still useful to read. But it could not be written the same way now. A city with a nonwhite population of 6% could not be represented as “typical” in America today; even in cities with small minority populations, more care would have to be taken to treat whatever such populations existed as important ‘in themselves,’ not merely as illustrations of some putatively larger point. Inasmuch as Americans have made much of ‘race’ throughout their history, the new approach is truer, or at least potentially truer, to the way citizens in cities actually think and feel. The new approach is therefore likely to have more explanatory power regarding ‘on-the-street’ conditions in the city or cities studied. But as with all scholarly approaches, this one has its dangers, particularly those associated with the concept of ‘race’ itself. Precisely because ‘race’ is a notion deeply felt, but notoriously difficult to define precisely, it can involve scholars in a maze of traps.

    Take, for example, the pioneering study by W. E. B. Dubois, The Philadelphia Negro. DuBois deplored the lack of “organization” in the life of urban blacks, a deficiency that put them at a competitive disadvantage in America. He accepted the view that democracy was “premature” for American blacks. Left to their own devices, they would be governed by oligarchs or even dictators. Hence the need for the “talented tenth” of urban blacks to guide a racially insulated (not integrated) population through the hazards and complexities of modern civilization. This is not so much Jeffersonianism as vanguardism; insofar as it is Marxist-Leninist it is a Marxism without much faith in the proletariat as the agency of change. DuBois perhaps thinks of urban blacks as lumpenproletarians, too far removed from modernity to organize themselves effectively. The argument is implausible because before and at the very time DuBois wrote, no less agrarian peoples, often under the tutelage (as it were) of political bosses who had no pretensions of vanguardism, were acculturating their ethnic groups to American city politics. DuBois operates under the spell of a commonplace ideological trope of the time, the claim that civilization in the modern world was a thing so complex that one needed an extraordinarily long apprenticeship to grasp it. DuBois was applying the underlying theory of European imperialism to American urban politics.

    DuBois’s major contribution to the study of race isn’t so much in the specifics of his analysis, now understandably ‘dated,’ but in the challenge he issued to his fellow Americans in his later book, Dusk at Dawn. The race problem is “the central problem of the greatest of the world’s democracies and so the problem of the future world” (vii). The race problem may be seen in what DuBois takes to be the fact that “in America, not the philosophy of Jefferson nor the crusade of Garrison nor the reason of Sumner was able to counterbalance the race superiority doctrines of Calhoun, the imperialism of Jefferson David, nor the race hate of Ben Tillman” (139). Whether or not the indictment is too sweeping, it is an indictment and served as a call for future research, to say nothing of future reform.

    For a long time this challenge was not answered by mainstream political scientists who looked at urban politics, as may be seen in Dahl’s study. But the urban unrest of the 1960s could scarcely be ignored, and it shattered any complacency with respect to race relations in American cities.

    There has been considerable difficulty among urbanists not so much in trying to define ‘race’—those conundrums have been left in the (ham) hands of anthropologists—but in how exactly to assess its political importance. Frances Fox Piven and Richard A. Cloward begin their book, Regulating the Poor, by emphasizing not race and ethnicity but institutional/legal control of ‘the poor.’ They associate racial focus with Daniel Patrick Moynihan and his critique of ‘the black family,’ a critique to which they take strong exception (193). But then, two-thirds of the way through their book, they begin to consider African-American poor in the cities, bringing race and class together under their overall thesis, which is to describe how politicians—in this case, Democrats, who run the cities—have attempted to bypass their own local political machines and to offer a bureaucratic system of poor relief in order to dampen social unrest. This approach makes sense, but it comes rather too late in a book whose authors feel they must engage in elaborate rhetorical and methodological maneuvering just to get to their main point.

    Cheryl Greenberg’s “Or Does It Explode?’ has no such inhibitions about addressing race, but commits the opposite error, using ‘race’ too unproblematically, almost as an independent variable in the urban equation. Greenberg tries to account for the fact that newly-arrived European immigrants in the period 1900-1930 rose faster in the economic order than newly-arrived blacks, despite “equally low levels of education in the two communities” (21). This is a continuation of one of DuBois’s questions. She observes further that even well-educated blacks found only menial jobs, and public jobs were in large measure off-limits to blacks during the 1920s. The Depression accordingly brought greater hardships to urban blacks than to urban whites, with blacks accounting for 15% of New York City’s unemployed, even as they were but 5% of the population at the time. Greenberg’s account is descriptively powerful but analytically weak. She explains these discrepancies by citing the racial prejudices of whites as the blockade faced by New York blacks. She does not show the whys and wherefores of such prejudice, which presumably did not just exist as a force of nature.

    Robert Blauner interprets the crises of the late 1960 and early 1970s in American cities sociologically. Urban life reflected the American social structure; minority racial groups (Blauner does not overlook Latinos) and their oppression by whites are central features of a social dynamic not reducible to class or economics. Rather, race privilege is a matter of status. Racial groups are not classes but Weberian “status groups,” monopolies of honor, “packet[s] of privilege” (27, 31). This tends to falsify Dahlian optimism, and leads to a more realistic assessments of future prospects. Races will not be assimilated at any time in the near future, Blauner predicts. He was right.

    Blauner observes that cities have been centers of industrialization. White immigrants competed successfully for industrial jobs against emancipated Southern blacks and poor Southern whites—a datum that complicates any easy assumptions about racism as an explanation of the condition of urban blacks (64). More ambitious, Blauner argues, racial minorities are colonized, Third-World peoples, “part of the world-historical drama” of Western conquest (74), peoples who may unify as a worldwide political movement (52). Such peoples do not fit “the collective self-image of democracy for all men” established by whites in Europe and North America (52). Third-World peoples did not immigrate to America; they were colonized. This overlooks the fact that Latinos do in fact immigrate to the United States, and many, especially those who arrived prior to the recent ‘waves’ of immigration from Mexico and Central America, seem to be tracking the progress of previous ethnic, notably Italians. If Blauner were to argue that Latinos were colonized by Spaniards and Portuguese adventurers before arriving here, the answer is obvious: Welcome to the club. What ethnic group wasn’t colonized by some more powerful group, before arriving here? Even the English were mastered by the Romans.

    Further, Blauner doesn’t show exactly why industrialism would single out racial minorities for long-standing oppression, or why democracy would single them out for exclusion from its “self-image.” There is a somewhat Procrustean attempt by Blauner to fit urban racial politics into a global Leninist network (evidently in imitation of Fanon), an attempt that, though impressive, seems too polemical by half.

    Similarly, Blauner’s critique of the McClone Commission report on the 1965 race riot—or, as he prefers to put it, the Watts rebellion—in the Watts section of Los Angeles combines insight with polemical distortion. The McCone Commission report, he charges, assumed that the disorder was simply a matter of law-breaking caused by unemployment and poor education, along with bad public relations by the Los Angeles Police Department. The report ignores the way police were used as controllers of a ‘ghetto.’ The report also ignores the issues of nationalism raised by the ‘rebellion.’ This has the unmistakable hint of special pleading: If the ‘rebellion’ were as politicized as Blauner wishes it were, it would have issued in more explicitly political organization by blacks, in the aftermath of the riot—and not only the blacks who showed up a few years later in Mayor Tom Bradley’s administration. Blauner starts out as a sociologist, but ends by looking at politics in the wrong place, namely, among those excluded from the political process who subsequently made no attempt to enter it.

    The more successful efforts focus not on ‘race’ or ‘society’ or economics in isolation or in combination, but on those things as exploited by the political structure of the city. As John H. Mollenkopf notes, whether market-oriented or Marxist, earlier economics-oriented accounts of city life did not allow for political differences; two capitalist cities might differ more from each other than from a capitalist city and a socialist city (8). “[G]overnment intervention follows its own logic rather than that of private interests” (9). Mollenkopf emphasizes the interventions of federal government agencies and of the Democratic and Republican parties in urban politics, and is very informative about politics ‘from above.’ He has no feel for street-level politics. But this isn’t a problem specifically caused by his use of race as a key factor in urban politics.

    Dianna M. Pinderhughes, like Blauner, questions pluralist accounts of racial and ethnic groups, observing that pluralism tends toward optimism, partly because it focuses on white ethnics, not racial minorities. Pluralism ignores such governmental practices as redlining and restrictive covenants to confine minorities to certain parts of the city; deliberate division of the labor force along racial lines in order to minimize bargaining power of labor groups; the use of violence and/or heavy police activity; and restriction of black leaders within Democratic political machines to their own neighborhoods, with none of the citywide influence enjoyed by white ethnic leaders. “Racial status so pervaded the Chicago environment that it affected every sector of the economy and the polity (234); Pinderhughes shows how this politics of exclusion backfired in the end, leading to the political cohesion among blacks which resulted in political victory in the 1980s, once blacks had sufficient numbers to form effective alliances with sectors of the white community.

    For a survey of urban politics in a number of American cities, a survey that enables the reader to compare the circumstances in a variety of places, Racial Politics in American Cities provides the best-balanced view of any of these studies, deserving of the stature it has earned as a standard text in the field. The authors eschew polemics and repeatedly show exactly how and why blacks and Latinos succeeded (or, in the case of New York, usually failed) to acquire political power commensurate with their numbers. The authors identify two basic strategies that can be used: the “outside” strategy of interest-group pressure on government and the “inside” strategy of obtaining direct power via elections. They lay out the different phases of successful uses of each strategy, based on the specific case studies presented in the volume (12). They discuss various factors influencing outcome: size of minority populations; the extent of support from liberal whites; and what might be described as the political styles (often linked to the political purposes) of black leadership. (To understate the matter, the Black Panthers in Oakland generated a different sort of political atmosphere than moderate-liberal mayor Wilson Goode in Philadelphia.) The authors present information on the political success is assuredly ‘worth the effort’—as measured in the establishment of such long-held minority goals as civilian police review boards, government appointments, city contracts, and government jobs (24). Fully integrated governments are demonstratively more responsive governments. In short, the authors actually ‘do political science’ as it relates to racial politics in cities.

    The results show the importance of not assuming that ‘objective conditions’ will flow into a more just urban political order. Political organization building is crucial, both within and among minority communities, and between minority and white communities, especially politicians. As in any democratic regime, the demographic transformation of racial minorities into racial majorities within a city is a necessary but not sufficient condition for success in the election of black, Latino, and Asian mayors and city council members, who can then strengthen coalitions with influential white minorities within the cities. And of course what is made can be unmade. As in Chicago in 1989, a biracial coalition can fall apart if political acumen is missing, or if co-optation occurs.

    When done intelligently, the new focus on racial issues in urban politics politicizes urban studies, not in the sense of making them more partisan than they have been, but of getting urban studies away from the technocratic, sociological approach seen in a focus on housing problems, transportation, and finance considered as ‘things in themselves.’ Rather, the study of urban politics becomes ‘political’ in its focus on structures of political authority. Unjust disparities of political power yield unjust disparities in housing, transportation, and finance. In City Trenches, Ira Katznelson worries that race-oriented studies may neglect social class—which can and should be treated politically. Class is particularly salient in understanding the white ethnics, many of whom have thought of themselves as ‘labor’ while in the workplace or union hall, but as Poles, Italians, Irish, etc. as soon as they get back home. This bifurcation of urban life among white ethnics helps to explain the lack of socialist politics in American cities, Katznelson thinks; he might well go on to think that this indicates a deficiency in socialist politics and the ideologies which animate it.

    Such cautionary points as Katznelson makes are well taken, but they really suggest only the commonsense observation that any well-delineated picture must include some things at the expense of excluding others. Any single approach to the study of politics, urban or otherwise, will see some things clearly, others obscurely or not at all. That is why one needs to read more than one kind of study of politics.

    Filed Under: American Politics

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