Will Morrisey Reviews

Book reviews and articles on political philosophy and literature.

  • Home
  • Reviews
    • American Politics
    • Bible Notes
    • Manners & Morals
    • Nations
    • Philosophers
    • Remembrances
  • Contents
  • About
  • Books

Recent Posts

  • Orthodox Christianity: Manifestations of God
  • Orthodox Christianity: Is Mysticism a Higher Form of Rationality?
  • The French Malaise
  • Chateaubriand in Jerusalem
  • Chateaubriand’s Voyage toward Jerusalem

Recent Comments

    Archives

    • June 2025
    • May 2025
    • April 2025
    • March 2025
    • February 2025
    • January 2025
    • December 2024
    • November 2024
    • October 2024
    • September 2024
    • August 2024
    • July 2024
    • June 2024
    • May 2024
    • April 2024
    • March 2024
    • February 2024
    • January 2024
    • December 2023
    • November 2023
    • October 2023
    • September 2023
    • August 2023
    • July 2023
    • June 2023
    • May 2023
    • April 2023
    • March 2023
    • February 2023
    • January 2023
    • December 2022
    • November 2022
    • October 2022
    • September 2022
    • August 2022
    • July 2022
    • June 2022
    • May 2022
    • April 2022
    • March 2022
    • February 2022
    • January 2022
    • December 2021
    • November 2021
    • October 2021
    • September 2021
    • August 2021
    • July 2021
    • June 2021
    • May 2021
    • April 2021
    • March 2021
    • February 2021
    • January 2021
    • December 2020
    • November 2020
    • October 2020
    • September 2020
    • August 2020
    • July 2020
    • June 2020
    • May 2020
    • April 2020
    • March 2020
    • February 2020
    • January 2020
    • December 2019
    • November 2019
    • October 2019
    • September 2019
    • August 2019
    • July 2019
    • June 2019
    • May 2019
    • April 2019
    • March 2019
    • February 2019
    • January 2019
    • December 2018
    • November 2018
    • October 2018
    • September 2018
    • August 2018
    • July 2018
    • June 2018
    • May 2018
    • April 2018
    • March 2018
    • February 2018
    • January 2018
    • December 2017
    • November 2017
    • September 2017
    • August 2017
    • July 2017
    • June 2017
    • May 2017
    • April 2017
    • March 2017
    • February 2017
    • January 2017
    • December 2016
    • November 2016
    • September 2016
    • August 2016
    • July 2016
    • June 2016
    • April 2016
    • March 2016
    • February 2016
    • January 2016

    Categories

    • American Politics
    • Bible Notes
    • Manners & Morals
    • Nations
    • Philosophers
    • Remembrances
    • Uncategorized

    Meta

    • Log in
    • Entries feed
    • Comments feed
    • WordPress.org

    Powered by Genesis

    Archives for January 2018

    What Is Executive Power?

    January 27, 2018 by Will Morrisey

    Harvey C. Mansfield, Jr.: Taming the Prince: The Ambivalence of Modern Executive Power. (New York: The Free Press, 1989).

    Originally published in Interpretation: A Journal of Political Philosophy. Volume 18, Number 1, Fall 1990. Republished with permission.

     

    In his Message to Congress in Special Session on Independence Day, 1861, Abraham Lincoln asked, “Is there, in all republics, this inherent, fatal weakness? Must a government, of necessity, be too strong for the liberties of its own people, or too weak to maintain its own existence?” [1] These questions have remained urgent, to put it mildly. ‘History’ most likely will not silence them and thereby conveniently put an end to itself.

    Harvey C. Mansfield, Jr., reminds his readers that “until America, the history of modern republics was modest, inglorious, and spotted” (xvi). Much of republican history since the American founding has remained so. While the Founders provided their country with an executive strong enough to enforce the law but not strong enough to contravene it flagrantly without ill consequences, other republican founders (including our own, at first, with their Articles of Confederation) mired their countries in parliamentarism. Parliamentarism reacts too strongly to the monarchic or even despotic strain in modernity, the line that runs, in political thought, from Machiavelli’s Prince to Hobbes to Hegel and then, democratizing itself with a vengeance, to Marx. “[T]he constitutional executive is an invention of liberalism, of Locke, Montesquieu, and the American founders, rather than of Machiavelli and Hobbes” (xviii). The “ambivalence” of the executive of modern liberalism, and also its “beauty,” inheres in its combination of weakness and strength, its subordination to law and with its ability to “reach where law cannot” (xvi), doing so prudently and with consent if the executive knows his business.

    The ambivalence of the modern executive plays itself out in political theory as a bifurcation of liberalism into two branches: ‘deontological’ liberalism, emphasizing rights and rules, and ‘teleological’ liberalism, which emphasizes utility. Deontological liberalism tends toward parliamentarism and, recently in America, toward collaboration of the legislature with the bureaucracy. To counterbalance this tendency, and to give voice to prudence if not to outright utilitarianism (which also has its legislative spokesmen), one must reconsider the Machiavellian origins of the modern executive.

    In his book Le fil de l’épée Charles de Gaulle quotes Goethe’s Faust: “In the beginning was the Word? No! In the beginning was the act!” Both Goethe and de Gaulle know their Machiavelli, and de Gaulle contrasts the excessive talkativeness of French parliamentarians with the forceful actions needed to defend republicanism. Mansfield, who may be said with confidence also to know his Machiavelli, observes that “the doctrine of executive power originates in Machiavelli’s proclamation of the sovereignty of deeds over words” (xxii). At the same time, unjustified deeds cause resentment among those they are done to . Therefore, “executive power is power exercised in the name of someone or something else—God or the people or the law” (xxiii). Mansfield expresses this in the oxymoron “legalized lawlessness,” meaning acts of retaliation and anticipation that “would be illegal”—perhaps even immoral—”if they were not performed by the police” under the direction of a legitimate executive (3). Because “laws that are mere demonstrations to the intellect are like prayers to the deaf” (40, and because “the rational appeal to interest is much diluted without a capacity to engender fear” (6), and because “the necessary exactions of any government bring more danger and dishonor to free governments than to tyrannies” (14), a way must be found to enable the executive to act firmly, in good conscience, while saving (so to speak) the pardonable pride of the ruled. If “tyranny” is the “human name” for unreason, and a degree of unreason will always be required to rule unreasoning men (most notably by exploiting the ambition or pride of the few who want most of all to rule and the fear of the many who want only not to be ruled) [2], then “law can only be executed tyrannically” (18-19). Whereas Machiavelli openly recognizes the necessity of tyranny, even invites the prince to it, Aristotle “transforms the tyrant from the destroyer of law into a king, the guardian of law” (19). Both philosophers find ways to tame tyranny, to use it. Mansfield proceeds to explore the differences of their ways and their purposes.

    Aristotle has “little or nothing to say” about executive power (23). In Book VI of the Politics he briefly mentions executive or punitive powers, suggesting that they be divided “so that,” in Mansfield’s word, “no one person takes all the discredit” for the perceived injustice of punitive actions (24, 29). “The whole history of executive power depends on understanding why it is absent in Aristotle” (25). Aristotelian rule contrasts sharply with Machiavellian execution, a contrast reflecting “a different attitude toward nature in Aristotle and Machiavelli” (28). For Aristotle, politics is neither simply natural nor simply unnatural. Politics involves human beings’ natural capacity to deliberate, to speak, and to choose, intending or at least claiming to intend the common benefit. Rule (archē) also means beginning; it is a principle (again the Latin root is the same as for ‘prince’) directed toward an end “made visible to the public in a certain order that Aristotle calls its form (eidos 1276b2)” (32). In politics this form is the politeia or regime, and forms have a truth-content; there is no “mere relativism of regimes” (33). If regimes had no truth-content, if tyranny were only monarchy misliked, then “all politics is tyranny, and justifiably so, because necessarily so” (33). The end toward which choiceworthy political forms direct us is fully developed human nature. “To begin directly with nature leaves human freedom and choice out of account; but to fail to return to nature would leave freedom and arbitrary quirk and without a guide” (33). When Aristotle calls man a political animal, he means both words. The best man “wills nature’s kingship as his own. Thus his will is neither arbitrary nor unfree” (42).

    Because the best man is rare, and because even ordinarily spirited men resent the rule of the best, or of anyone, laws are needed in order to win their consent. These laws are relative to the regime and need a statesman’s prudence to remedy their generality, their inability to address themselves to each circumstance in all its particulars. The prudent man will give every appearance of strictly reverencing the laws—even (especially) as he quietly supplements them with his own judgment—in order to protect himself and others from tyranny. “The best man… chooses according to nature as if nature were his own will. He also chooses as if human choice, especially past human choices bound up in custom, were nature’s (1287b 5-8). This assumption of nature, law, and custom, which is part deference, part presumption, is what it means for men to rule; they make themselves the beginning principle (archē) of themselves and of things. This is the very opposite of executive power, in which the ruler presents himself as an agent of some other power (human or not), or as one who is forced into action by brute necessity. We see the distinction in the very words used; in Greek to rule means to begin; but to execute, from the Latin exsequor, means to ‘follow out’ what has been begun by someone else.” (43) There is, then, a certain relationship between Christianity and modernity.

    A philosopher is sometimes a prudent man. Perhaps “out of philanthropy, but also for the sake of his own understanding… about human resistance to reform and how to overcome it,” the philosopher will consider and recommend political institutions and share in political deliberation (46). He discovers that it is in the spirited nature of men to resist rule, even beneficial rule; more, he discovers that nature itself is “more ornery than the most ornery of men” (49). Human excellence, which alone “can rescue human freedom from the willfulness which disguises the submission of freedom to lower nature,” seems tyrannical because it “looks like willfulness to willful men, as they attribute the principle of their own conduct to the government of nature,” running “from the appearance of tyranny to the reality” (49). Aristotle recommends the mixed regime or “polity” combining democracy and oligarchy, natural necessity and human choice, lot and choice. The three parts of this regime correspond to the three parts of the human soul: deliberating, ruling (based on the spirited defense of the body), and judging. Only through the soul “can we understand how reform in politics is possible.” “[H]uman stubbornness,” which resists reform, must be made the foundation of reform, through arbitration and “sophisms” (50-51). The modern divisions of government (legislative, executive, and judicial) “do not describe rational functions of the soul” but instead refer to law (divine, natural, or conventional) regardless of how it is made (53). In modernity “wary calculation” tends to replace deliberations. While for Aristotle deliberation is sovereign, for moderns legislation is sovereign, with the significant proviso that the executive may need to do more than imply “execute” laws, and may thereby become sovereign in fact if not formally.

    Aristotelian deliberation “join[s] the human good that [men] choose with the nonhuman necessities or good they must accept”; to learn to deliberate, “we must be abstracted from our own concerns,” relax our spiritedness (56). (In modernity, prudent men often find they must encourage or “inspire” citizens to defend the laws vigorously.) Aristotle commends a plural magistrate in order to maintain dialogue or the sovereignty of deliberation. “Men are not under the rule of nature or god such that their own rule merely reflects a grander principle ruling them” (59). To establish a regime on the foundation of “a single natural law” would lead to passionate, partisan misinterpretation of that law. Aristotle’s way, requiring a “momentary separation of judging from the standard of judgment,” teaches moderation (62-63). John Locke’s assertion of the individual’s natural power to execute the law of nature whenever it seems threatened risks ill-judging of one’s own case. Nor would Aristotle countenance the religious persecution Locke intended to make impossible: “There is no court for cases of impiety because Aristotle does not want divine anger executed on humans” by humans (64). Both the religious regimes and some of the modern liberal regimes that overthrew them take an over-simple approach to law, directly applying it to political life and thereby making it prey to passion, instead of filtering it through prudential judgment. This is as important for the rulers as it is for the ruled: “The offices do not govern men as if they were external powers or laws from nature guaranteeing the regularity if not the perfection of human behavior. Rather, men must assume the offices and make the potentialities actual in their own virtuous activity” (68). Because “justice can be ignoble, especially in the execution of penalties” (66), and because he wants to preserve the political man’s sense of his own nobility and the nobility of political life in order to moderate them, keep them “occupied in wholesome or at least constructive activity,” Aristotle lists only one executive office among the seventeen magistral offices mentioned in the Politics. “He does not expand the office into the awesome modern executive by taking advantage of its odium to make it more powerful and efficient” (69). On the contrary, he divides it, assigning its function to several courts—his own version of separation of powers. He seeks “to awaken virtue rather than stimulate fear and the desire for gain, as Machiavelli was to do” (69), attracting base souls to office and comprehending all offices “in the office of jailer” (70). “Nature understood as unfriendly to man gives human justice no support and compels human government to imitate angry gods, to rely on fear as the motive for obedience, and to loose hatred against its enemies. This was Machiavelli’s way but not Aristotle’s.” (70) Thus does Paul’s Letter to the Romans anticipate Machiavelli’s ‘letter’ to the remnants of the Romans.

    Rome and the Holy Roman Empire are said to feature purely executive offices, but that illusion comes from viewing them after Machiavelli’s selective unveilings. Rome substituted the tension between republic and monarchy for the Greek tension between democracy and oligarchy. This substitution was practical, not theoretical. Aristotle regards monarchs as ideal rulers, not realistically to be hoped for, and there is much in Roman history to confirm his caution. Polybius’ mixed regime relies less on reason, more on fear, than Aristotle does. But Polybius would also correct Rome by referring Romans to nature, and less to “fear, superstition, and imperialism” (82). The office of dictator in the Roman constitution was magnified by Machiavelli and Bodin; the Romans themselves, notably Livy and Cicero, minimized its role.

    The Holy Roman Empire presents a somewhat different, but still pre-modern, aspect of the executive. The pope rules by the grace of God, not natural right, and the Holy Roman Emperor “was not a modern executive, whose effectual actions are designed to end all dispute, but a theologico-political executive, whose claim to grace is essentially contestable” (89). Thomas Aquinas, Dante, and Marsilius of Padua are the great commentators on that executive, “attempting to restore and adjust the Aristotelian argument for ruling, in which men take responsibility for governing themselves” (91). Aquinas conceived politics “as guided by God’s commands but not merely executing them” (92). Aquinas combines Scripture and philosophy by emphasizing natural law. Prudence derives human law from natural law, which does not imitate divine law. With respect to human spiritedness, Aquinas arranges “a friendly compromise” between Aristotle’s effort to ennoble it and the Bible’s attempt to humble it (95).

    Dante claims that the secular prince owes his authority directly to God, not the Church. (In this he made himself resemble Paul.) His prince aims at human happiness, leaving spiritual instruction to the clergy. This is no modern sovereign, although Dante does suppose, unlike Aristotle, “that Aristotle’s kingship can be actualized, that one prince might be made ruler of the whole world” (97). However, his proofs “seem more physical or metaphysical than political” (97), raising questions about how Dante means some readers to understand his argument.

    Mansfield takes particular care with Marsilius. “For the first time ‘execution’ and ‘executive’ become a theme in political science” (100). Yet Marsilius does not take Machiavelli’s final steps. “Why does Marsilius almost come to the modern executive?” (100)

    Marsulius does not rely upon nature, as Aristotle and even the Roman historians and philosophers do. He does not seem to say that human nature is political. He emphasizes prudence and human law founded upon popular consent, a curious combination. “Marsilius is the first to conceive the ruler entirely as an executive for the people” (103). “[T]o prevent the pope from ruling,” Marsilius revised Aristotle in order to save him, “redefining ruling as executing by distinguishing ruling from legislating, the function of the people” (103). Marsilius stops short of Machiavellianism because he wants to keep the executive “within the orbit of law, or—when that is not possible, thanks to the defects of law—under the control of virtue” (106). His executive is weak, an executor of the popular will “that creates the ruling part of the city,” the regime (108). Marsilius thus democratizes politics, weakening the claims of monarchs, aristocrats, and oligarchs to rule. He locates the form of the city in the law, not in the regime. “The result, if we compare Marsilius to what we have seen in Aristotle, is to separate the city from the soul—Marsilius’ purpose being to prevent the ordering of the soul [the aim of priests] from determining the ordering of the offices” (109). The order of the offices will aim at protecting the body.

    To retain the rule of prudence, Marsilius assigns it not to some dubious “wisdom of the people” but to the executive. He advocates an elective monarchy, not a representative democracy, in an attempt to make the rule of prudence more likely. As guidance for his executive, Marsilius metamorphoses Christian doctrine into “natural right” (111), teaching men “to respect Christianity without yielding to its claims to rule,” and “sav[ing] the Christian sect” from “simultaneously prizing and despising worldly honor” (113), that is, from claiming title to rule while despising worldly power. In this Marsilius retains something like Aristotelian virtue, as against both Machiavellian necessity and Christian charity. Judges may be ministers of God’s wrath (just ones, if they are prudent), but priests are not. And, in a most noteworthy formulation, Marsilius has his executive act almost like a philosopher: “As knowers, they renounce rule over others: since rule requires executive force, which can only come from the consent of the legislator [i.e., the people], knowledge does not entitle one to rule” (114). A knower has “a claim to rule on natural grounds”; the flaw in Aristotelian kingship is that it has been claimed by the pope (114). For both Aristotle and Marsilius, “the difficulty is that political men are in need of philosophy; but if they use philosophy, they are in danger of surrendering to it” (115). A still greater practical danger is the one opened by the modern call to applaud uncritically man’s natural, spirited resistance to being ruled. This “leaves no accommodation between knowing and freedom, between the realm of necessity and that of choice” (116). Marsilian natural right is an accommodation between philosophic knowledge and political consent. His executive is “Aristotle’s kingship in a different guise” (117). Marsilius shares Aristotle’s regard for prudential adaptation to circumstances by statesmen and political philosophers alike. He commends no “new modes and orders” for systematic introduction and perpetual use.

    Mansfield devotes his central chapter to Machiavelli. Machiavelli appropriates Christian modes and orders, artfully perverting them. Observing “that the central event in Christian revelation is an act of execution” (124), Machiavelli politicizes a father’s sacrifice of his son. The pious cruelty of Christianity is half right; Machiavelli retains the cruelty, the imperialism. Execution will now be guided by “the decrees of natural necessity” instead of divine commands (127). Natural necessity differs from Aristotelian natural right in being below, not beyond or above, conventional law. Therefore good arms, not good souls, yield “good” laws. Nature is “the necessity that forces us to seek nutriment, safety, and glory”; virtue is “the habit or faculty or quality of anticipating that threefold necessity” (129). “Your virtue is both strong and weak: strong because you have chosen to do what you would eventually have been forced to do, weak because you had no other choice” (130).

    To accomplish this ambition the modern executive needs seven characteristics: He must use punishment politically, and therefore needs broad powers; he must put war and foreign policy above peace and domestic affairs; he must govern indirectly; he must employ techniques applicable in all regimes, and does not much worry about differences among regimes; he must act suddenly and decisively; he must act secretly, surprising all the others; there must be only one of him. It should be needless to say that conventional law will be supplemented by selected illegalities, made easier by the lack of any independent judiciary. “[F]ear replaces justice as the ground for politics” (136); princely ambition replaces divine providence in the sky. No more cyclical history, no more consideration of the best regime: Machiavelli considers only survival, expansion, and glory. “[N]ecessity is stronger than principle,” and executions loose the “primal fear” that is “the first mover of politics” (140). “Consent” means involving the people in crimes, making accomplices out of mere citizens. The prince does not merely react to necessity. He creates (a deliberately godlike term) necessity for others, eschewing Aristotelian public deliberation for conspiratorial planning and sudden action. Rulership rightly understood is tyranny.

    Thomas Hobbes attempts to reduce Machiavellianism to a (modern) science, borrowing the concept of “power” from physics. He makes Machiavellian execution “legal” by classifying it as an expression of a natural necessity termed natural law. This enables him to publicize his executions. The science that discerns natural law/necessity is perfect reason. Science conquers fortune or nature, but, in keeping with the more public character of the Hobbesian executive, it assuages popular fear more than it satisfies the spiritedness of princes. Peace, not glory, is the Hobbesian objective. There is a problem with this: “The very union of legislative and executive power weakens the executive by leaving the impression that government consists in passing laws that obey the laws of justice” (177-178). Despotism issues, theoretically at least, in democracy.

    The potential instability of the modern project (seen in the history of seventeenth-century England, of France from 1789 to 1958, and of Russia since 1907) has made philosophers consider how the new executive might be given some constitutional restraints. “Locke’s political science shows that the modern constitution and the modern executive are mutually dependent and yet antithetical” (181). Unlike James Harrington, that “eager but incompetent guide” to Machiavelli who “could not figure out how to combine the state of nature with constitutional government” (183-184), Locke formulated a rule of law that is “the rule of a legislative power that each [individual] has constituted out of the state of nature” (186). The state of nature is a state of scarcity; constitutional law governing civil society will aim at self-preservation, including the preservation of the property needed to preserve oneself. Because each individual is the best judge of his own needs, Locke “constitutionalizes the necessity of tyranny” (187) by putting necessity on an individualistic and egalitarian foundation. Natural liberty and equality issue in constitutional or civil liberty and equality, reconciling self-preservation with government by consent. Locke therefore limits the executive by dividing and separating its powers, in recognition of the potential threat to self-preservation posed by tyrannical executives.

    Consistent with this democratization, Locke is no less atheistic than Machiavelli and Hobbes, but far more discreet about it. Atheism can comport easily with egalitarianism because it denies the existence of the Creator-created hierarchy. “The people” are seldom atheists themselves, however. Locke first claims that all human beings are God’s property; he later asserts that “every man has property in his own person,” thereby attacking patriarchalism natural and divine, replacing it with the “very strange”—but also very useful—”doctrine that we establish governments by the execution of a law of nature” (195). This requires Locke to give the people a somewhat more spirited character than does Hobbes. to encourage them to resist tyranny he moralizes the state of nature a touch, making it a place not of war (which maximizes necessity) but of scarcity (more amenable to planned remedies that may be thoughtfully defended). “Freedom as the foundation makes government by consent; reason as the ground denies the legitimacy to governments wrongly consented to” (198). Lockean reason can make mistakes, for “[i]f Locke were to insist on the correct use of reason, he would have to give government over to the best reasoners, as Aristotle does,” or to “one reasoned, following Hobbes” (198). “Tacit consent” combines reason with freedom.

    In civil society, Locke advises, the legislative and executive powers should be separated but not formally balanced. Executive power will apparently follow the legislative will. “Executive power is subordinate, but the executive person may not by” (201); that person enjoys the “tacit consent” of the people, particularly in matters concerning their preservation, such as war and the punishment of criminals (203). “By gradually introducing his readers to the scope of executive power, Locke uses reason to help them appreciate that element in humanity which is not amenable to reason” (204). The tension between legislative and executive powers will constitute “a structure for self-criticism within the regime” (204-205). This tension will be expressed in the struggle between a rhetoric of rights and a rhetoric of interests, foreshadowing the debate between deontological and utilitarian liberals today. Prudence itself will divide along the lines of “claiming one’s right” and “following one’s interest” (209). Locke “builds a divided mind into constitutional government” (210). A divided mind cannot rule in the Aristotelian sense. It gives scope to individual liberty but is prey to ideologues who would dialectically overcome the division to satisfy the mind’s natural craving for unity. “For Locke, right and necessity were held together by the convention of Property, in which the need to work was answered by the virtue of industry, and in which the right of each depends upon the right of everyone else” (210). Predictably, ‘totalitarians’ attack property as vehemently as they attack the divided mind.

    Mansfield rightly describes Montesquieu’s The Spirit of the Laws as “the most comprehensive modern book on politics, exceeding in range and complexity any that appears before or since, excepting Aristotle’s Politics” (215). Montesquieu does not lay down the law, natural or conventional. He considers regimes in order to bring out the “spirit” of each. This procedure enables Montesquieu to move away from spiritedness toward moderation, albeit a moderation quite different from any found in Aristotle. Montesquieu’s moderation has its natural foundation in a mean between two vices, Hobbesian domination and Hobbesian fear. Montesquieu’s moderation is timidity. Moderation’s foundation in civil society is “reason,” that is, a people’s “disposition” (219). Consent is no longer so necessary, because natural freedom is not an issue. Opinion replaces it, but not opinion as Aristotle conceived it. Opinion for Montesquieu is no longer an indirect reflection of rationally knowable truth. Opinion expresses emotions—fear or confidence. “Virtue” is not a passion; “moderation” is dilute passion, possible only in civil society.

    All this leads Montesquieu to a recommend a new kind of executive. “If liberty need not be asserted, free government need not be based on fear, and the executive need not terrify” (222). An independent judiciary becomes possible and desirable. A version of classical virtue may be retained, but it is strictly politicized or conventionalized. Liberty is not in nature. It is in England, an England thoughtfully reformed by Montesquieu to enjoy separation of powers. Political liberty is the feeling-opinion of security. Commerce brings both political liberty and moderation; it dilutes partisan ambitions by rendering them impotent, making Machiavelli’s spectacular punishments unnecessary. “The partisan representative executive is both perfectly constitutional and more reliably self-executing than the natural prerogative held by Locke’s executive—not to mention Machiavelli’s prince” (246).

    The American Founders established a regime embodying many of the principles elaborated by modern political philosophers. But there was no mere discipleship at work. The Founders recognized natural necessity without “draw[ing] the Machiavellian conclusion” (252). They constitutionalized necessity, designed a republican or representative government and a new republican executive as part of it. This executive represents the public while exercising deliberate choice. No Machiavellian prince, neither is he a philosopher-king. “Madison specifies the reason of the public, not of philosopher-kings, as that which ought to prevail” (256). Whereas Aristotle distinguishes deliberation (choosing, taking political responsibility for actions) from judging (“disengaging from politics in order to call these choices into account” [261]), Publius, with other moderns, doubts that this distinction is real, because men are not reliably capable of “the required detachment from their own interests and necessities” (262). Institutional structures are needed to control popular passions and to engage the virtues and abilities of the best. Energy and stability are terms Hamilton borrows from physics (even as Hobbes borrows “power”); however, they do have a moral effect, namely, the public virtues that can develop when political men take responsibility for their actions and have scope for their better ambitions. “In the Constitution, virtue, appears not in its own name but under the rubric of qualifications for office” (274). The very struggle for office the Constitution encourages and limits is “an incitement to excel” (278). Mansfield edifyingly goes so far as to contend that the Constitution encourages public virtue so effectively that America can become, in practice and over time, “an Aristotelian regime formalized in writing” (276). The American regime has moral foundations well concealed by founders who wanted to escape the opprobrium of the epithet ‘moralist,’ and even more wanted to escape the exactions of those who deserve that epithet.

    Mansfield concludes with some observations on the modern executive. “[W]e know now that Machiavelli was wrong: religion is not liberty’s worst enemy” (280). Avowed atheists who execute in the name of the people and with the ready compliance of bureaucrats who only follow orders are liberty’s worst enemies. Or perhaps the philosopher who replaces prudence with cunning is liberty’s worst enemy. Even regimes that retain a republican shape have tended to become mere democracies, complete with passive demi-citizens and charismatic leaders. “[T]he same tendency to sacrifice form to end” that characterizes totalitarian regimes may be seen in contemporary democracies, fortunately in much less virulent form, for now (291).

    “[W]e need a political science capable of discerning responsibility,” an “essentially Aristotelian” political science that “seeks a reconciliation between nature and choice (or end and form), not Machiavellian mastery of nature that turns out to be submission to necessity” (291-292). Contemporary philosophers fail to provide any such reconciliation, alternating instead “between not enough freedom—realism—and too much—idealism” (293). A reconceived executive will understand its “natural law basis in monarchy which it both reflects and attempts to repress” (295). In thus reconceiving the executive we shall begin to rediscover that philosophic monarchy that strives for “the perfection of the soul” (297).

     

    NOTES

    1. The Collected Works of Abraham Lincoln, Roy P. Basler, ed. (New Brunswick, N.J.: Rutgers University Press, 1953, Volume 4, 426.)
    2. The journalist C. L. Sulzberger asked Charles de Gaulle, “What is the primary force governing men in their actions?” “One must draw a distinction,” de Gaulle replied, “between the individual and the collective masses. For the individual it is ambition and a taste for adventure. I think the real motivating force for the individual is ambition, but for the masses it is fear. And this applies to the masses of all countries.” (C. L. Sulzberger: An Age of Mediocrity: Memoirs and Diaries, 1963-1972 [New York: Macmillan, 1973], 189.)

     

     

    Filed Under: Philosophers

    De Gaulle According to Faulkner

    January 25, 2018 by Will Morrisey

    William Faulkner: The De Gaulle Story. Volume III of Faulkner: A Comprehensive Guide to the Brodsky Collection. Edited by Louis Daniel Brodsky and Robert W. Hamblin. (Jackson: University Press of Mississippi, 1984).

    Originally published in Interpretation: A Journal of Political Philosophy. Volume 17, Number 3, Spring 1990.

     

    In Hollywood, William Faulkner wrote a screenplay about Charles de Gaulle. A surprising nexus: the General can be located plausibly in neither Yoknapatawpha nor Los Angeles County. Nor, in a way, can Faulkner. Yoknapatahpha is the fictional version of Lafayette County, Mississippi, where Faulkner lived among but not with “all my relations and fellow townsmen, including the borrowers and frank spongers,” who “all prophesied I’d never be more than a bum.” (A modern novelist, they might have replied, is still worse.) As for 1940s Hollywood, self-fictionalizing, its citizenry had suspicions, too. The head of Warner Brothers’ steno pool recalled, “We heard that he was coming. When we saw this little man, quiet and grey, who was sweet and kind and soft-spoken, we said, ‘This is a talent?'”

    But some of these appearances deceive. History and culture do bind France with Faulkner’s part of the American South. In 1682, La Salle claimed for France what became Mississippi, and Lafayette County’s name commemorates the French marquis better known to Americans than to the French. By 1817, when Mississippi entered the Union, Southerners already admired the chevaliers of the Middle Ages; such novels as Walter Scott’s Quentin Durward, which appeared five years later, enjoyed considerable popularity there. Gothicism entails a nostalgic defiance of modernity, yielding, among other things, natural and imitation aristocrats who lack the material and technical power to win the wars they courageously fight.

    Edgar Allan Poe, the parodist from Virginia, understood Gothicism as well as did any American. His sardonic aestheticism (Gothicism’s anti-matter) anticipated Baudelaire’s independent reaction by two decades. (“Do you know why I so patiently translated Poe [beginning in 1846]? Because he resembled me.”) The fascination with death; l’art pour l’art; the mockery of heroes—all these went well with defeat, both its anticipation and its aftermath, in the South (1865) and in France (1871). A new generation of British poets tasted the French concoction (at age 25 Swinburne reviewed Les Fleurs du Mal in The Spectator) before decadents of both countries came into vogue at the beginning of the twentieth century among literary American Southerners. Faulkner (born 1897) drank deep. Hugh Kenner locates him precisely; “Faulkner’s miscalled Mississippi Gothic is more nearly a Mississippi estheticism.” One should add only that ironist aesthetes reacted to the straight-faced aesthetic of Gothicism, so their project makes little sense without its rival. Aesthetes consider this cross-fertilization. Others (for example, those who prefer to win wars) might consider it cross-sterilization.

    Mule-stubborn Bill Faulkner came from a prolific line of businessmen, politicians, and drunkards. Drunkenness, predating both Gothicism and aestheticism as a means of escape, of course does not exclude those latter-day strategies; as Faulkner’s biographer Joseph Blotner ruefully jokes, many of the prominent Décadents were alcoholics, and Faulkner rejected neither his familial nor his artistic heritage in this regard. As an escape-method, lying predates even drunkenness, and Faulkner could combine those, as well. (“After a few drinks, he would tell people anything,” his wife noted.) While there may be some truth in wine, there aren’t many facts—and besides, Faulkner drank bourbon. Toward his life’s end, he amiably told undergraduates, “I don’t have much patience with facts, and any writer is a congenital liar to begin with or he wouldn’t take up writing.” He called the people in one of his novels partly real, partly fictional; “thus I improved on God, who, dramatic though He be, has no sense, no feeling, for theatre.”

    This proud theatricality—of history, of culture, and of character—better suited Faulkner to Hollywood, and Hollywood to Faulkner, than either cared to admit. He first worked there in 1932, for MGM, where Irving Thalberg collected literary reputations. For the next thirteen years Faulkner wrote screenplays in Hollywood and novels in Mississippi. The movie work supported him and his family. He did it conscientiously, working on 48 film projects, of which eighteen were produced. At the not-rare times Hollywood began to wear, he would take sick leave and dose himself with Old Grand Dad.

    Faulkner came to work for Warner Brothers after the attack on Pearl Harbor, his attempts to enlist in the Air Force and the Navy politely turned aside. Hollywood too was war duty. Jack Warner placed his studio at the service of his friend, President Roosevelt. (“I virtually commuted to the White House,” Warner recalled. “Court jester I was, and proud of it….”) Roosevelt wanted, and Warner ordered, a movie dramatizing General Charles de Gaulle, exiled in London since June 1940 when he became the only member of the French cabinet to publicly oppose the armistice with Nazi Germany.

    De Gaulle interested Faulkner, who read the early biography done by Philippe Barrès. “This man bore none of the marks of our epoch,” Barrès wrote after his first interview with the General. “There is something elemental which gave him force, the expression of a soldier and a peasant.” De Gaulle was a pre-décadence Frenchman, a sort of virtuous Southerner, if you will. He was also an unusually realistic one, no Gothicist. Unlike Heidegger, who fetched his nostalgia from even farther back in history than Gothicists did, imagining the “inner truth and greatness” of Nazism to inhere in an anti-technological vision, as early as 1934 de Gaulle saw Hitler’s massive arsenal of tanks and airplanes and supposed they were meant for use. In his first radio speech to the French after arriving in London, de Gaulle said, “Crushed today by a mechanical force, we can vanquish in the future by a superior mechanical force. The future of the world is there.” De Gaulle partook of classical virtue while appreciating the power of modernity; this tension defined his life. As one brought up on stories of Souther chivalrists defeated by Yankee materièl—one, moreover, who invented stories of aristocratic Sartorises retreating before the vulgar tribe of Snopes—Faulkner surely saw some of this.

    He gave “The De Gaulle Story” two foci. One was de Gaulle himself, the other a pair of fictional brothers, Georges and Jean. Faulkner explained that Georges “represents the French individual as de Gaulle represents the abstract idea of Free France.” Georges possesses “all the French middle-class virtues,” especially patriotism and humaneness. Although the bourgeoisie is “that class which by tradition is democratic, which is the backbone of any democracy,” Faulkner also included other “representative individuals”—a peasant, a priest, a music teacher, a factory worker—enough to symbolize “all France.”

    Home on leave during the days before the Nazi blitzkrieg, Georges plans to marry the daughter of the village mayor. The young man’s spiritedness leads to acrimonious debate with his future father-in-law concerning the utility of the Maginot Line. Colonel de Gaulle, commander of the tank school where Georges trained, wrote a book (Vers l’armée de métier, 1934) advocating mechanized counteroffensive as the indispensable complement to fortification. The mayor dismisses Georges’ Gaullist criticisms of French strategy as impudent subversion, and temporarily cancels the wedding. Faulkner cannot resist contriving a messenger to interrupt their second argument with news of the Nazi invasion of Holland—the beginning of the flanking maneuver which rendered the Maginot Line useless.

    The real statesman in the village is not the mayor but the priest. Faulkner introduces him at church, delivering a sermon with the tantalizing first line, “In the beginning was the earth.” Omitting such phrases as “God created” and “the heavens” gives the sentence a decidedly secular tone; while this very republican cleric does go on to deplore the blessing of guns “in the name of ultimate peace,” and attributes this sacrilege to the fact that “We have deposed Him,” he concludes with an appeal to French patriotism. Later, after Georges kills a Nazi officer, the priest counsels him to seek absolution “where all Frenchmen must, and find it where all Frenchmen will: in the freeing of France.”

    As the priest is a statesman, so de Gaulle’s statesmanship is a priesthood. Faulkner shows de Gaulle urging the last cabinet of the Third Republic to resist Nazi tyranny, then welcoming the first Free French recruits in the name of liberty. As he review his troops, we hear that the name “De Gaulle” does better than raise the dead in France; “it raises the living.” Later, a soldier who heeded a Vichyite’s appeal to return to France comes back to de Gaulle; we are given to understand that a politically dead man has returned to life. De Gaulle’s final speech in the screenplay predicts the liberation of the French from “the enemies of France.” Faulkner’s de Gaulle, is prophet, priest, and “Chief of all Frenchmen who want to be free.” Political salvation is Faulkner’s theme. It also would be one of de Gaulle’s themes in his Mémoires de guerre, whose third volume is titled Le Salut.

    De Gaulle himself disappears almost entirely in the screenplay’s second half, as French salvation requires that Gaullist spirit animate the French. We see this in the conversion of Georges’ older brother, Jean, a navy officer who begins by collaborating with the Nazis, in a limited way, out of fidelity to the military command structure. Jean finally aids the Resistants after he sees their martyrs’ courage; one of them saves Jean’s life before sacrificing his own. Jean “save[s] his soul,” as one Resistant says, by as it were becoming Georges; he substitutes himself for his brother (now a confidant of de Gaulle and key man in the Underground) in a Nazi jail cell. One might say that the re-founding of the city, France, requires both an Abel who resists and a Cain who sacrifices himself.

    Returned to his village, Georges needs one more act of charity to complete his physical salvation. The priest ships him out in a coffin, enabling Georges’ later resurrection. The Nazis expose the priest, murdering him after he spits in one of their faces—a gesture disregarding traditional pieties about turning the other cheek. Having metamorphosed the Old Testament story of Cain and Able, Faulkner metamorphoses the New Testament story of Jesus and Lazarus.

    In the screenplay’s penultimate scene, Georges hears the good news that his wife has borne their child. The priest had insisted on Georges’ marriage during the war, in order to moderate his spiritedness—to make him serve life, not merely risk it. The birth demonstrates the priest’s posthumous success. Faulkner himself would arrange a wartime union or marriage between statesmanship and Christianity. In his final scene he shows the Resistants setting fires all across France, lighting the way for Allied bombers. The Christian imagery of an obscure childbirth thus anticipates the Christian imagery of apocalypse. The coming and second coming of a savior are clearly indicated.

    Warner Brothers never produced “The De Gaulle Story.” Editors Brodsky and Hamblin, following Joseph Blotner, propose several reasons: De Gaulle quarreled with Churchill, whose “attitudes were communicated to Roosevelt,” who communicated them to Warner, who canceled the project; producer Robert Buckner despaired of finding an actor to play de Gaulle; Fighting France representatives in the U. S. criticized the script; another script, “Mission to Moscow,” received higher priority.

    Roosevelt’s apparent veto must have decided the matter. FDR hardly needed Churchill to make him distrust de Gaulle. Churchill more or less kept faith with the French from the beginning to the end of the war. But Roosevelt and his State Department quickly turned away, preferring to deal with Vichy and a series of dubious pretenders. In November of 1943, when Faulkner’s work was halted, the Allies invaded North Africa; de Gaulle was excluded from the operation at Roosevelt’s insistence, over Churchill’s cautious objections. De Gaulle had anticipated this. In October he wrote an eloquent letter to Roosevelt, warning that “If France, when liberated by the victory of the democracies, will drive her to submitting to other influences. You know which ones.” Roosevelt never replied. Neither he nor the State Department personnel who read the letter worried much about postwar Communism.

    The film Mission to Moscow confirms this. In his memoirs, Jack Warner extends warm self-congratulations on his studio’s wartime efforts. “We had taken on Hitler, Mussolini, Hirohito, Tojo, and the rest of the totalitarian mob in one gutty picture after another.” Unfortunately, there was more than one totalitarian mob in those days, as Brodksy and Hamblin observe: “Ostensibly a documentary based on [Joseph E.] Davies experiences in Russia in 1936, Mission to Moscow was designed by Davies and Warner Brothers, with the encouragement and full support of President Roosevelt and the Office of War Information, to sell the American public on the idea that Joseph Stalin would be an acceptable ally in the struggle against Adolf Hitler. To accomplish this purpose, however, the makers of the film played fast and loose with important historical facts, most notably by justifying both the Soviet purge trials of the 1930s and the Soviet invasion of Finland in 1941 as appropriate and necessary responses to the threat of Nazism. Judging by Stalin’s willingness to allow Mission to Moscow to be shown in the Soviet Union, the film apparently succeeded….” Whether or not Moscow actually displaced “De Gaulle” at Warner Brothers, film history does parallel diplomatic history, here.

    Buckner exclaimed of the character de Gaulle in “De Gaulle,” “What a casting problem!” True enough: Claude Rains, though good at imitating Frenchmen, would not suffice, although Buckner did suggest making de Gaulle an invisible man in the film (“Why show de Gaulle? Why not just talk about him?”). The French questioned de Gaulle’s role in another way: Faulkner had made it too small to justify the use of the General’s name in the title. However trivial and contradictory, these objections to suggest that, somehow, Faulkner’s characterization of de Gaulle is the central problem with “The De Gaulle Story.” The fault is simple and fundamental. Faulkner’s conception of statesmanship cannot quite account for de Gaulle. De Gaulle must disappear from the film, given this conception.

    One Resistant has a speech on the subject: “All [the Nazis] have to threaten us with is death. And little people are not afraid to die. The little people, and the very great. Because there is something of the little people in the very great: as if all the little people who had been trodden and crushed had condensed into one great one who knew and remembered all their suffering.” After enduring too many French criticisms of his work, Faulkner wrote to Buckner, “Let’s dispense with General de Gaulle as a living character in the story,” thus ridding Warner Brothers of the need for the Gaullists’ imprimatur. “Any historical hero, angel or villain, is no more than the figurehead of his time. He is only the sum of his acts, only the sum of the little people whom he slew or raised, enslaved or made free.” One should note that Faulkner’s democratic/historicist assessment of “historical” heroes did not apply to artists. His daughter, whom he cherished, once tried to talk him out of starting a drinking bout. “Think of me,” she pleaded (he usually could be depended upon to do so). Faulkner was still sober enough, and perhaps just drunk enough, to deliver an unanswerable reply: “Nobody remembers Shakespeare’s children.”

    Although a statesman likely takes popular opinion more seriously than an artist must, de Gaulle exceeded “his time,” the sum of “the people.” Faulkner saw materials testifying to that. Barrès recalls, “I left General de Gaulle, not carried away—he’s too cold to produce that impression—but convinced that I had just seen a man.” The coldness of de Gaulle’s manliness suggests something more than spiritedness in his soul. It suggests moderation and prudence. In Barrès’ best chapter, de Gaulle gives a concise, masterly overview of wartime geopolitics. Speaking in November of 1940, de Gaulle tells Barrès that Hitler “knows perfectly well the war he has unleashed is a world war and that it can end only in a total victory for him, [or] for us.” Hitler also knows “it is the United States which holds the balance of power.” Hitler’s designs on Africa thus aim at South and Central America. With the Panama Canal closed by Axis troops, the United States could not quickly transfer ships between the Atlantic and Pacific oceans; German and Japanese forces then would bring a devastating two-front war to North America. “This war is a struggle for strategic bases,” de Gaulle concluded. Barrès adds that “the democracies, governed by untrained masses and by rather shortsighted businessmen and politicians, have been incapable of comprehending the fantastic breadth of view and the cynical ambition of the group of ruthless men who govern totalitarian Germany.” Many of de Gaulle’s contemporary speeches sound the same themes.

    Given these sources, Faulkner should have appreciated the statesman’s capacity to comprehend the tyrant’s comprehension. Faulkner did not. He therefore could not assume the statesmanlike artist’s responsibility to present both comprehensions. Faulkner’s mind did not calculate efficiently (he once enrolled in a college math course as an antidote to fuzzy thinking, but quickly dropped out). He knew petty calculators—Snopes—well enough. But great calculators were beyond him.

    One doubly regrets this because “The De Gaulle Story” remains a brilliant screenplay, reflecting the remarkable specimen of human nature who wrote it. Like so many drunks, Southerners, and Frenchmen, Faulkner combined sentimentality with cynicism, orotundity with debunking wit. But Faulkner also had a strength of character that bent in the wind but never broke in a gale. When his firstborn daughter died in infancy, when his young brother died in an airplane crash, Faulkner did what needed doing, without bourbon. He could endure major comic adversities, too—staying sober at his second daughter’s wedding, a dispiriting event in the life of any man. And on public matters, in his last ten years he said things worth heeding about Americans and our relations with the Soviet Union, criticizing his countrymen from the perspective of a moral strength that had nothing to do with moralism. [1]

    Gothicism, the romance of ruined Christianity, and Decadence, the romance of ruined Satanism, provoked the literary ‘modernists’ (we need a better word) to “make it new,” to rebuild or rediscover the foundations of human life. The question of the extent to which this enterprise requires a builder’s ingenuity or a discoverer’s intelligence, is a question familiar to careful students of politics. But not one of the English-speaking ‘modernists’ succeeded politically. Not one adequately integrated politics into his recreation or imitation of the world. None of them got far enough beyond the Gothic and Décadent denigration of politics. This denigration went with the denigration of prudence.

    As he grew older, Faulkner may have glimpsed this. He envisioned another life for himself: “I’d want to come back a buzzard. Nothing hates him or envies him or wants him or needs him. He is never bothered or in danger, and he can eat anything.” The sharp-eyed buzzard, unblinking toward death, who both rises to an overview and descends to the particulars, who excites little comment in either Mississippi or California, and who doesn’t work hard for a living—he, more than the dog, is the philosophic animal. Faulkner was on to something, there. He needed only a more calculating mind to realize it.

     

    NOTE

    1. After some West Point cadets were expelled for cheating, Faulkner said, “They are victims of that whole generation of their fathers, teachers, governors, who promulgated and put on public record the postulate of national fear of our national character: that Americans as individuals or in the mass are incapable of independence, courage, endurance, sacrifice; that in time of trouble we will not hold together since our character is not in the brain nor in the heart, but in the appetites, the entrails; incapable of independence, so we have made charity a national institution; incapable of decision and discipline and government, so we have transferred control of the individual’s slightest action into federal bureaus….” Faulkner declined a State Department request to tour the Soviet Union on the grounds that the Russia which produced Dostoevsky, Tolstoy, Chekhov, Gogol… is no longer there.” “If I who have had freedom all my life in which to write truth exactly as I saw it, visited Russia, the fact of even the outward appearance of condoning the condition in which the present Russian government has established, would be a betrayal, not of the giants: nothing can harm them, but of their spiritual heirs who rik their lives with every page they write; and a lie in that it would condone the shame of them who might have been their heirs who have lost more than life: who have had their souls destroyed for the privilege of writing in public.” In a fittingly less lofty tone, he replied to Khruschev’s prediction, “We will bury you”: “That funeral will occur about ten minutes after the police bury gambling.”

     

    Filed Under: American Politics

    Plato’s “Protagoras”

    January 25, 2018 by Will Morrisey

    Patrick J. Coby: Socrates and the Sophistic Enlightenment: A Commentary on Plato’s Protagoras. Lewisburg: Bucknell University Press, 1987.

    Originally published in Interpretation: A Journal of Political Philosophy. Volume 17, Number 2, Winter 1989-90. Republished with permission.

     

    Intellectuals: What to do with them? With one foot in the cave, one foot out, they urge the citizens within to chain-breaking liberation, charge philosophers beyond with uncaring detachment. Neither fully underground nor above, they would rather lead than think, and thus risk a trampling—voilà, historicism.

    In ‘synthesizing’ politics and philosophy, historicism denies that philosophers see beyond their time and place, even as it holds out the prospect of revelations ‘progress’ will bring. Patrick J. Coby demonstrates the falsehood of this denial, showing that Socrates conceived something very like one of the lower versions of modern utilitarianism, commending it lukewarmly to a sophist it might have tamed. Coby thus uses history to refute historicism, showing that Plato’s Socrates both formulated and implicitly criticized a well-known philosophic doctrine, more than two millennia before ‘its time.’

    Coby fits his commentary to the order of the dialogue, beginning at the beginning and working his way through. The dialogue itself fits its topic—Protagoras, or the nature of sophistry—in being “a war of words.” Perhaps alone among commentators, Coby emphasizes the importance of one silent auditor of the conversation—Alcibiades, here a combative young man attracted by Socrates’ combativeness, in whom Socrates may wish to awaken an erotic attraction to wisdom. A combative soul will want to know how to conquer; it may not know, but merely presume, the worth of conquest. “The difference between knowing [a] doctrine and knowing its worth is the difference between —technē [artistry] and sophia [wisdom],” the wisdom Socrates may want Alcibiades to love. The sophist, preeminent vendor of technē, might easily seduce a spirited young man. Socrates would convince Alcibiades that sophistic technique cannot withstand the manly assaults of philosophy, which enables those possessed by it to wield certain superior techniques along with their superior understanding.

    Despite his apparent spiritedness, Protagoras lacks the true conqueror’s soul; he seeks pleasant safety. “Protagoras is both safe and famous”—or so he believes. “It will be Socrates’ purpose in the dialogue to show him why safety and fame are mostly incompatible.” Socrates does this initially by exposing the contradiction between the sophist’s praise for democracy and the undemocratic character of sophistry itself, which offers a technique for ruling the many, a technique that finally consists more of coercion than of persuasion. The ‘virtue’ Protagoras professes to ‘teach’ amounts to a technique of political control.

    “Justice to Protagoras is what human beings declare it to be.” Socrates undertakes to pull Protagoras away from his conventionalism and toward a low-level appreciation of nature, specifically of pleasure. In doing so, Socrates must centrally prove—not by words but by action—that he can walk away from his audience. That is, he shows his independence from his listeners’ desires, even as Protagoras, despite his boasts of control-techniques, betrays his own subservience. Socrates forces Protagoras to accept short speeches, dialectic, and to eschew rhetorical declamation.

    Protagoras accepts the philosophic form of speech, but tries to escape into the thickets of literary criticism—a move that should amuse readers today who’ve seen much the same strategy at work on college campuses. In fairness, the sophistic, posturing Protagoras does have rather more nobility in him than our ‘deconstructionists’; he at least vaguely senses the appeal of tragedy, of heroic struggle. Socrates responds by citing the example of the Lacedaemonians, an example not likely to move many academics today, but effective in ancient Greece. (Historical relativism does apply to rhetorical appeals, shaped as they are to the character of the audience. Does historicism’s desire to lead, which necessitates the conflation of logic and rhetoric, ‘naturally’ incline its devotees to relativism? That is, does not historicism result ‘logically’ from the intellectual’s libido dominandi?) Socrates claims that those admirable citizens the Lacedaemonians secretly partake of philosophy; “what seems to the world like courage is in fact wisdom.” An esotericism so effective none but Socrates ever suspected it: This “elaborate jest” forms one part of Socrates’ thoroughgoing effort to “intellectualize” the virtues. In its most extreme formulation, this means that virtue is knowledge (easy to practice once you know what it is), vice ignorance. This resembles Protagoras’ notions, with a significant exception: Protagoras only knows his techniques, not nature. Perhaps this accounts for the deficiencies of Protagorean technique; a tool designed for the rule of human beings will fail in the hands of one who does not understand human being. Poetry, being imaginative, more easily lends itself to manipulation by clever technicians than does the logical apprehension of nature.

    Protagoras misunderstands human nature not only in the abstract but in the particular. He will teach, or claim to teach, anyone who pays, regardless of the student’s nature. Socrates would redirect Protagoras’ attention to an art whose primary purpose is perception, not manipulation: “The art of measurement,” better known to readers now as the utilitarian calculus of pleasures and pains. The knowledge this art brings does not reach the heights (or the depths) of human nature; intellectuals, in their ‘middling’ circumstance of soul, cannot stretch so far. But the art does induce them to measure man instead of unwarrantedly supposing man the measure. Knowledge, however narrow, and pleasures, however unrefined, will replace the will to power, and the susceptibility to worship power, so noticeable in sophists generally—a will and a susceptibility that finally issued in historicism.

    Socrates prefers a different solution to the problems of political life and heterodox thought present to each other. By exoteric speech, the philosopher “endeavors to protect the body politic rom indiscriminate rationalism while at the same time making it tolerant of philosophy.” Socrates can indeed befriend political men—at one extreme, the flamboyant Alcibiades, on the other, Crito—and they him. Unfortunately, citizens may mistake the philosopher for a sophist and make him poison himself. The prospect of this inconvenience requires the philosopher to “confront his fellow intellectuals,” to help them deplore the closing of the Athenian mind in some way suited to their own capacities and defects.

    Socrates may harbor some sympathy for the sophistic intellectual, in one sense. The sophist, caught between cave and sunlit fields, in his own way imitates human being, with its “in-between, daemonic nature,” bestial and godlike. Like Nietzsche, Socrates sees the difficulty in tightrope-walking; unlike Nietzsche, Socrates foresees no godlike overcoming of this activity, at least not for any other than the rarest of humans. (Too, Socrates conceives of no creativity in godliness, the creativity that intensifies Nietzsche’s ambition.) Socrates and the Sophistic Enlightenment presents or suggests these issues with a sober, thoughtful precision that enables readers to think more clearly about the problem of thinking in regimes in which popular opinion rises to dominance.

    Filed Under: Philosophers

    • « Previous Page
    • 1
    • 2
    • 3
    • 4
    • 5
    • …
    • 7
    • Next Page »