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    Archives for July 2017

    Rhetoric and American Statesmanship

    July 4, 2017 by Will Morrisey

    Glen Thurow and Jeffrey D. Wallin, eds.: Rhetoric and Statesmanship. Jointly published by Carolina Academic Press and The Claremont Institute for the Study of Statesmanship and Political Philosophy. Durham, North Carolina, and Claremont, California, 1984.

    Originally published in Interpretation: A Journal of Political Philosophy, Vol. 13, No. 2, 1985. Republished with permission.

     

    The senior editor intends “to recapture and examine the older tradition of republican rhetoric and to contrast it with the rhetoric dominating our public life today.” He would do so not for purposes of historiography but for purposes of statesmanship. As citizens forget the principles of republican government, the republican statesman’s task becomes, obviously, progressively dependent upon mere fortune. That statesman’s task involves understanding those principles and making them understood or, at least, sufficiently understood to withstand challenge. Understanding political principles requires speech—private speech, which is philosophic at its best, and public or rhetorical speech. But if we conceive of rhetoric as the use of words as weapons, and if we replace speech with ‘communication,’ we lose the distinctions between freedom and slavery, humanness and animality. The authors of the eight essays in this volume insist on these distinctions.

    Eva T. H. Brann and Forrest McDonald examine the rhetoric of two American founders, James Madison and Alexander Hamilton. Brann gives a careful interpretation of Madison’s “Memorial and Remonstrance” to the Virginia Assembly, a petition against Patrick Henry’s bill establishing a provision for teachers of religion. Madison’s politically successful argument emphasizes the individuality of religious convictions, that is, the absolute duty of each person to God and the allegedly consequent right to privacy of conscience. This argument for religious liberty does not presuppose a doctrine of “mental liberty,” for Brann’s Madison believed opinions and beliefs involuntary. One might say that Madison reflects a paradox if not a contradiction of much modern thought: its enthusiasm for religious, political, and economic liberty based on a doctrine of mental determinism. Indeed, in private correspondence Madison advocated the encouragement of numerous small religious congregations (at times citing Voltaire as his source for this inspiration) in an argument he would reiterate in political terms during his famous treatment of, and for, faction. Madison’s Humean rhetoric of “measured passion and sober ardor” advanced a “harmonizing of the spirit of the Enlightenment and the claims of Christianity” (emphasis added).

    McDonald recovers Hamilton’s distinction between popular and public opinion—the former being vulgar, the latter associated with the status and responsibility of manhood. Popular opinion is democratic; public opinion is republican. McDonald goes further, writing that in the 1780s Hamilton “learned from study of the principles of natural law that morality, in the long run, was a more stable foundation for government than was economic self-interest.” Hamilton, then, was an Aristotelian, McDonald claims, notwithstanding the somewhat dubious standing of natural law in Aristotle’s thought—a concept that appears only (as it happens) in the Rhetoric. McDonald acknowledges that in Federalist 31 Hamilton treats geometric and moral truths as equally certain, a more ‘Enlightenment’ than Aristotelian thing to do, but he insists that Hamilton did this only for rhetorical effect. McDonald also acknowledges Hamilton’s intellectual debts to Adam Smith and David Hume, without exploring their relation to Aristotelianism.

    The rarity of traditional rhetoric may be seen in the fact that the editors select only one American, Calvin Coolidge, who is supplemented by Winston Churchill. Thomas B. Silver finds Coolidge’s central theme “not the exaltation of greed but the exhortation to virtue,” more, to “classical ideals.” Silver rejects the characterization of the Founders as Lockeans, insisting that “modern democracy does not arise out of the licentious impulses in the human soul. It arises as a response to arbitrary or artificial rule.” Far from rejecting human excellence or virtue, modern democracy presupposes the individual’s self-government, Silver argues. This edifying interpretation of the Founders’ thought must of course withstand a careful examination of what those great men meant by arbitrary or artificial and its opposite, the natural.

    Larry P. Arnn presents a subtle argument concerning Churchill’s rhetoric. Examining two early Churchillian writings (an essay on rhetoric and a political novel), Arnn discovers a much more complex mind than most detractors or admirers have suspected. In the essay, Churchill writes that rhetoric manipulates human beings by exploiting both human ignorance and the human desire to know; by the use of analogy, connecting the known to the unknown, the concrete to the abstract, the finite to the infinite, the rhetorician wields what Churchill calls a weapon—one that can, in Arnn’s words, “dominate a political issue.” Churchill appears to redeem the rhetorician by claiming that he must be open and sympathetic to the people, sentimental and earnest. He is a manipulator, but not a “detached manipulator.” A detached manipulator might be a tyrant.

    In Savrola, Churchill’s only novel, we find a somewhat different teaching. The rhetorician is “responsible for the actions of the crowd he addresses,” therefore not completely OF the people. “Savrola’s democracy…. is a democracy founded upon an unchanging standard, a standard that determines what constitutes excellence or superiority….” Discovering that standard requires private thought, not public speech or sympathy. Although Arnn does not explicitly say so, this means that the Churchillian rhetorician is something of a detached spectator. He is perhaps not quite a philosopher, either; he is an “independent statesman.” Rhetoric “unites the two aspects in [the independent statesman], the aspect having more to do with the urgencies of the moment, and the aspect having more to do with the enduring questions posed by politics.”

    With the exception of Silver’s Coolidge, each of the “traditional” rhetoricians combines classical and modern thought in some way. Given limitations of space, none of the writers except Brann precisely measures the ratio of classical to modern. The volume’s other four writers discuss contemporary ‘rhetoric,’ better called “popular or mass rhetoric” (Jeffrey Tulis), “liberal democratic rhetoric” (John Zvesper), Holmesian rhetoric (Walter Berns), or “communication” (Harvey C. Mansfield, Jr.). Whatever it is called, there is no doubt concerning its modernity.

    Tulis remarks that the Founders and almost all of the nineteenth-century presidents spoke to the people through Congress, appealing to Constitutional principles. The only one who did not was Andrew Johnson, and the tenth Article of Impeachment against him cited “intemperate, inflammatory, and scandalous harangues, delivered in a loud voice.” By contrast, Woodrow Wilson spoke to Congress through the people, anticipating the now-customary practice of attempting “to build ‘visions’ of the future out of undisciplined vulgarizations of leading strands of contemporary thought.” As a result, Tulis notes, Congressional deliberation atrophies, presidential thought declines to crowd level, and the people lose respect for their putative ‘opinion leaders.’

    Zvesper describes the problem faced by Wilson’s political heir, Franklin Roosevelt. Observing that the word ‘rhetoric’ usually carries pejorative weight in contemporary progressive-liberal discourse, in which it conjures images of “passionate controversy” and “illiberal claims to power,” Zvesper sees that liberals must seek a way to “say something as strong as” passion and illiberality without becoming themselves illiberal. To do this progressive-liberals have little choice but play their own (as it were) rhetorical strength by combining “finality and progress,” “moderation and daring.” Roosevelt did not entirely succeed in this. He was too ‘conservative’ in the sense that he wrongly assumed U. S. industrialization had ended, that the political task was to more justly manage a permanently limited economy—a theme, it might be added, that has recurred in every generation of progressive-liberals since then. Administrators, captains of social work, would replace captains of industry, FDR hoped. In attempting to effect this replacement, Roosevelt not only neglected the persistence of entrepreneurial daring but occasionally neglected rhetorical moderation, as in his complaints against the “new despotism” of “economic royalists.” In a spirit of helpfulness, Zvesper encourages progressive-liberals to manifest “righteous anger” against individual opponent while eschewing expressions of “passionate hatred” aroused against a social/economic classes. This might prove a difficult line to walk.

    Walter Berns finds a forerunner of Wilson not in the partisan political arena but on the Supreme Court. Owing in part to the influence of Oliver Wendell Holmes, “instead of defending constitutional principle from popular majorities, the Supreme Court… has come to see its function as that of imposing ‘modern authority’ on a population that is not disposed to accept.” As with the office of the presidency, this high trendiness causes the people to “lose respect” for the Constitution. As it must: progressivism points not to things past for its authority but to ‘the promise of American life,’ to the future. At best it can allow that the Constitution was ‘good for its time.’

    Harvey C. Mansfield, Jr., agrees with Berns that the phrase ‘modern authority’ constitutes a near-oxymoron. What is now called ‘communication,’ as distinguished from rhetoric, levels distinctions among citizens of different countries and in that sense is apolitical. Communication stresses novelty as against tradition and custom, the ‘rule’ of ‘intellectuals’ as against political rule, and the excitation of “feelings” (particularly compassion and indignation, sentiments associated with insecurity, mortality) as against religion or philosophy. Mansfield calls this “an idealism of materialism.” Not speech or deliberation but decision, tending toward the impassioned and the arbitrary, issues from this peculiar idealism. Among philosophers, Kant insisted on the moral importance of decision, but he was no simple materialist, and scarcely was one to valorize passion. “Today we might regard Kant’s confidence in knowing evil and good as naïve, but to make up for this, we assume with greater complacency than he that ignorance of good and evil do not matter.” By “we” Mansfield means democrats generally but democratic intellectuals preeminently. Such complacency tends to undercut intellectuality itself: “How can intellectuals retain their status if they admit that information has replaced deliberation and no longer assert that the intellect elevates them above others? To reflect on that question, a philosopher is needed.” The philosopher might begin by considering the mental determinism Brann ascribes to Madison and the extent to which it might come to weaken the deliberative capacity, over the generations. An intellectual historian might come to doubt whether Madison really considered himself and his colleagues to have been intellectually ‘determined’ at all; in any event, they didn’t act as if they did.

    This book should strengthen the deliberative capacity of its readers and therefore deserves as large a readership as can be reconciled with deliberativeness.

    Filed Under: American Politics

    Dante’s Heterodoxy

    July 3, 2017 by Will Morrisey

    Ernest L. Fortin: Dissidence et Philosophie au Moyen Âge: Dante et ses antécédents. Montreal: Bellarmin, 1981.

    Review published in Interpretation: A Journal of Political Philosophy. Volume 12, No. 1. 1984.

    [Two decades after its publication, this book was translated into English and republished under the title Dissent and Philosophy in the Middle Ages: Dante and His Precursors. Marc A. LePain translation. Lanham: Lexington Press, 2002.]

     

    Artful self-contradiction and even syllogisms left incomplete enable philosophic writers to suggest unpopular thoughts to some readers. but poetic writing poses a dilemma for careful readers. Is the self-contradicting poet rational? Does he aspire to reason? Or does he believe something “because” it is absurd? (Walt Whitman put it with equanimity: “Do I contradict myself? Very well then I contradict myself….”)

    Dante appears to bring fewer problems in this respect than, for example, Shakespeare. Dante celebrates reason. But he also celebrates Christianity, founded in part on the teaching that philosophic wisdom is folly. Does the poet who celebrates reason and Christianity subvert Christianity or baptize reason? How can anyone find out?

    Fortin opposes the majority of today’s medievalists, who regard Dante as a poetical Aquinas. More than one-third of the pages here consist of firm scholarly assurances that such a thing as “the politic mode of philosophy” exists. (Although contemporary scholars readily accept the existence of mystical esotericism, rational esotericism seems much more improbable to many of them). Fortin discusses al-Farabi, Averroës, and Maimonides, tracing their kind of writing to Plato. He recounts the condemnation of Aristotle’s works in 1277 by the Bishop of Paris, Étienne Tempier. He prudently observes that Siger and Boethius, Aristotle’s ill-fated medieval apologists, “had not sufficiently reflected upon the human and social conditions of philosophy”; their excessive candor almost invited the Bishop’s revenge. If Dante was indeed an Aristotelian, he had every reason to proceed with caution.

    In Paradiso, Dante represents Siger’s sole wrong as the teaching of “truths susceptible to stirring up the malevolence or envy of his contemporaries.” This is one of several Dantean teachings that might stir malevolence or envy against Dante, were they not seemingly overwhelmed by far more numerous pieties. Fortin refuses to be overwhelmed—even to the extent of writing that Dante regarded political philosophy as “this master discipline” less than twenty pages after quoting Dante’s slightly different assertion that political philosophy is the “master of public things.” Such well-shaded imprecision, coupled with the necessarily selective approach to evidence that the brevity of his interpretation requires, will surely not force “apologists for the orthodox Christianity of the poem [to]…. admit their impotence before this opaque residue that ceaselessly comes to trouble our [!] repose and puts all in question.” Those apologists have their own reservoirs of ingenuity. That notwithstanding, one may say with some certainty that Fortin instructively follows an observation by one of his teachers, Leo Strauss, who noticed that when most readers come across a passage in a long and complex book which contradicts the overall argument the author seems to be making, they tend to overlook, ignore, or explain away the anomaly. Fortin is not such a reader.

    Fortin’s strength will force some readers to look at the Commedia with more care, and more skepticism. At the very beginning of his commentary he observes that he does not intend to offer a comprehensive interpretation of the poem, only to spur the curiosity of others. He recognizes that a conclusive interpretation would have to show how the whole poem works.

    Filed Under: Philosophers

    Averroes’ Commentaries on Aristotle

    July 3, 2017 by Will Morrisey

    Charles E. Butterworth, ed.: Averroës’ Three Short Commentaries on Aristotle’s “Topics,” “Rhetoric,” and “Poetics.” Albany: University of New York Press, 1977. Charles E. Butterworth translation.

     

    Averroës’ name, synonymous with skepticism, might better be associated with coherent skepticism’s only basis: a rigorous standard for the establishment of certainty. These commentaries form part of a series of commentaries on Aristotelian treatises, the majority of which concern logic. In them, Averroës measures not only the Koran’s teachings in accordance to a logical hierarchy; he measures Aristotle’s teachings, as well.

    Butterworth recalls that Averroës was considered “the commentator on Aristotle” by medieval scholars, not only by Muslims but by Jews and Christians (vii). These scholars esteemed commentary as a philosophic genre far more than most do today; “with the spread of the assumption that all things evolve through time, inventiveness has come to be acclaimed the mark of excellent thought and commentary condemned as imitative or servile” (vii). But on the contrary, “the art of the commentary was completely transformed” by Averroës, as he presented “a unique interpretation of Aristotle’s ideas under the guise of a commentary” (viii). With a succession of deft omissions and additions to Aristotle’s actual arguments, Averroës makes a “consideration of the logical arts” into “little more than a veil behind which [he] evoked the problematic relation between philosophic thought, religious belief, and political conviction” (ix). “Starting with the particular perspective of Islam, Averroës was able to raise the universal question of the relation between philosophy, politics, and religion” (ix). We are likely intended to notice that in his second formulation of these three topics, Butterworth has shifted politics to the central position. And indeed all three commentaries are concerned with assent, a problem at or near the core of politics. Each treatise presents “ways of imitating or abridging correct reason in order to influence other human beings,” especially as regards their “political decisions and religious beliefs” (19). “His thought about this problem was based on specific ideas about the logical character of different kinds of speech, their proximity to certain knowledge, and the investigative or practical purposes to which each might be put” (21). “These treatises contain the fullest statement of the grounds for Averroës’ abiding disagreement with those who considered themselves the defenders of the faith” (21).

    Averroës ranks the “logical arts” in a hierarchy, with demonstration at the apex, followed by dialectic, sophistry, rhetoric, and poetics. He does so in order to study other arts, which turn out to include dialectical theology, traditional theology, and traditional jurisprudence.

    Aristotle’s Topics concerns dialectic. Whereas Aristotle regards dialectic as a means of bringing the man partial opinions up to the standard of truth, and even as a means of examining “the ultimate bases or grounds of each science” [Topics 101a25-101b2], Averroës regards dialectic’s materials (opinions) too weak to support philosophic certainty. As Butterworth explains, “the crucial difference” between demonstrative and dialectical argumentation “is that dialectical premises may be false”—chosen for their “renown”—”whereas demonstrative premises are always certain and true” (25). In particular, induction cannot yield such certainty because the necessity of the universal cannot be proven by collecting some or even all the particulars; induction cannot demonstrate because it cannot set forth what Averroës calls the essentially necessary predicate of the argument. His example of this is a critique of an argument by Muslim dialectical theologians as a proof that the world was created, although Averroës carefully avoids mentioning those theologians in the course of his discussion. Tellingly, Averroës relegates his explicit discussion of dialectical theologians to his commentary on the Rhetoric. Dialectical training, he writes, “seems unnecessary for the perfection of the demonstrative arts” (55). He is silent on Aristotle’s contention that dialectic is useful in conversation, in the philosophic sciences, and even in demonstration itself because it examines “the ultimate bases or grounds of each science” (Topics 101a25-101b2).

    Rhetoric ranks still lower than dialectic in the hierarchy, as it does for Aristotle. Averroës considers rhetoric, not dialectic, to be (in Butterworth’s words) “the proper art for instructing the general public or addressing it about any matter” because it “permits the speaker to pass over difficult matters or even to be deceptive regarding them, whereas such practices cannot be admitted in dialectic argument” (29). But Aristotle regards rhetoric based on enthymeme as at least partly reasonable, not merely useful; this may coincide with his well-known advice that one should seek “as much clearness as the subject matter admits of, for precision is not to be sought for alike in all discussions, any more than in all the products of the crafts” (Nicomachean Ethics 1094b3). Averroës tolerates imprecision less, perhaps because in his day the dialectical theologians defended Islam with enthymemes, which he calls “unexamined opinion previously existing among all or most people” (63-64). Averroës also goes so far as to cast doubt on rhetoric’s “most powerful” non-syllogistic technique, testimony (74)–the basis of most theologies, dialectic or otherwise. As Averroës wryly puts it, “As for imagining that something is impossible when it is possible, there are many things whose existence is not difficult when the beliefs of the multitude about them are considered” (70). He singles out Aristotle’s short treatise On Prophecy in Sleep, which casts doubt on prophecy as delivered in dreams, which happens to be the means by which Mohammad perceived prophecies. He ranks religious testimony, tradition or community consensus, and the performance of miracles below enthymemes (77), just before he makes his first mention of the social and political nature of man.

    Poetry ranks below rhetoric. “[S]peeches [that] cause something to be imagined are not speeches [that] make its essence understood” (83). What poetic imagery really does is to “move the soul to flee from the thing [imagined], or to long for it, or simply to wonder because of the delightfulness” of the imagery itself (83). Poetic metaphor can be deceptive if taken literally, especially if the thing or person described is difficult to conceive (like God, Butterworth observes, in a note). He goes on to note that Muslims often regard the Koran as “the best example of poetic excellence in Arabic” (38-39).

    Averroës’ emphasis on demonstrative certainty in establishing the truth might be thought to be a response to the very high stakes the Koran puts on its own presentation of the truth, and on fidelity to that truth. Butterworth’s candid, astute introduction, along with his notes, serve to illuminate these texts in their entirety, or very close to their entirety. In addition, he provides careful English translations, the Arabic texts themselves, and three indices (of names, of titles, and of technical words): all the assistance contemporary readers will need to renew Averroës thought in their own minds.

    Filed Under: Philosophers

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